Digitech BP80 Bass Multi-Effects Processor with Expression Pedal and Power Supply Review

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(More customer reviews)This product is wonderful and I was impressed in the speedy delivery to my house. I recommend it.

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Zoom G1 Guitar Multi Effects Pedal Review

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(More customer reviews)If you have an electric guitar or are getting one, get this to go with it! This is the best $60 I have ever spent! You can make your guitar sound like just about any out there, get that heavy Metallica sound with enough distortion to max out any amp, to clean light blues if you want. Plus the effects, my god the effects, any sort of reverb you want, weird little effects, endless possiblities, you'll spend hours getting different sounds.
Also, this little device has a headphone output, so you don't really need an amp with it at all! Speaking of which, all the effects it has built in, you could spend tons of dough on a big expensive amp that does a fraction of what this does.
Not to mention it has a built in drum machine, and tuner! Add to that it's a very sturdy sleek looking device, I can't see how anyone makes money on it, unbeatable value. You can create ways for your guitar to sound and store them, using the large buttons to select your different preset modes for on-the-fly playing at a live show.
I actually bought this not knowing about the G1x for $20 more, which actually adds a pedal for volume, wah effects, and apparently higher sound quality. Either way, you can't go wrong!

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With the Zoom G1, you'll get a huge selection of amplifier models and effects at your feet. The G1 adds an expression pedal to the G1's offerings, so you'll have instant control over wah and other effect parameters. With 21 amp models and 54 high-quality effects, it's easy to get nearly any sound you can dream up. The G1 runs on AC power or for up to 12 hours on battery power. Time to put your foot down.

96 kHz sampling recreates true tube amp sound The tone of tube amplification lies in the mix of rich harmonics that extend far beyond the range of human hearing (20 kHz). Because the ZOOM G1 uses 96 kHz sampling, it provides a flat frequency response from 20 Hz up to an amazing 40 kHz. This allows for an accurate model of the delicate harmonic structure of the distortion produced by a tube amp. The dynamic range is also excellent, thanks to 24-bit A/D/A conversion. Every detail of your playing technique, whether picked or fingered, emerge with full clarity.
ZFX-3--the new-generation 32-bit DSP The heart of any multi-effect device is its processor and decoder section. The G1 features the Zoom's ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. This is a new generation DSP that brings out the character of your instrument without restrictions, helping you pursue the ultimate in guitar sound.
21 amp/stomp box modeling choices covering a range of popular models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1 faithfully duplicates the distortion of tube amps and vintage effects. The choices range from models that made guitar history such as Fender, Marshall and Vox to popular modern amps including Mesa/Boogie, Peavey, and Diezel. An acoustic simulator is also included, so your electric instrument can sound like an acoustic guitar when the fancy strikes.
54 high-quality effects to fire your imagination A total of eight modules provide 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply equalization in three bands. Add spaciousness and depth with two types of chorus. Simulate the acoustics of a room or a concert hall with five types of reverb. All effects are designed for real-life musical applications. Have the Harmonized Pitch Shifter play along in key. Use long delay and echo settings of up to 5 seconds. A multitude of high-performance choices opens up totally new territory in this class.
40 presets give you the sound of the pros Utilize settings for duplicating the tone of well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as completely original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality guitar sound. And when creativity strikes, a separate area capable of storing another 40 user patches is also provided.
Simple and friendly user interface Editing an effect is as simple as choosing the target with the selector knob and adjusting the parameter with the value knob. Let your imagination roam free and put your ideas into practice without being hampered by cumbersome controls.
Drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle for Blues sessions, and many more choices. Rhythm training is a cinch, and tap input allows you to specify the tempo easily.
Auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing the two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The possibility for mute tuning without sound output offers further convenience.
Ultra low noise design on a par with studio equipment Specifications such as a signal-to-noise ratio of 110 dB and noise floor of -98 dBm demonstrate a level of performance that's not usually seen in units of this class. Background noise is a thing of the past, resulting in superbly transparent sound. ZOOM's original noise reduction (ZNR) removes noise in playing pauses, while maintaining a natural release even on the tail of sustained notes.
Fits in the pocket of a gig bag The compact size and light weight of the G1 make it ideal for those who want plenty of effects and great performance without having to carry a lot of gear. The reinforced plastic body can withstand the rigors of use on stage and on the road. The stylish looks are also highly functional with the flush surface able to distribute pressure evenly. The unit feels great when you pick it up, and equally stable when you use the foot controls. This is the kind of product design that you can get only from an industry leader like ZOOM.
AC/DC allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for 12 hours continuously on a set of four IEC R6 (size AA) batteries. The AC adaptor (AD-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows remote operation (G1 only) When you connect the optional foot switch (FS01), you can switch patch banks or perform tap tempo input with your foot.
Expression pedal adds another dimension to your play When you connect the optional expression pedal (FP02), you can control effect parameters in real time. Set the mood with wah, vary the pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb. The choice is yours. The G1X model comes with a built-in expression pedal and a PEDAL ASSIGN key that makes it a snap to select the function operated by the pedal.
What's in the Box Zoom G1 Guitar Multi Effects Pedal, AC Adapter, User's Manual

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Boss PSA-120S AC Adaptor Review

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(More customer reviews)If you get a Boss product that does not come with this then you need to buy one. I got the BR 600 which takes 6 batteries. Now I don't know about you but I can't afford to be buying 6 batteries every week.

