Showing posts with label pedal. Show all posts
Showing posts with label pedal. Show all posts

Sunday, October 28, 2012

Line 6 JM4 Looper Review

Line 6 JM4 Looper
Average Reviews:

(More customer reviews)
This thing has some cool features, but a lot of junky ones. I was hoping they would keep a continuance of downloadable tracks, but they don't. I dig jazz, but there are only two jazz tracks and a large assortment of rock or metal tracks, all very bland and unexciting. The biggest problem, is that if you get your presets just right, and then switch tracks, it alters your guitar tone to fit the song, so you have to redial your guitar in, might not be a problem if you just want to fit in with them, but if you have a hollowbody hooked up and it switches to Insane Metal your amp is trashed! I suppose you could save your presets, but you should be able to set it and forget it without turning features off.
The record sound is attrocious too. I have saved several tracks to the sd card and transfered them as waves to my ipod, they sound horrible: muffled, undynamic. I know its not a four track, but it acts like one so should function like one too. Could probably do better with a tape recorder.
The pitch and tempo changes don't work either. They say it doesn't alter the tone, but they are lying. The drums take a digital stretched sound if you alter the tempo.

Click Here to see more reviews about: Line 6 JM4 Looper

The Line 6 JM4 Looper combines sound-on-sound looping with thrilling jam tracks and a full arsenal of legendary Line 6 tones. JM4 Looper features over 100 Endless Jam tracks and drum grooves in more than 10 styles performed by top LA and Nashville session players. These tracks are not rigid and robotic; these are actual recordings laid down by A-list drummers, bass players and guitarists. The real-world chemistry from these dynamic rhythm sections is here for you to explore your creativity in writing songs, trying out solo ideas or just honing your chops between gigs. With up to 24 minutes of recording time, and storage for up to 100 recorded jams, JM4 Looper lets you capture all your riffs and musical ideas. Plus, store more jams, export your jams to your computer's recording software and post jams online all through the SD card slot. The looper has dedicated footswitches for Record/Overdub, Play/Stop, Half Speed and Undo for super-easy practicing, songwriting and creation of an entire backing band on the fly. Layer guitar tracks, bass tracks, keyboards-even vocals with the balanced XLR microphone input. Complete with a comprehensive collection of brilliant modern and historic guitar tones, JM4 Looper gives you access to 200+ artist-created presets, 150+ song-based presets, 12 Line 6 amp models and a stunning array of effects for guitar and vocals. There's even room for 36 presets of your own creation. AmericanMusical.com is an authorized dealer of Line 6 products.

Buy NowGet 34% OFF

Click here for more information about Line 6 JM4 Looper

Read More...

Thursday, September 6, 2012

Boss RC-2 Loop Station Review

Boss RC-2 Loop Station
Average Reviews:

(More customer reviews)
I just want to mention that the other reviewer got something wrong. He mentioned that when you find a drum beat you like and accidentally go forward to another beat that you CAN'T go back to the previous one..He's wrong you CAN go back. You have to select the little musical note and press the "tap tempo" button. But anyway..About my review..
To me this pedal is near perfect.And I absolutely love it. I feel like i cant play with out this now...
The features : There are a lot of drums beats to choose from and they can easily be changed into a different tempo if they are not as fast or as slow as you would like them to be. There is also 11 spaces to record your songs/phrases to. and 16 minutes of recording which is more than enough for me but if it had more time i'd be happier.
If you want to record clean sounds with the pedal then thats ok. But if you want to use distorted guitar sounds you need a distortion pedal to go before the pedal or else the drums will distort. So if you plan on buying this pedal to record rock songs you might want to invest in a distortion pedal.
This pedal is the closest thing i have to having someone else to play with. It's also a great tool for learning songs that have more than one guitar. You just gotta record each guitar but that doesn't matter because its a whole lot of fun anyway.
The first couple of minutes with this pedal might seem confusing and maybe frustrating for others. But after about 20 minutes or so you really start to get the hang of it and what it can do. The only problem i've had with this pedal is that right from the start the AUX input didn't work,forgivable this time because a lot of my amps and stuff already have AUX inputs. I love this pedal and so will you.. I rarely ever play with out it now. And for $150 its worth it..unless you want to buy it on musiciansfriend for 189. go for it.
I also recommend an adapter for it like with any pedal these suck out the batteries power like nothing.

