Zoom G1 Guitar Multi Effects Pedal Review

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(More customer reviews)If you have an electric guitar or are getting one, get this to go with it! This is the best $60 I have ever spent! You can make your guitar sound like just about any out there, get that heavy Metallica sound with enough distortion to max out any amp, to clean light blues if you want. Plus the effects, my god the effects, any sort of reverb you want, weird little effects, endless possiblities, you'll spend hours getting different sounds.
Also, this little device has a headphone output, so you don't really need an amp with it at all! Speaking of which, all the effects it has built in, you could spend tons of dough on a big expensive amp that does a fraction of what this does.
Not to mention it has a built in drum machine, and tuner! Add to that it's a very sturdy sleek looking device, I can't see how anyone makes money on it, unbeatable value. You can create ways for your guitar to sound and store them, using the large buttons to select your different preset modes for on-the-fly playing at a live show.
I actually bought this not knowing about the G1x for $20 more, which actually adds a pedal for volume, wah effects, and apparently higher sound quality. Either way, you can't go wrong!

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With the Zoom G1, you'll get a huge selection of amplifier models and effects at your feet. The G1 adds an expression pedal to the G1's offerings, so you'll have instant control over wah and other effect parameters. With 21 amp models and 54 high-quality effects, it's easy to get nearly any sound you can dream up. The G1 runs on AC power or for up to 12 hours on battery power. Time to put your foot down.

96 kHz sampling recreates true tube amp sound The tone of tube amplification lies in the mix of rich harmonics that extend far beyond the range of human hearing (20 kHz). Because the ZOOM G1 uses 96 kHz sampling, it provides a flat frequency response from 20 Hz up to an amazing 40 kHz. This allows for an accurate model of the delicate harmonic structure of the distortion produced by a tube amp. The dynamic range is also excellent, thanks to 24-bit A/D/A conversion. Every detail of your playing technique, whether picked or fingered, emerge with full clarity.
ZFX-3--the new-generation 32-bit DSP The heart of any multi-effect device is its processor and decoder section. The G1 features the Zoom's ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. This is a new generation DSP that brings out the character of your instrument without restrictions, helping you pursue the ultimate in guitar sound.
21 amp/stomp box modeling choices covering a range of popular models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1 faithfully duplicates the distortion of tube amps and vintage effects. The choices range from models that made guitar history such as Fender, Marshall and Vox to popular modern amps including Mesa/Boogie, Peavey, and Diezel. An acoustic simulator is also included, so your electric instrument can sound like an acoustic guitar when the fancy strikes.
54 high-quality effects to fire your imagination A total of eight modules provide 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply equalization in three bands. Add spaciousness and depth with two types of chorus. Simulate the acoustics of a room or a concert hall with five types of reverb. All effects are designed for real-life musical applications. Have the Harmonized Pitch Shifter play along in key. Use long delay and echo settings of up to 5 seconds. A multitude of high-performance choices opens up totally new territory in this class.
40 presets give you the sound of the pros Utilize settings for duplicating the tone of well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as completely original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality guitar sound. And when creativity strikes, a separate area capable of storing another 40 user patches is also provided.
Simple and friendly user interface Editing an effect is as simple as choosing the target with the selector knob and adjusting the parameter with the value knob. Let your imagination roam free and put your ideas into practice without being hampered by cumbersome controls.
Drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle for Blues sessions, and many more choices. Rhythm training is a cinch, and tap input allows you to specify the tempo easily.
Auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing the two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The possibility for mute tuning without sound output offers further convenience.
Ultra low noise design on a par with studio equipment Specifications such as a signal-to-noise ratio of 110 dB and noise floor of -98 dBm demonstrate a level of performance that's not usually seen in units of this class. Background noise is a thing of the past, resulting in superbly transparent sound. ZOOM's original noise reduction (ZNR) removes noise in playing pauses, while maintaining a natural release even on the tail of sustained notes.
Fits in the pocket of a gig bag The compact size and light weight of the G1 make it ideal for those who want plenty of effects and great performance without having to carry a lot of gear. The reinforced plastic body can withstand the rigors of use on stage and on the road. The stylish looks are also highly functional with the flush surface able to distribute pressure evenly. The unit feels great when you pick it up, and equally stable when you use the foot controls. This is the kind of product design that you can get only from an industry leader like ZOOM.
AC/DC allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for 12 hours continuously on a set of four IEC R6 (size AA) batteries. The AC adaptor (AD-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows remote operation (G1 only) When you connect the optional foot switch (FS01), you can switch patch banks or perform tap tempo input with your foot.
Expression pedal adds another dimension to your play When you connect the optional expression pedal (FP02), you can control effect parameters in real time. Set the mood with wah, vary the pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb. The choice is yours. The G1X model comes with a built-in expression pedal and a PEDAL ASSIGN key that makes it a snap to select the function operated by the pedal.
What's in the Box Zoom G1 Guitar Multi Effects Pedal, AC Adapter, User's Manual