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Line 6 JM4 Looper Review

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(More customer reviews)This thing has some cool features, but a lot of junky ones. I was hoping they would keep a continuance of downloadable tracks, but they don't. I dig jazz, but there are only two jazz tracks and a large assortment of rock or metal tracks, all very bland and unexciting. The biggest problem, is that if you get your presets just right, and then switch tracks, it alters your guitar tone to fit the song, so you have to redial your guitar in, might not be a problem if you just want to fit in with them, but if you have a hollowbody hooked up and it switches to Insane Metal your amp is trashed! I suppose you could save your presets, but you should be able to set it and forget it without turning features off.
The record sound is attrocious too. I have saved several tracks to the sd card and transfered them as waves to my ipod, they sound horrible: muffled, undynamic. I know its not a four track, but it acts like one so should function like one too. Could probably do better with a tape recorder.
The pitch and tempo changes don't work either. They say it doesn't alter the tone, but they are lying. The drums take a digital stretched sound if you alter the tempo.

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The Line 6 JM4 Looper combines sound-on-sound looping with thrilling jam tracks and a full arsenal of legendary Line 6 tones. JM4 Looper features over 100 Endless Jam tracks and drum grooves in more than 10 styles performed by top LA and Nashville session players. These tracks are not rigid and robotic; these are actual recordings laid down by A-list drummers, bass players and guitarists. The real-world chemistry from these dynamic rhythm sections is here for you to explore your creativity in writing songs, trying out solo ideas or just honing your chops between gigs. With up to 24 minutes of recording time, and storage for up to 100 recorded jams, JM4 Looper lets you capture all your riffs and musical ideas. Plus, store more jams, export your jams to your computer's recording software and post jams online all through the SD card slot. The looper has dedicated footswitches for Record/Overdub, Play/Stop, Half Speed and Undo for super-easy practicing, songwriting and creation of an entire backing band on the fly. Layer guitar tracks, bass tracks, keyboards-even vocals with the balanced XLR microphone input. Complete with a comprehensive collection of brilliant modern and historic guitar tones, JM4 Looper gives you access to 200+ artist-created presets, 150+ song-based presets, 12 Line 6 amp models and a stunning array of effects for guitar and vocals. There's even room for 36 presets of your own creation. AmericanMusical.com is an authorized dealer of Line 6 products.

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DigiTech BP200 Bass Multi-Effects Processor with Expression Pedal Review

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(More customer reviews)Within it's class and price range, I'm giving it a five.
You'll end up paying a good 500-600$ to find anything better.
This has to be the quietest multi-fx I've ever used. Even the fuzz-wah doesn't give background hiss cranked up on my system. Except the buttons, it's all metal and pretty solid.
You can't edit effect parameters with the computer.
The pedal distance is pretty short and there's almost no resistance to it.
As has been said elsewhere, the fretless has quite a lag to it. Not useless, just a lag to get used to.
For the money, no hiss, metal body, a good selection of flavors, basic (and effortless to get going) drums and a pedal that can be assigned to about every parameter I can find.
It's the best unit in this price range, period.

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DigiTech RP155 Guitar Multi-Effects Processor Review

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(More customer reviews)This is quite simply the best effects unit you are going to get for your $90. Period. Just the effects combos alone are worth several times that. Add the amp and cab models, and you've got something special. But even more than that, you also get a sweet drum machine. And then there is the phrase looper, which is just awesome! You can't get a DEDICATED phrase looper for less than $180!!! And to top it all off, you can go direct to your computer via USB to record, and also to edit the presets. This computer-based editing of the presets is the way to go. It's way easier to edit them via the software interface than by twiddling the knobs on the unit itself. You can really try out a lot of combos, and dial in the sound you are after pretty easily. You'll have to get your own USB cord though, the kind you'd use for a printer with one standard USB plug and one of those narrow-style USB plugs. I think they could have included one, but I'm not complaining. Oh, and how could I forget that this thing has true STEREO out. You can run it out to two amps, and really take advantage of the stereo effects like the panner and the ping pong delay. It has a nice headphone out that you can use as a personal earphone monitor too. That's a cool feature.
I'm using this for harmonica, and I can dial in a range of great amped tones and add effects as I please. I love the octave down and the leslie/vibrato/chorus simulators. Great organ tones there. I also love the wide range of delays and reverbs. There are so many great tones there to be had. Plus the thing has the ability to bypass all the amp and cab sims and just use the effects, so if you have an amp with good harp tone (ie. Like my Epiphone Vlave Junior that I modded for harps), this little pedal can be used in front just to add any/all effects you like. You'll only need this ONE pedal instead of e very expensive (and heavy) pedalboard full of individual effects. And you'll be able to dial in way more various effects combos than you could with that discreet pedal board.
This is simply the best bang for your buck. Period.

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Korg PX5D Pandora Guitar and Bass Multi Effects Processor Review