Click Here to see more reviews about: Boss RC-2 Loop Station



Buy NowGet 43% OFF

Click here for more information about Boss RC-2 Loop Station

Read More...

Wednesday, June 13, 2012

Boss BR600 Digital Multitrack Recorder Review

Boss BR600 Digital Multitrack Recorder
Average Reviews:

(More customer reviews)
I have had this recorder now for almost 3 months and I am blown away by the capabilities of this unit.
Expect This:
1) Small
2) Light weight
3) Excellent sound quality
4) Easy to operate basic features
5) Can back up songs to computer (and reload them back into unit)
6) Programmable drums (you can string together patterns into a "song" or tap in your own patterns)
7) Nice amp modeling (lots of "stomp box" settings and Bass guitar simulations so you can play bass with a regular guitar..and it sounds believable)
8) Nice effects (reverb, chorus, delay, comp. limit, etc.) that you can program to some extent
9) Has a line in so you can use an external mixer if you want
10) Onboard stereo Mic is astonishlingly clear and sensitive (you can record live gigs with nothing plugged in)
11) Seperate rhythm track fader so you don't waste a track for drums
12) 64 virtual tracks so you can have different 8 different performances on say Track 1 (but you can only play select and play one at a time...but cool for alternate versions of a song)
13) Cut and paste performance data on the same track or between tracks
14) Punch in/out recording so you can zero in and re-record over "bad sections"
15) Pitch correction that actually will correct your off key singing (not the best quality but ok)
16) Excellent tool for the singer/songwriter to "flesh out" ideas into a digital quality recording
Don't Expect This:
1) No way to sync with external sequencer (no SMPTE or MTC)
2) Can only record two "things" at a time (guitar/mic, 2 mics, or 2 guitars) unless you use external mixer
3) Easy access to features (with a single small LED display you are stuck with "menu trees")
4) The batteries to last long. I put new batteries in and got the "low battery" message only after 1 hour of use. I use AC all the time so not a big deal to me.
5) The 125 Meg card to hold more than about a single fullup 8 track song (get the 1Gig card immediately...only about $30)
6) To have 8 independent tracks. You have 4 mono tracks and 2 stereo tracks so it is really a cross between a 6 track and 8 track recorder...depending on how you look at it.
7) Export your whole song in .WAV or .AIFF format (only individual mono/stereo tracks can be exported so do all your tracks is sort of time consuming...but it can be done)
8) Great microphone performance (the preamp is a little weak...at least for the dynamic cardioid that I use
Given all the above I still give it 5 stars and here is why:
1) Form Factor (small and lightweight)
2) Sound quality
3) Ease of use (to lay down multiple tracks quickly)
4) Onboard rhythm (hundreds of patterns (intros, verses, fills, and ends) that you can string together.
5) Onboard amp modeling (and especially the bass simulation....don't have to buy a bass guitar)
6) Cost....incredible amount of features/quality for $350. I had a studio in LA 15 years ago and this unit is the equivalent of over $5000 worth of gear (8 track cassette deck, effects boxes, bass guitar, guitar amp, and drum machine). I can't believe how all this stuff is now part of something the size/weight of a magazine.
7) Easy backup of data on computer so you can have a downloadable "library" of songs and download them seperately when you want to work on them.
The only feature I wish this thing had was a way to sync up with a DAW sequencer. But you can always export your tracks out as WAV or AIFF files and import them into your DAW.
But for me, I just want something that is always ready to go if I get an idea for a song and I don't want to have to boot up a computer or play with a bunch of cords and gear. I just turn this thing on with nothing attached, grab my acoustic guitar, and sing/play thru the built in Mics to "get the idea down". Then I go back later and "do it right".
My two tips are:
1) Get the 1Gig card as the 125Meg card is just too small for real work
2) And "if" you are unhappy with the Mic sound, run your Mic into a preamp and feed the signal into the unit thru the line in. When I did this my vocals became "alive". The guitar in has plenty of "oomphf".
I love this unit. It does everything a singer/songwriter who wants to quickly sketch out ideas could want. And if you want to do some quality recording it will do that too.

Click Here to see more reviews about: Boss BR600 Digital Multitrack Recorder



Buy Now

Click here for more information about Boss BR600 Digital Multitrack Recorder

Read More...

