Showing posts with label behringer. Show all posts
Showing posts with label behringer. Show all posts

Monday, October 15, 2012

Seismic Audio - Pair of 10" Wedge Style FLOOR MONITORS - Studio, Stage, or Floor use - PA/DJ Speakers - Bar, Band, Karaoke, Church, Drummer use Review

Seismic Audio - Pair of 10 Wedge Style FLOOR MONITORS - Studio, Stage, or Floor use - PA/DJ Speakers - Bar, Band, Karaoke, Church, Drummer use
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bought these speakers on a different account for use as stage monitors for a local High School. Overall I am really impressed with the quality. Would consider buying another pair if needed. Also you get 2 speakers which is an amazing deal. However would only recommend these for monitors not for regular PA speakers. I am genuinely impressed. Also just to add extra info the also have an output built into the speakers.

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Tuesday, October 2, 2012

Behringer EurOlive F1220A High-Performance, Active 125-Watt Monitor Speaker System with 12 Woofer, 1 Compression Driver And Feedback Filter Review

Behringer EurOlive F1220A High-Performance, Active 125-Watt Monitor Speaker System with 12 Woofer, 1 Compression Driver And Feedback Filter
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I've been a fan of Behringer products since 2004. My first experience with them was when I'd ordered a UB2222FXPro mixer in April of 2004 despite a dire warning from one of my well-intentioned, musician friends: "You know Behringer stuff is cheap. It's flimsy and won't last long." When pressed as to how he acquired his valuable insight, he paused a moment and said, "Well, that's what I read online." And yes, I've seen similar comments in online reviews of Behringer products; but I suspect that many of these bad reviews might actually be propaganda posted by competitors.
My band plays on the average of 4 to 5 nights a week; and my Behringer mixer has continued to work flawlessly for six years now. In fact in 2008, I purchased a 2nd Behringer mixer (Xenyx 2222FX) for backup. Besides these two mixers, I've acquired a plethora of other Behringer products: Pro-XL MDX 2600 (compressor/gate/expander/peak limiter,) 212A powered PA speaker; U-Control UCA202 USB-audio interface; Minimon Mon800 Stereo Monitor Matrix Mixer; CX2310 Super-X Pro Crossover; DR100 reverb pedal; Powerplay Pro-XL HA4700 (headphone amp;) Truth B2030A Active Studio Monitors; Tube Ultragain MIC200 (mic preamp); Vintager GM110 Combo Amp; DEQ2496 Ultracurve (speaker management/digital EQ) and a ECM8000 reference mic.
All the above units have done exactly what they're supposed to do - always surpassing my expectations and always priced way below their competitors' counterparts. Out of all these items I've only had two problems:
1) I had a "dead" channel on my 2nd mixer (Xenyx 2222FX), and that was quickly resolved by a replacement unit being sent out immediately by Musician's Friend.
2) My first DEQ2496 (digital EQ) suddenly failed after nearly 4 years of almost daily use. (It turned out that it was actually cheaper to simply buy another unit as opposed to repairing the original.)
I've prefaced this review of the Behringer F1220A Active Monitor Speaker with all the above background information to let the readers know of my prior experience with Behringer products - especially in regard to product reliability.
The F1220A is a sleek-looking unit, covered with tough, durable covering. The boxes are constructed to lie on their sides on the stage floor, angled up towards the performer. These enclosures can also be stand-mounted via an integrated 35 mm pole socket. On the front panel there are controls for: level; bass, mid-range and treble EQ; sweepable feedback filter with in/out switch; mic/line input (both XLR and 1/4") and a "link output" (both XLR and 1/4") for cascading additional powered units. This monitor features a 12" driver and a 1" high-frequency driver powered by 125 watts.
So, how does it sound? Incredible! Plenty of volume and quality. We had been using Mackie SRM350s for stage monitors; and now I have noted a fuller, warmer bottom end - much easier on the ears. (And I must admit my band members and I had been very satisfied with the Mackies; but I just had to try these Behringers. And now everybody's even happier!)
Besides the band, I do a solo gig every Wednesday. So out of curiosity, I tried the F1220A as a main. I pole-mounted it (a bit tricky for one person due to the location of the socket,) and it sounded great as a PA speaker! It handled the bass of the split keyboard and the drum unit as well as the vocal and backing tracks with plenty of power and quality. As far volume, this speaker is capable of much more than I would ever use for this mid-sized venue (approx 100 people) for my Wed night gig.
Back to the band, all the guys I work with have been very impressed with these monitors. They especially like being able to adjust the volume to their liking along with tailoring the EQ to their taste. And at least two of them, without prompting, have commented on the full, low end that these monitors provide.
This monitor has a sturdy, strap handle of the top. The unit can be a bit unwieldy when carried by the handle depending which "face" of the speaker is towards your leg. If you find the unit banging against your knee, just rotate it 180 degrees, and you'll be fine.
You'll want to keep your monitor safe while transporting it. Even though it does have a tough exterior, you might consider purchasing the Gator GPA-SCVR450-515 Speaker Covers. They run about $50 and fit these monitors pretty well. They even have a cutout for the monitor's strap handle. Or you can use the bag's own handles. They are a good investment to keep your F1220A in good shape.
My verdict? Another outstanding value from Behringer!