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(More customer reviews)I've had the Pandora for two weeks now and I've used it extensively. So far, I am pleased that I bit the bullet and shelled out the money for this thing. It's loaded with all sorts of features, and most importantly, it prevents me from being turned off my instrument because of crappy sound (I am on vacation, about 7000 miles away from my beloved amps and mixers and doodads and geegaws).
But take note, if you are listening to this thing through mediocre headphones or earbuds, you will hear a very sub-par and overall tremendously frustrating sound. For example, my Sony earbuds that I would rate 8/10 for iPod listening makes the Pandora sound totally tinny- scoops out all the mids, boosts the uselessly high treble and muddies up the bass. You will sit there trying to dial in a usable tone cursing the paint off your walls.
On the other hand, I have a pair of Audio-Technica M50 studio monitor headphones (no product endorsement, just saying what works for me) that sounds fantastic with the Pandora. So I guess the moral of my story is to pair this headphone amp with headphones that have a flat EQ response.
Because the Pandora is marketed as a headphone amp doesn't mean you are confined to headphones. I plugged the Pandora into a cheap bass amp and my guitar actually sounded pretty good! I can't wait to plug it into a good sound system and let it scream. From what I've heard, people have had a lot of success with going direct into PA or going through guitar or bass amps.
As far as the effects go, they gave me pretty much all I need and much much more. I am overall impressed with the built in reverb and delay effects, and the distortion sounds very good also. Some of the effects work in stereo so you can get that left to right rotary speaker effect. On top of the effects that I use all the time (reverb, distortion, compression, etc.) there are some WACKY stuff in here that I really haven't been able to use except for a few laughs. The intelligent harmonizer holds some potential although the tracking has a tiny, barely noticeable but noticeable hesitation. But since I'm greedy and I like having the option of oodles of stuff even though I might not use them, I would rate the effects on the Pandora 9/10 (where 10 is reserved for OMG EVERYTHING IS SO GOOD)
Korg put a lot of amp/cab/effect combo presets onto the Pandora, and when I started out, I used "Linkin" for my distortion, "Pop" for clean chorusy stuff and "Fab4" for clean tones. I ended up being 10% dissatisfied with them, so I just made my own presets and now I am 99% satisfied. The tweaks weren't big, like dialing down the distortion and adding a touch of reverb to "Linkin" preset and killing the teeny OD on "Fab4" etc. Much like the effects, some of the presets are wacked out. There is a preset on there called "Ill" and I can't for the life of me figure out how to use it in a musical way. Another preset called "Fire" has a really cool fuzzed out sound for single note melodies but goes haywire when you start playing harmonies. It might work really nicely for Muse basslines and such.
One thing I like about this is the AUX input and how it can transcribe recordings to your desire. It has made learning new songs for vocals and guitar much more convenient. The bass canceler function seems to work pretty well, and I imagine it would come in really handy, although I am separated from my bass right now. Korg included a lot of drum loops and an option to add basslines to those drum loops for jamming and practice purposes, but I wouldn't build my career on those drum/bass loops... they can sound kinda cheesy.
The construction of the Pandora looks very solid. I was worried at first that the Pandora would be built like the Korg tuners, which are light plastic without much heft, but I was happy to find that the Pandora feels really rugged. The instruction manual is comprehensive and is multilingual (if you ever get the urge to learn how to talk about flangers in German or something...)! I've been using batteries to power mine since I didn't get a wall adapter, and I burned through a pair of AAs in a week and a half of thorough use.
Other than that, the thing comes with a mini version of Ableton Live, the adapter cable for the footswitches (not included, planning on getting one myself) and the USB cable. Korg even included little rubber pads so the little rectangle doesn't get pulled off the table.
Overall, very happy with the product. Cheers, Korg!
For people who don't want to read all of my drivel,
Pros:
Great sound with good listening devices
Lots of useful effects
Lots of useful amp and cabinet models
Good presets
Very utilitarian (backlight option for the screen, etc.)
Solid construction
Neutral:
Some effects and presets I would never use
Doesn't come with wall adapter
Small learning curve in navigating through the menu
Cons:
Adjusting volume balance between aux and input is finicky.

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Back in the 1990s, the first Korg Pandora placed its indelible stamp on the pocket multi-effects processor category. Today, Pandora is still king of the category. Today's highly-evolved Korg PX5D is your personal rehearsal hall, an all-hours amp shop, your own audio recording suite as well as your digital doorway to the modern studio. And best of all, the battery-powered PX5D still fits in your pocket, so your great sound is always with you.

Big for Its Size Despite its compact size, the Pandora PX5D is laid out with game-controller efficiency--so you can spend more time playing and less time wishing you were already playing! Modern and up to date, the PX5D serves double duty as a stereo USB audio interface, allowing you convenient access to audio recording software on your computer.
High-Quality "REMS" Based Effects Korg's "REMS" Modeling Technology has been widely acclaimed for its natural, authentic sound quality. A total of 180 effect types are available in the Pandora PX5, divided into seven categories that match the seven effect modules that are simultaneously available.
Dynamics This section includes everything from simple compression to advanced algorithms that can emulate a humbucking sound from a single coil pickup (or vice-versa); transform an electric guitar into an acoustic timbre, add a fretless character to any bass sound; plus a series of wahs and auto-wahs.
AMP Modeling In addition to some of the most popular and widely recorded amps, the PX5D multi-effects processor includes a number of rare and boutique amplifier models--everything from the ubiquitous VOX AC30 to a US Hi-Gain (think snakeskin) amp. A total of 15 guitar amps and 11 bass amps are all delivered with spot-on accuracy. Bass synth and Guitar Synth models are also featured in the PX5D.
Cabinet Simulations Matching the right amp to the right cabinet is a necessity for capturing a classic tone. But go ahead and mix and match to build your own custom "virtual" rig. From a single 8" tweed to a 4 x 15" mammoth, the PX5d has it all.
Modulation Effects You name it, Pandora has it--phasers, flangers, choruses, filter sweeps, U-Vibes, tremolos, intelligent pitch shifting, rotary speaker, auto-panning. Best of all, each effect can be tweaked to your own personal preference.
Delay Settings Five Delay effects--each with five variations relating to feedback amount--are available in this Pandora PX5D multi-effects processor. Delay time is conveniently set using the Tap key on the front panel and a versatile Reverse Delay is onboard.
Reverbs Eleven Reverb algorithms place the final ambience and sheen on your sound.
Noise Reduction Keep your sound clean--and silent in between songs.