Wednesday, May 2, 2012

Pinnacle Powered Pedalboard Case Review

Pinnacle Powered Pedalboard Case
Average Reviews:

(More customer reviews)
Used this product to carry my pedals to rehearsals and gigs. Three years of use and still like new.
The included cables and ac adapter are very good. It even comes with Velcro glued tape inside!
I'm not rating it five stars because the lack of the 6" Mono audio cables for the pedals.
Overall great poduct!


Click Here to see more reviews about: Pinnacle Powered Pedalboard Case



Buy Now

Click here for more information about Pinnacle Powered Pedalboard Case

Read More...

Tuesday, February 14, 2012

DigiTech RP255 Modeling Guitar Processor and USB Recording Interface Review

DigiTech RP255 Modeling Guitar Processor and USB Recording Interface
Average Reviews:

(More customer reviews)
The RP255 does everything Digitech claims it does. About the 20 second looper- 20 seconds might not seem like a lot of time, but considering the fact that you can dub-over trac after trac, it's more than enough time. All of the sounds it produces are "AMAZING". I'm doing things and creating sounds, and music I never dreamed of. I almost went with the RP155, but I'm glad I spent a little more and got the expression pedal, It's more than just a "volume" or "WAH" pedal. It's just a lot of fun. I have not begun to create my own music yet, but I will as soon as I install the cubase LE4 software. It's the best thing I ever bought for my guitar. I have a new found love for my giutar. I just can't say enough about it, but Digitech can. Go to Digtech.com- go to products, then RP255- and they have a nice little video "demo" on this and several other RP's. I did a lot of research befor my purchase, and this thing flat-out "BLOWS AWAY" the competition. More effects than the others- "USB" computer recording & editing- plus the looper. Try to find just the looper, not to mention all of the incredible effects this processor has on any other effects processor, it just can't be done, not even at twice the price! And I did some serious looking around.

Click Here to see more reviews about: DigiTech RP255 Modeling Guitar Processor and USB Recording Interface



Buy NowGet 41% OFF

Click here for more information about DigiTech RP255 Modeling Guitar Processor and USB Recording Interface

Read More...

Wednesday, February 8, 2012

DigiTech RP55 Guitar Multi-Effects Processor Review

DigiTech RP55 Guitar Multi-Effects Processor
Average Reviews:

(More customer reviews)
I've been through 2 of these and really liked them...until they both died.
This pedal is very easy to use and manipulate and the effects are really cool. #'s 21, 9, & 48 were my favorites, but you can get just about any sound or combination of sounds from this thing and it's a lot of fun both in practice and on stage.
But, here's the problem...they don't last long.
The first time mine died on me was during a pre-gig soundcheck. It just completely died.
So, figuring it was just an anomoly and the fact that I really liked it, I bought another one. This second one lasted about 10 months. It didn't die, but all of the sudden out of the blue all the settings and effects changed. It sounded tinny, then muffled, then too loud, then too soft. I tried to re-set it the way the users manual tells you...but it didn't work.
This time I'll try a different kind and see if can last oh, maybe a year!
This thing is really great, but...like most of my romantic endeavors, they don't last.

Click Here to see more reviews about: DigiTech RP55 Guitar Multi-Effects Processor



Buy NowGet 25% OFF

Click here for more information about DigiTech RP55 Guitar Multi-Effects Processor

Read More...

Tuesday, February 7, 2012

Zoom G2.1U Guitar Effects Pedal with USB Interface Review

Zoom G2.1U Guitar Effects Pedal with USB Interface
Average Reviews:

(More customer reviews)
I've had this unit for over a year now, and have used it for practicing (mainly through headphones, occasionally plugged in to my little Marshall MG15-CDR), a few jam sessions, and a bit of recording into GarageBand on my MacBook Pro.
On the positive side:
- Very solid construction.
- USB audio interface works great with GarageBand, both for input (guitar signal going to MacBook) and monitoring (listening to already recorded tracks plus the track you're recording via the G2.1u's headphone output). When connected via USB, it gets power via USB too.
- Runs for several hours on 4AA batteries. I use rechargeables. (Never bothered with an external AC adapter).
- Excellent sound quality. All the fx sound quite good. The ZNR soft noise reduction really handy if you've got a bit of low-level hum/buzz from single-coil pickups.
- Pretty easy to dial in your own sounds.
A couple of downsides:
- No aux input! IMO this is *the* single missing feature that limits this unit's usefulness for practicing. I would love to be able to plug in an iPod. (Thinking of buying a Line 6 Pocket POD for this).
- The cabinet / mic modelling doesn't sound very convincing to me.
- With only two foot switches for stepping up/down through your list of patches, it can be awkward switching patches in the middle of a tune (e.g. between rhythm and lead settings) unless you've stored them on adjacent patch numbers. Really no way around that without having a bigger box with more footswitches.
All in all, a nice unit, and good value. Probably most useful as a recording interface using the excellent USB audio interface. OK for for live use (with caveat about limited footswitches) and for practicing (as long as you don't want to jam along with your iPod).
..............
Update December 2008: I got myself a Vox Amplug AC-30 a while back. Fun little unit (if a bit overpriced for what it does) - plug it into your guitar, plug in a mp3 player & some headphones, and jam away. Turns out it can also be used to get around the G2.1u's lack of an Aux input.
Just plug the Amplug into the G2.1u's output, and connect your headphones and mp3 player to the amplug. With the right settings on the Amplug (at least the AC-30 version), the Amplug runs pretty clean, so at the Amplug's headphone output you hear essentially the same as you'd hear if you plugged your headphones directly into the G2.1u.
Obviously this is a bit of a kludge, but if you happen to have both units, this is an option...

Click Here to see more reviews about: Zoom G2.1U Guitar Effects Pedal with USB Interface

The G2.1u pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2.1u pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows versatile remote operation With an optional foot switch (FS01) you can set tempos for delay time and modulation rate. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Expression pedal adds further versatility to your guitar play The built-in expression pedal is a great way to control effect parameters in real time. Control the vintage wah, pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb. The dedicated PEDAL ASSIGN key and status LED indicators make it a cinch to select the effect to control. Effect on/off switching is also possible by pushing the pedal fully down.
USB port enables computer recording The USB port allows the unit to function as an audio interface for a computer. Simply connect a USB cable to utilize the high-quality sound of the G2.1u in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the G2.1u itself, there are no latency problems during recording. Powering the unit from the computer via the USB bus is also supported.
What's in the Box Zoom G2.1u Pedal, AC Adapter, User's Manual, Cubase LE Install Disc

Buy NowGet 34% OFF

Click here for more information about Zoom G2.1U Guitar Effects Pedal with USB Interface

Read More...

Friday, January 13, 2012

New Double-Bass Drum Pedal Dual Chain Driven by Gammon Percussion Review

New Double-Bass Drum Pedal Dual Chain Driven by Gammon Percussion
Average Reviews:

(More customer reviews)
Great value for the money! I am new to double bass drumming and this seems like a quality product. Double springs on the main pedal and a single spring on the slave. Nice beaters with full adjustment of the spread and height against the small Yamaha electronic kick pad. Works well!! I just wish it came with instructions, but then again, it doesn't take a rocket scientist to assemble it...wait a sec...I am a rocket scientist!

Click Here to see more reviews about: New Double-Bass Drum Pedal Dual Chain Driven by Gammon Percussion



Buy NowGet 65% OFF

Click here for more information about New Double-Bass Drum Pedal Dual Chain Driven by Gammon Percussion

Read More...

Tuesday, December 6, 2011

DigiTech BP50 Bass Multi-Effects Processor Review

DigiTech BP50 Bass Multi-Effects Processor
Average Reviews:

(More customer reviews)
I have the RP250 and RP350 effects pedals from Digitech. Simply the best available for the money in my opinion. I started playing bass recently and thought I'd check out this little BP-50 unit. I realised its aging a little now and newer Bass effects units are available, but for the price, I was really only looking to dip my toes in the water so to speak. Anyway there is a reasonable set of pre-made patches and the ability to modify them. Not as easy as with the RP250/350 where you can hook up to a computer and modify, but nonetheless it can be done if you havew a bit of spare time. I was perhaps most impressed with the lack of white noise passed through the unit. Very clear sounds with little noise evident with most patches. Sure, it could be better, but its old-ish now and not the latest and greatest technology on offer, but good for an intro bass effects unit for the newer bass player.


Click Here to see more reviews about: DigiTech BP50 Bass Multi-Effects Processor



Buy NowGet 32% OFF

Click here for more information about DigiTech BP50 Bass Multi-Effects Processor

Read More...