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Monday, September 24, 2012

CAD Audio KBM412 Dynamic Microphone, Cardioid Review

CAD Audio KBM412 Dynamic Microphone, Cardioid
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Good mic, nice pickup. The mount is a little shaky here and there, but thats mainly because of it being right at the back of the mic. Use a nice weighted stand to keep it steady, and on position, and youre away.

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Wednesday, May 2, 2012

Pinnacle Powered Pedalboard Case Review

Pinnacle Powered Pedalboard Case
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Used this product to carry my pedals to rehearsals and gigs. Three years of use and still like new.
The included cables and ac adapter are very good. It even comes with Velcro glued tape inside!
I'm not rating it five stars because the lack of the 6" Mono audio cables for the pedals.
Overall great poduct!


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Sunday, April 29, 2012

Behringer UCA202 Audio Interface Review

Behringer UCA202 Audio Interface
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This device is great for those who just want to get sound in and out of the computer conveniently without plugging in too many audio cables. It is nice to sit down at a desk, plug in the USB hub, and get sound in and out right away. I used mine to connect out to my ADS monitors and in from my run-of-the-mill Behringer 802 mixer.
Key word "used." After a few hours of listening to the device, both recording and playback, I realized that it actually sounded worse than the headphone output on my laptop. Now, realize that I am a stickler for audio quality - your needs may vary - but for those with good ears this may be useful information. The sound is dead and lifeless, without much clarity or image. It seems as though a veil lies between me and the music that I can't get rid of.
This, my good-eared friends, is the problem with a cheap DAC. That's the Digital-to-Analog converter, and it's what takes the bits from your computer and decides how to make sound waves out of them. Devices such as this one are cheap for a reason - the DAC chips and op-amps and components in the signal path are cheaply bought and cheaply constructed, and you'll get that signature veiled Behringer (oops, am I generalizing?) 'cheap' sound.
If you have good ears and know you will be able to hear a difference - do yourself a favor and invest in a good DAC and ADC instead of this. You will thank yourself many times later on for it. There are many options in the $100-$200 range that those with good ears will (unfortunately for our wallets) require.
So this review is mainly targeted as a warning to folks with discerning ears. However, if you're just looking for simple input and output and aren't running it to a good set of monitors or doing serious recording, then this will do just fine. If you know you won't be able to hear the difference, there's obviously no point in spending any more than this. Enjoy!
(As a side note - if you're wondering why I care so much, let me put it simply: I think I end up listening to and enjoying more music when it sounds remarkably real. It's way more enjoyable. That's all. If you can avoid it, I suggest staying blissfully unaware of this fact; it's way cheaper.)

Click Here to see more reviews about: Behringer UCA202 Audio Interface

The UCA202 provides two analog mono inputs and outputs (for monitoring), USB connectivity and an additional S/PDIF optical output for direct analog-to-digital conversion. The stereo headphone output features a dedicated level control and lets you listen to both the input and output. For a fraction of the cost of many USB audio interfaces, you can have state-of-the-art digital conversion, world-class recording and editing software, and hassle-free connectivity between your PC or Mac Computer and any piece of audio equipment.