100 Presets, 100 user programs Seventy Guitar Presets and Thirty Bass Presets are ready and waiting to get you started with your new Korg PX5D. For those who like to make their sound their own, 100 User Program location are available for storing your custom settings. Using the Software Editor Librarian provides faster, graphic editing and allows you to build up libraries of custom patches. A simple USB cable provides the connection to your computer.
Clean panel design for intuitive control With almost gamer styling, the PX5D is an easy-to-operate multi-effects processor. A four-way cursor to the left and a recessed dial to the right combine for easy navigation of the backlit LCD screen. For the amplifier traditionalist, dedicated thumb wheels across the top offer real-time control of Gain, Bass, Treble and Volume. Four Program Memory buttons keep your favorite programs close at hand! An adapter cable is included, allowing two optional footswitches to be connected to the PX5D for hands-free operation.
Drummer and bassist included 128 accurate and professional Rhythm & Bass groove patterns are built in to your Korg PX5D--including simple "click-track" style metronome beats. The Rhythm patterns have three variations, so you can find the one you like. Use the Tap key to set the tempo to anything from 40 to 240 Beats per Minute (BPM). Both Major and Minor bass lines are included with each groove, and you can set the Bass Key to any note. Up to sixteen patterns can be strung together into one of twenty chains--an excellent feature for writing a new tune, practicing a part or crafting that killer solo--in context!
The world outside Connect an MP3 player, CD, USB or other external audio source to the AUX IN jack and you can play along. Wrong key? Use the Key Transpose function to change the pitch of the song into any musical key. For the bassist, the PX5D multi-effects processor also contains a Bass Cancelling function that removes the bass sound from an external audio source so that you can play and hear your bass along with the song.
Repeat as necessary Phrase Training is a fun feature for learning difficult material or for working on solos. You can record up to 80 seconds of audio from any external source and play it back repeatedly (looped) at a slower speed--without changing the pitch. This is a great way to learn complex or rapid passages by ear, since you will be able to hear the phrase slowly. You can also record yourself chording along with the built-in rhythm and bass accompaniment, and then practice your soloing skills.
Digital USB doorway In its off hours, the Pandora PX5D moonlights as USB audio interface for all your computer needs, offering two-channel audio communication to and from your Mac or PC.
What's in the Box Korg PX5D, Owner's manual, Two AA alkaline batteries, Strap holder, CD-ROM, Footswitch adapter cable, Rubber feet

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Boss RC-2 Loop Station Review

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(More customer reviews)I just want to mention that the other reviewer got something wrong. He mentioned that when you find a drum beat you like and accidentally go forward to another beat that you CAN'T go back to the previous one..He's wrong you CAN go back. You have to select the little musical note and press the "tap tempo" button. But anyway..About my review..
To me this pedal is near perfect.And I absolutely love it. I feel like i cant play with out this now...
The features : There are a lot of drums beats to choose from and they can easily be changed into a different tempo if they are not as fast or as slow as you would like them to be. There is also 11 spaces to record your songs/phrases to. and 16 minutes of recording which is more than enough for me but if it had more time i'd be happier.
If you want to record clean sounds with the pedal then thats ok. But if you want to use distorted guitar sounds you need a distortion pedal to go before the pedal or else the drums will distort. So if you plan on buying this pedal to record rock songs you might want to invest in a distortion pedal.
This pedal is the closest thing i have to having someone else to play with. It's also a great tool for learning songs that have more than one guitar. You just gotta record each guitar but that doesn't matter because its a whole lot of fun anyway.
The first couple of minutes with this pedal might seem confusing and maybe frustrating for others. But after about 20 minutes or so you really start to get the hang of it and what it can do. The only problem i've had with this pedal is that right from the start the AUX input didn't work,forgivable this time because a lot of my amps and stuff already have AUX inputs. I love this pedal and so will you.. I rarely ever play with out it now. And for $150 its worth it..unless you want to buy it on musiciansfriend for 189. go for it.
I also recommend an adapter for it like with any pedal these suck out the batteries power like nothing.

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Zoom B2 Bass Multi Effects Pedal Review

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(More customer reviews)I've been playing bass for twenty years. I've used a number of effects boards/pedals and I have to say I've been very impressed with the Zoom B2. The metal construction gives it a solid dependable feel when you take it out of the box. It just seems like it will survive on stage, unlike many of its plastic counterparts (including earlier zoom pedals).
It sounds awsome. I was not dissapointed. The effects are top notch. There are great presets that sound good as soon as you plug in. And of course there are many that are way over the top to the point I would consider them unusable, but if you dial back some of the more exotic effects you can get some very nice sounds. The amp/cabinet sims give a nice varity of tones and I like the compressor and chorus effects.
I was most skeptical of the built in drum machine and honestly I almost didn't buy the pedal because of this feature. It seemed so gimmicky and cheesey to put a drum machine in a bass pedal. I have to confess I love it. I dialed up a nice beat and just started jamming with it. It's a superb practice tool. The sounds and the beats are not cheesey at all.
I read other reviews from other forums and some people noted that its kind of hard to put it in bypass/tune mode. You have to hit both pedals at the same time. Unless you have very small feet (mine are size 9) or play barefoot, I can't see how this could be a problem.
So far I can't find anything I don't like about this pedal.