Monday, December 5, 2011

Yamaha FC-5 Sustain Pedal for Portable Electronic Keyboards Review

Yamaha FC-5 Sustain Pedal for Portable Electronic Keyboards
Average Reviews:

(More customer reviews)
Growing up with an acoustic piano, I was uncomfortable with how the FC-5 Sustain Pedal felt. For me to tell when I was pressing the pedal or not, I had to take my shoes off. Unwilling to be an environmental hazard, I decided to purchase a pedal that has the feel of an acoustic piano's pedal. (Much better than buying that yellow tape to surround myself with...)
If you are looking for the feel of an acoustic piano's pedal, I would recommend the FC-4. Or if you want the same feel with a pedal that can do more than just sustain, I'd recommend the FC-3.

Click Here to see more reviews about: Yamaha FC-5 Sustain Pedal for Portable Electronic Keyboards

This handy sustain pedal/FS controller hooks up to any synthesizer, tone module, or drum machine with a .25-inch phone jack sustain-pedal input. Specific compatible Yamaha devices include the PSR-D1, PSR-195, PSR-225, PSR-225, PSR-240, PSR-248, PSR-270, PSR-330, PSR-340, PSR-530, PSR-540. Its five-foot cable affords ample placement options.What's in the Box Sustain pedal/FS controller and an instruction manual.

Buy Now

Click here for more information about Yamaha FC-5 Sustain Pedal for Portable Electronic Keyboards

Read More...

Monday, October 31, 2011

Promark K-Rod Kick Rod Bass Drum Beater Review

Promark K-Rod Kick Rod Bass Drum Beater
Average Reviews:

(More customer reviews)
I'm in a one man band, this is exactly what I needed to get a perfect hit on my snare drum. Yes they do break into pieces after many months of use, but it's worth it for the sound and time you do get with it.

Click Here to see more reviews about: Promark K-Rod Kick Rod Bass Drum Beater



Buy NowGet 43% OFF

Click here for more information about Promark K-Rod Kick Rod Bass Drum Beater

Read More...

Friday, July 29, 2011

Zoom G2 Guitar Effects Pedal with Drum Machine Review

Zoom G2 Guitar Effects Pedal with Drum Machine
Average Reviews:

(More customer reviews)
When you have a beguinner rocker in the family you have to find a way to develop his rhythm technique. Throw out the metronome and get this cool pedal. It's easy as heck to use and as fun as the day is long! The drum patterens are varied and really sound good, not like electronic drums and there are lots of interesting guitar sounds and effects. Highly recommended!

Click Here to see more reviews about: Zoom G2 Guitar Effects Pedal with Drum Machine

Introducing the G Series from Zoom. G2 pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2 pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows versatile remote operation With an optional foot switch (FS01) you can set tempos for delay time and modulation rate. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Control the vintage wah, pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb.
What's in the Box Zoom G2 Pedal, AC Adapter, User's Manual

Buy NowGet 46% OFF

Click here for more information about Zoom G2 Guitar Effects Pedal with Drum Machine

Read More...

Tuesday, July 26, 2011

Electro-Harmonix 2880 Super Multi-track Looper Review

Electro-Harmonix 2880 Super Multi-track Looper
Average Reviews:

(More customer reviews)
The 2880 wants to be so much, but misses the mark at times and as such--arguably must take a second chair to the RC-50.
To consider it in a world where no other looper was available, it has some great features (i.e. big switches and loads of time for the four tracks it does offer); but in a world where having the option to select a different bank for a fresh series of loops on the fly exists, the 2880 has no such option. This means you must save the four tracks you just recorded (without any easily visible 'undo' or 'clear' option for each individual track) prior to creating a new set of loops OR lose what you've recorded so far in the process.
The reverse and octave features are nice for mixing layering effects and such you wish to accomplish using only the looper. The addition of a 5th mix-down track is unique, but oddly out of place given the initial limitations on recording. Quantize and Clix features should showcase some of the lofty goals the designers had for this pedal, but instead they highlight the flaws and limitations (no visible BPM, slider to change value, single sound).
If you consider yourself a pedal collector or an organic-loop purist (although this model eschews that analog philosophy for a digital stab at recreating analog action) you might want to add and keep this in your arsenal for its rich history and on-board, on-the-fly mixing and layering options.
If you are looking for a looper with on-board versatility, a deep rhythm section, multiple track recording with multiple storage banks--look elsewhere.

Click Here to see more reviews about: Electro-Harmonix 2880 Super Multi-track Looper



Buy NowGet 25% OFF

Click here for more information about Electro-Harmonix 2880 Super Multi-track Looper

Read More...