Options Galore When used as a professional interface between a mixing console and your computer, myriad options become available. Some of these might include connecting the UCA202 RCA outputs: to the TAPE INPUT jacks of your mixer; to powered monitors or to the input channels on the mixer. Connecting to the mixer input channels allows you to use the Aux Send feature of your mixer to build an extremely versatile monitor mix for recording sessions. These are just a few of the possibilities; let us know how you use your UCA202.
No Drivers Required The UCA202 works with your PC or Mac computer without the need for any setup or driver installation.
Powered via USB Because the UCA202 is powered by the USB bus, no external power supply is needed. That's one more outlet for all your musical toys.
High-End Audio Quality The UCA202 features high-resolution 48 kHz converters for high-end audio quality, and the additional S/PDIF optical output allows for direct digital conversion.
Tons of Free Software Behringer provides a heap of free software available via download, to let you get the most out of your UAC202 right out of the box.
KRISTAL Audio Engine KRISTAL Audio Engine is a powerful multi-track recorder, audio sequencer and mixer--ideal for anyone getting started with recording, mixing and mastering digital audio.
Audacity Audacity is an easy-to-use audio editor and recorder for Windows, Mac OS X, and Linux operating systems.
energyXT2 This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, and turn song ideas into stunning CD or web-ready recordings. energyXT2 includes built-in synthesizers, a drum machine, and internal multi-FX processor.

What's in the Box Behringer UCA202 U-Control Audio Interface, User's Manual

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Tuesday, March 20, 2012

Pyle-Pro - U-CONTROL USB-Audio Interface Review

Pyle-Pro - U-CONTROL USB-Audio Interface
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This products does the job of converting any analog turntable cassettes or any other analog device to digital to your computer I just got some cassettes to my computer and onto MP3 USB drive once I get an iPod I will get all up in I tunes thanks to this product I can throw out all my old cassettes

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Friday, September 30, 2011

Behringer RX1202FX Ultra Low-Noise Design 12-Input Mic/Line Rack Mixer Review

Behringer RX1202FX Ultra Low-Noise Design 12-Input Mic/Line Rack Mixer
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I'm not a big Behringer fan but over the years I have used quite a few of their products. Most are lacking to say the least but a few are surprisingly good deals for the money. This little mixer I find to be the latter of those, surprisingly good for the money. I noticed the bad reviews so I needed to add, this mixer works great but only for certain applications. I would agree that this might not be a satisfactory choice for a rock band or home studio but for a small meeting room, theater or church, it works great. If you are looking for a bit of reverb for backing vocals the efx are OK but they are certainly nothing to write home about. If your application has you singing to tracks or your music situation consists of only a keyboard and/or acoustic guitar with a vocal or two, this unit should work fine. We used this unit for one of our company's installs where it was hidden in a small custom wall rack where the rack door is actually a framed picture. Because of the size and type of room use the mixer is usually in a set and forget situation so with the rack door (framed picture) closed, no sound system is evident in to room. If you are looking for a small mixer for a similar use that can be hidden in a small rack, you should consider this unit if you are on a tight budget as it delivers quite a bit of bang for the buck!

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Sunday, September 11, 2011

Samson C01 Large Diaphragm Vocal Condenser Microphone Review

Samson C01 Large Diaphragm Vocal Condenser Microphone
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A very affordable mic that made a tremendous difference in my sound. I can't really put into words how happy I am with this product.
This song was recorded using the C01:
[...]

Click Here to see more reviews about: Samson C01 Large Diaphragm Vocal Condenser Microphone

Great for recording vocals, acoustic instruments and for use as overhead drum mics, the new Samson C01 large diaphragm condenser microphone is accurate, detailed, and smooth, with plenty of warm bass and extended top end.

This sturdy microphone features a large 19mm capsule with 3-micron diaphragm, for a smooth flat frequency response. The Hypercardioid polar pattern is ideal for applications where more isolation is desired, and the internal shock mount reduces unwanted handling or stand noise.
The C01 features a heavy gauge mesh grill screen, a gold plated XLR connecter and a blue LED indicating 48V phantom power.
The unit includes a swivel stand mount, and fits the optional SP01 shockmount for further isolation from stand noise.

C01 Specifications
Frequency response: 40 - 18,000 HZ
Polar pattern: Hyper-cardioid
Element type: Back condenser
Diaphragm thickness: 3mm
Sensitivity: -33 dB/Pa
SPL: 136 dB
Impedence: 200 Ohms
Power supply voltage: Phantom power 36V - 52V
Weight: 2 lbs. (30.9 kg)
Dimensions: 24.5 x 24.4 x 18.5 inches (62.2 x 62.2 x 47.0 cm)

What's in the Box C01 Microphone, Swivel Stand Mount

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