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Pinnacle Powered Pedalboard Case Review

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(More customer reviews)Used this product to carry my pedals to rehearsals and gigs. Three years of use and still like new.
The included cables and ac adapter are very good. It even comes with Velcro glued tape inside!
I'm not rating it five stars because the lack of the 6" Mono audio cables for the pedals.
Overall great poduct!


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Boss RC-50 Loop Station Review

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(More customer reviews)I bought this as my first loop station, completely ignoring the RC-2 and RC-20, because if you're like me, you don't want to spend $100+ on a loop station that is obsolete to a $500 one. I decided to save for a while, and I must say it was worth it, for my desires as a musician. It's much easier to use than I thought it would be. I used one at my local music store and ended up embarrassing myself, because it was the first time I'd ever touched it. So, because I didn't wanted that feeling of embarrassment again, I read the first few pages of the manual on how to use it, practiced with it for a good 20 minutes, and I had it down, apart from a couple little things I learned along the way.
Here's how it works: There is a tap tempo pedal, where you can tap your foot to set the tempo, or you can actually hit the tap/tempo button to set the exact bpm (this is very useful for me, because I want to do electronica music, and having the loop at, say 90 bpm, makes it much easier to sync other instruments like a drum machine or a synth to the loop). The little light on the pedal blinks as a metronome, and it can play drum loops as a guide, which makes thing a bit easier. You hit the record pedal to obviously record, and hit it again when you want it to loop. If you made a mistake, there is an undo/redo pedal for the most recent loop made. There are three pedals all the way to the right title "Phrase 1", "Phrase 2", and "Phrase 3" and you can choose which of these to record the loop in, and you can alter the volume of each in case you wish to have one loop louder than the other(s). And then there's the "Stop" pedal, which will stop whatever phrase is selected. There's a lot I've left out, these are just the basics, the manual has everything you need to know.
Features:
Drums loops: There are plenty of drum loops available, varying different genres.
Reverse: If you're like me, you will LOVE this feature. My favorite band is Boards Of Canada, so obviously I enjoy the sound of music backmasked, which they do in a ton of their songs. You can record a loop in a phrase, and then reverse whatever is being played in that phrase. You can make some really dark moods, or create a very unique sound of drums (Ex. The Beatles "Strawberry Fields Forever" has some drum sounds played in reverse).
USB Connector: Exchange data between RC50 and computer.
Again, more stuff I've left out, but I don't want this review to be too long. These are just the features I mainly use.
Pros:
*Easy To Use: I didn't really have any huge problems with it, and got it down kinda fast.
*You can use multiple instruments: Like I said, I bought this because I want to do more with Electronic music, and I planned to use with with a synthesizer, drum machine, computer, etc.
The rest of the pros I'm sure I mentioned earlier. Now on to why it didn't get a perfect 5/5 stars for me.
Cons:
*I could use more phrase pedals: Call me greedy, but I would find it so much more useful.
*Placement of knobs and buttons: I kind of wish this could detach and have a cable to the pedal board. I can't operate all the knobs and buttons with my feet, and I hate having to bend down in order to do that. This is my biggest complaint.Other than that, I'd recommend this looper. For the stuff I want to do in music, I couldn't do it without this.

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DigiTech RP500 Integrated-Effects Switching System Review

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(More customer reviews)I play quite frequently in a church setting, where it's not feasible to hook up my amp, and I need to get a wide array of sounds, so I wanted something I plug in directly to the PA and get a great sound. I narrowed it down to this model, the BOSS ME-70, and the Line 6 POD 2.0 + foot controller. Here's why I went DigiTech:
1. Build Quality - This thing is a tank. It has a cast-metal chassis and vacuum-style footswitches, like on a stompbox. The BOSS unit has a metal chassis as well, but the footswitches are plastic.
2. Cost - $245 shipped for the Digitech, which comes with a power supply and Cubase LE4 recording suite for your computer. Pretty sweet! The BOSS unit is $300 and doesn't come with a power supply. I call shenanigans on that.
3. Customizability - While I liked the ease of use on the BOSS model, the thing I liked about the Digitech better is the preset system. You get 200 presets (100 factory and 100 user). The factory presets have some good sounds dialed in (though in no particular order it seems). You can also hook this up to your PC and adjust your presets from the provided X-Edit Software (which is quicker than using the menus on the unit). You can also download and save other patches, there are over 400 available on the Digitech site for free.
4. Stompbox-mode - Both units have modes to make them function like stompboxes.
5. Sound Quality - Don't get me wrong. Both of these units sound great, but I did not like the distortions I was getting out of the BOSS unit as much as the Digitech.
6. Ease of Use - It is very easy to use, pretty intuitive controls that are easy enough to figure out. After about a half-hour with the product and the manual I have it pretty much under control.

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The DigiTech RP500 delivers easy control over your tone on stage! The DigiTech RP500 guitar multi-effect processor gives you the ability to control program changes, complete signal chains and allows you to turn all amplifier and cabinet sounds off in the exclusive Pedalboard mode. When in Pedalboard mode the RP500 acts like 5 separate stompboxes and effects. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro rigs. Free Version 2.0 Upgrade is Now Available for Download at digitech.com!! The Version 2.0 upgrade adds a 20-second looper to your RP500 so you can now lay down a track, loop it, add another track with a different preset to help when creating songs or just build a song live on stage! DigiTech RP500 Modeling Guitar Processor Features Pedalboard mode changes switching to emulate 5 selectable stompboxes or effects Amp and Cabinet Bypass defeats internal amp and cabinet effects in all programs Heavy-duty vacuum switches for: Program changes Effect On and Off changes Bank up and down Tap tempo and tuner Bright LEDs display program status and effect On and Off Large 10 character LED display for program name, bank name and tuner Stereo XLR and 1/4-inch Outputs with ground lift Built-in expression pedal to controls internal effects including Wah Volume Whammy Other effect parameters All metal construction The RP500's stage control allows you to quickly and easily change your tone mid-song and eliminates the tap dance of individual e

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DigiTech RP1000? Integrated-Effects Switching System Review

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(More customer reviews)Here is my review of this Multi-effects/amp-modeling/integrated switching system. I have been playing guitar for well over 10 years and have a decent amount of experience with Multi-effects units. I own the Digitech GNX4 and an earlier model BOSS unit with the COSM modeling. I have provided my rating for each individual aspect of the unit and also some comparison with the Boss GT 10, which I think is the only real competitor for this kind of unit and price point.
Effects: Almost all of the effects range from good to excellent. The only one that's actually bad is the harmonizer. Its almost useless. I have GNX4 from 5 years ago and the harmonizer on that is excellent. So this is definitely a step backwards. There is a way to get around it by adding a harmonizer pedal ($200+) into the stomp loop. But come on Digitech, why should I have spend that extra $200? FIX THE DAMN HARMONIZER PLEASE. Also, in the GNX4, you could run Whammy/Harmonizer and effects like chorus/flanger etc together. In the RP1000, you will have to chose between Whammy/Harmonizer and effects. I wish they kept this functionality from GNX4. From what I have seen/heard on You tube, Boss GT10 has better and more effects. I haven't tried the GT10 in person, but to me, quality of RP1000 effects is excellent. I doubt I am missing much (except the Harmonizer of course) (3.5 Stars)
Amp Modeling: This is where this unit shines. I have the GNX4 with the MFX Supermodels CD which is excellent. But I think the quality of the modeling is better in the RP1000. The models are more responsive to touch and sound great to excellent. I went through almost all the amp models. I can really hear the difference between a Fender, Marshall, Vox AC, Mesa etc. Really hard to fault. However, for all you tube amp fanatics out there, I don't think this will satisfy your ears 100%. Also, Boss COSM modeling is not that great compared to RP1000 modeling (4 stars)
Switching system: I have to give kudos to Digitech folks here. They have REALLY done their homework on this one. The 4CM method is pretty useful and allows you to integrate this unit in your existing setup. The stomp loop capability is great. I wonder why Digitech didn't put the amp channel change capability (like GT10)? That would have made this unit a God-send for me. I don't like the fact that if I want to use different channels on my amp, I have to use a different foot switch. Also, having 10 foot switches is way more convenient: 5 for Stompboxes, 5 for presents. Patch changes are quick (slight delay, not too noticeable) and stomp box on/off is instant. Boss GT10 switching system has the same features, but its just not as well laid-out/organized as the RP1000(4 stars if you use 4CM method, 5 stars otherwise)
Ease of use: I have been using the GNX4 for a few years and that was somewhat daunting in the beginning. With that experience, RP1000 is actually easier for me use. I think Digitech took out some of the complexities from the GNX4 and made it lot more user friendly and easily tweak-able in a live situation. I really like how easily you can bypass amp modeling, add in stomp loop, modify effects etc. on the go. X-edit is a decent piece of software as well, but you really don't need it as much as you did for GNX4. RP1000 is a lot easier to use in person. Overall, very well done indeed. Boss GT 10 seems very complicated to me, but again, for folks who have used GT-8 in the past might not be too concerned with that. For someone starting out fresh, you cant beat RP1000 for ease-of-use (5 stars)
Overall: 4.5 Stars. If you are in the market for a Multi-effects/Amp-Modeler unit, just close your eyes and get the RP1000. I don't think you can buy anything better at this price point. Sure, every one is raving about the Axe-FX, but I don't wanna spend 1.5k on an amp modeler. Besides, I like floor unit, not the rack mountable ones. Also, do your homework. Definitely check out Boss GT 10 and then make up your mind.


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Zoom A2 Acoustic Guitar Multi Effects Pedal Review

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(More customer reviews)I was very skeptical ordering this product because I bought the Zoom electric processor & was not impressed. However I must say I am totally blown away by how well this unit works out of the box. Most of these processors are packed full of over-done processed sounds that needs lots of tweaking so you don't sound like you're playing in outer space. Two days after I got this unit & less than an hour playing & barely having to fiddle around with it I was jamming live in front of 500 people that weekend, and at least 5 of the factory settings were usable without any tweaking at all! It was like my acoustic guitar, only better, sweeter & more vibrant sounding. Not overdone, not too spacey nor too much reverb, just a little more color & better EQ & sound quality. I got several comments from my band members about how good the acoustic guitar sounded.
The unit has some cool modeling features so you can have your guitar sound like the standard Martin D-28 or Gibson dreadnought & others. What I also really like about this unit is it has REVERB, EQ, CHORUS, DELAY, MODELING, PICKUP SELECTION, AND VERY IMPORTANT: a COMPRESSOR! This is a must for live performances, compression smooths out your sound. Many of the other more expensive acoustic processors make the terrible mistake of leaving off either reverb or a compressor.
You could spend more month but I doubt you'd get a better unit? Forget the Zoom electric processor & definitely get this one for your acoustic, its a great unit.
One bad thing--these things eat batteries (if you leave them plugged in with the cords). I was surprised it sucked a fresh set of batteries dead in one weekend with only about a couple hours of playing time, apparently because I left the guitar cable plugged in overnight. But unit does come with an AC adapter. I dont have need for a volume pedal so I skipped the more expensive version, although that unit does come with a XLR (mic cable) jack which eliminates the need for a Direct Box on stage (necessary for maintaining the signal over long cable runs)
Enjoy, thanks for reading.

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Zoom's A2 processes the line signal from your acoustic guitar pickup, adding the tone and space normally associated with mic recording. Even if you're playing through an amp or PA, your guitar's natural resonance will shine through. It will also model famous acoustic sounds, and features EQ and effects for getting exactly what you're after.

96kHz sampling brings out the true nature of acoustic guitar sound The rich, detailed tone of an acoustic guitar is created by a delicate triple harmony of strings, neck, and body. But a piezo or magnetic pickup never captures the full body resonance, often resulting in thin sound dominated by the strings. This tendency can't be fully compensated with a conventional preamp equalizer.
The A2 series incorporates 24-bit / 96 kHz sampling and sophisticated sound modeling technology to process the line signal from the pickup, adding a lush body tone and the spatial ambience that is created by mic recording. Even when playing through an amplifier or PA speaker, the resonance of the guitar body is restored, allowing the natural acoustic sound to shine through.
The new ZOOM ZFX-3 32-bit DSP chip The heart of any multi-effect device is its processor and decoder section. ZOOM has attained a new level with the ZFX-3 chip. 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration, thanks to this incredibly powerful DSP.
Select optimum characteristics to match pickup and amp model The GLOBAL module that controls settings for the entire unit combines a pair of parameters called AMP SELECT and PICKUP SELECT. These let you optimize frequency response for the type of pickup and amp that you are using. Whether recording or live on stage, you can always get just the right acoustic sound.
Six-band linear equalizer or two-band parametric equalizer provide ambience control Center frequency allocation and filter slopes of the built-in six-band EQ are optimized for acoustic guitar. Peaking type filters in the crucial middle range (320Hz, 500Hz, 1.2kHz, 6.3kHz) are augmented by shelving-type filters at the low and high end (60Hz and 12kHz). Further flexibility is offered by the possibility to switch to a two-band parametric EQ, for delivering a pin-point boost or cut. The A2 series lets you really take control.
Feedback control feature When playing an acoustic guitar on stage, acoustic feedback (howling) is often a problem--but now there is a remedy. The feedback control feature allows automatic or manual detection of the constantly changing feedback point, and an effective notch filter is then brought into action to provide the required attenuation. Auto detection can be triggered with the foot switch to allow swift reaction during a performance.
47 high-quality effects implemented with 32-bit processing Eight modules dedicated to aspects such as dynamics, filtering, modulation, and ambience offer a total of 47 effects. A limiter/compressor lets you control peaks and ensure that levels are matched. The air effect simulates the ambience in a room, the detune effect adds pitch-shifted harmony components for that fleeting 12-string guitar sound. Or emphasize a specific frequency range with the resonator. All of these effects are optimized for acoustic guitar and can be put to use right away. Other features include multi-tap delay and long delay with settings up to 5000ms, reverse delay, flanger, phaser, and various other studio-class effects.
Add body and depth with 3 types of chorus Add just the right amount of body and depth to the sound when you need it. The choice is yours: warm and mild mono chorus, clear and transparent stereo chorus, expansive and three-dimensional chorus ensemble, and more.
Enhance your acoustic sound with 9 types of reverb The A2 has nine types of reverb designed specifically for acoustic guitar including Hall, Room, Arena, Tiled Room. Many guitarists will also be familiar with Spring Reverb. The A2 also features a reverb setting called "Early Reflections" and a Slap Reverb that is a first for this class. Each reverb setting is fully adjustable so the user can make each phrase more distinct.
12 acoustic guitar/preamp sound character simulations A simulation module lets you choose among a number of very famous and popular acoustic guitar tones. The different sonic characteristics that depend on body size and shape as well as on the materials used are faithfully reproduced. What's more, a mic module simulates the sound of guitar as recorded through a microphone, with selectable positioning and mic type (dynamic / condenser).
Analog style editing knobs make it a snap to create your very own sound The three rotary knobs let you tailor three different parameters at the same time. This could be sensitivity, attack, and level for the compressor effect, or delay time, feedback, and mixing level for the delay effect. It's like having an array of stomp boxes ready for action. In play mode, the three knobs adjust the modulation effect mix level, delay/reverb mix level, and the patch level. This lets you quickly match the unit's performance to the band or the room acoustics.
40 ready to use preset patches for stage and studio The unit comes preprogrammed with recommended settings for various acoustic guitar models, settings that are modeled on the signature sound of famous guitarists, rich ambience settings using chorus and reverb, and more. Plus, a user area capable of storing another 40 patches gives you plenty of creative leeway.
World's fastest patch change speed: 8ms The annoying interval heard when switching patches on standard effects pedals has been virtually eliminated. With its record-setting speed of 0.008 seconds, the A2 series never misses a beat. For example, when changing to a lead solo during a song, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445Hz, and mute tuning without sound output is also possible. Tuning has never been easier or more convenient.
ZNR keeps playing pauses quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized performance for guitar. While minimizing any alteration of the original sound, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and many more choices.
Optional foot switch allows versatile remote operation When the optional foot switch (FS01) is connected, tap tempo input of settings such as delay time and modulation rate is possible. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Ultra low noise design with 100 dB S/N ratio With an amazing rated signal-to-noise ratio of 100dB, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the A2 series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adapter (AD-0006) can be plugged in for extended studio work, but on stage you never need to worry about AC power.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Besides adjusting the volume or the tone of a simulation effect, the pedal can be used for manual detection of feedback frequency, controlling the modulation rate, or adjusting the delay/reverb mix level.
What's in the Box Zoom A2 Multi Effects Pedal, AC Adapter, User's Manual

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DigiTech RP255 Modeling Guitar Processor and USB Recording Interface Review

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(More customer reviews)The RP255 does everything Digitech claims it does. About the 20 second looper- 20 seconds might not seem like a lot of time, but considering the fact that you can dub-over trac after trac, it's more than enough time. All of the sounds it produces are "AMAZING". I'm doing things and creating sounds, and music I never dreamed of. I almost went with the RP155, but I'm glad I spent a little more and got the expression pedal, It's more than just a "volume" or "WAH" pedal. It's just a lot of fun. I have not begun to create my own music yet, but I will as soon as I install the cubase LE4 software. It's the best thing I ever bought for my guitar. I have a new found love for my giutar. I just can't say enough about it, but Digitech can. Go to Digtech.com- go to products, then RP255- and they have a nice little video "demo" on this and several other RP's. I did a lot of research befor my purchase, and this thing flat-out "BLOWS AWAY" the competition. More effects than the others- "USB" computer recording & editing- plus the looper. Try to find just the looper, not to mention all of the incredible effects this processor has on any other effects processor, it just can't be done, not even at twice the price! And I did some serious looking around.

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DigiTech RP55 Guitar Multi-Effects Processor Review

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(More customer reviews)I've been through 2 of these and really liked them...until they both died.
This pedal is very easy to use and manipulate and the effects are really cool. #'s 21, 9, & 48 were my favorites, but you can get just about any sound or combination of sounds from this thing and it's a lot of fun both in practice and on stage.
But, here's the problem...they don't last long.
The first time mine died on me was during a pre-gig soundcheck. It just completely died.
So, figuring it was just an anomoly and the fact that I really liked it, I bought another one. This second one lasted about 10 months. It didn't die, but all of the sudden out of the blue all the settings and effects changed. It sounded tinny, then muffled, then too loud, then too soft. I tried to re-set it the way the users manual tells you...but it didn't work.
This time I'll try a different kind and see if can last oh, maybe a year!
This thing is really great, but...like most of my romantic endeavors, they don't last.

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Zoom G2.1U Guitar Effects Pedal with USB Interface Review

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(More customer reviews)I've had this unit for over a year now, and have used it for practicing (mainly through headphones, occasionally plugged in to my little Marshall MG15-CDR), a few jam sessions, and a bit of recording into GarageBand on my MacBook Pro.
On the positive side:
- Very solid construction.
- USB audio interface works great with GarageBand, both for input (guitar signal going to MacBook) and monitoring (listening to already recorded tracks plus the track you're recording via the G2.1u's headphone output). When connected via USB, it gets power via USB too.
- Runs for several hours on 4AA batteries. I use rechargeables. (Never bothered with an external AC adapter).
- Excellent sound quality. All the fx sound quite good. The ZNR soft noise reduction really handy if you've got a bit of low-level hum/buzz from single-coil pickups.
- Pretty easy to dial in your own sounds.
A couple of downsides:
- No aux input! IMO this is *the* single missing feature that limits this unit's usefulness for practicing. I would love to be able to plug in an iPod. (Thinking of buying a Line 6 Pocket POD for this).
- The cabinet / mic modelling doesn't sound very convincing to me.
- With only two foot switches for stepping up/down through your list of patches, it can be awkward switching patches in the middle of a tune (e.g. between rhythm and lead settings) unless you've stored them on adjacent patch numbers. Really no way around that without having a bigger box with more footswitches.
All in all, a nice unit, and good value. Probably most useful as a recording interface using the excellent USB audio interface. OK for for live use (with caveat about limited footswitches) and for practicing (as long as you don't want to jam along with your iPod).
..............
Update December 2008: I got myself a Vox Amplug AC-30 a while back. Fun little unit (if a bit overpriced for what it does) - plug it into your guitar, plug in a mp3 player & some headphones, and jam away. Turns out it can also be used to get around the G2.1u's lack of an Aux input.
Just plug the Amplug into the G2.1u's output, and connect your headphones and mp3 player to the amplug. With the right settings on the Amplug (at least the AC-30 version), the Amplug runs pretty clean, so at the Amplug's headphone output you hear essentially the same as you'd hear if you plugged your headphones directly into the G2.1u.
Obviously this is a bit of a kludge, but if you happen to have both units, this is an option...

Click Here to see more reviews about: Zoom G2.1U Guitar Effects Pedal with USB Interface

The G2.1u pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2.1u pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows versatile remote operation With an optional foot switch (FS01) you can set tempos for delay time and modulation rate. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Expression pedal adds further versatility to your guitar play The built-in expression pedal is a great way to control effect parameters in real time. Control the vintage wah, pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb. The dedicated PEDAL ASSIGN key and status LED indicators make it a cinch to select the effect to control. Effect on/off switching is also possible by pushing the pedal fully down.
USB port enables computer recording The USB port allows the unit to function as an audio interface for a computer. Simply connect a USB cable to utilize the high-quality sound of the G2.1u in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the G2.1u itself, there are no latency problems during recording. Powering the unit from the computer via the USB bus is also supported.
What's in the Box Zoom G2.1u Pedal, AC Adapter, User's Manual, Cubase LE Install Disc

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