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DigiTech RP155 Guitar Multi-Effects Processor Review

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(More customer reviews)This is quite simply the best effects unit you are going to get for your $90. Period. Just the effects combos alone are worth several times that. Add the amp and cab models, and you've got something special. But even more than that, you also get a sweet drum machine. And then there is the phrase looper, which is just awesome! You can't get a DEDICATED phrase looper for less than $180!!! And to top it all off, you can go direct to your computer via USB to record, and also to edit the presets. This computer-based editing of the presets is the way to go. It's way easier to edit them via the software interface than by twiddling the knobs on the unit itself. You can really try out a lot of combos, and dial in the sound you are after pretty easily. You'll have to get your own USB cord though, the kind you'd use for a printer with one standard USB plug and one of those narrow-style USB plugs. I think they could have included one, but I'm not complaining. Oh, and how could I forget that this thing has true STEREO out. You can run it out to two amps, and really take advantage of the stereo effects like the panner and the ping pong delay. It has a nice headphone out that you can use as a personal earphone monitor too. That's a cool feature.
I'm using this for harmonica, and I can dial in a range of great amped tones and add effects as I please. I love the octave down and the leslie/vibrato/chorus simulators. Great organ tones there. I also love the wide range of delays and reverbs. There are so many great tones there to be had. Plus the thing has the ability to bypass all the amp and cab sims and just use the effects, so if you have an amp with good harp tone (ie. Like my Epiphone Vlave Junior that I modded for harps), this little pedal can be used in front just to add any/all effects you like. You'll only need this ONE pedal instead of e very expensive (and heavy) pedalboard full of individual effects. And you'll be able to dial in way more various effects combos than you could with that discreet pedal board.
This is simply the best bang for your buck. Period.

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Boss RC-2 Loop Station Review

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(More customer reviews)I just want to mention that the other reviewer got something wrong. He mentioned that when you find a drum beat you like and accidentally go forward to another beat that you CAN'T go back to the previous one..He's wrong you CAN go back. You have to select the little musical note and press the "tap tempo" button. But anyway..About my review..
To me this pedal is near perfect.And I absolutely love it. I feel like i cant play with out this now...
The features : There are a lot of drums beats to choose from and they can easily be changed into a different tempo if they are not as fast or as slow as you would like them to be. There is also 11 spaces to record your songs/phrases to. and 16 minutes of recording which is more than enough for me but if it had more time i'd be happier.
If you want to record clean sounds with the pedal then thats ok. But if you want to use distorted guitar sounds you need a distortion pedal to go before the pedal or else the drums will distort. So if you plan on buying this pedal to record rock songs you might want to invest in a distortion pedal.
This pedal is the closest thing i have to having someone else to play with. It's also a great tool for learning songs that have more than one guitar. You just gotta record each guitar but that doesn't matter because its a whole lot of fun anyway.
The first couple of minutes with this pedal might seem confusing and maybe frustrating for others. But after about 20 minutes or so you really start to get the hang of it and what it can do. The only problem i've had with this pedal is that right from the start the AUX input didn't work,forgivable this time because a lot of my amps and stuff already have AUX inputs. I love this pedal and so will you.. I rarely ever play with out it now. And for $150 its worth it..unless you want to buy it on musiciansfriend for 189. go for it.
I also recommend an adapter for it like with any pedal these suck out the batteries power like nothing.

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Boss RC-50 Loop Station Review

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(More customer reviews)I bought this as my first loop station, completely ignoring the RC-2 and RC-20, because if you're like me, you don't want to spend $100+ on a loop station that is obsolete to a $500 one. I decided to save for a while, and I must say it was worth it, for my desires as a musician. It's much easier to use than I thought it would be. I used one at my local music store and ended up embarrassing myself, because it was the first time I'd ever touched it. So, because I didn't wanted that feeling of embarrassment again, I read the first few pages of the manual on how to use it, practiced with it for a good 20 minutes, and I had it down, apart from a couple little things I learned along the way.
Here's how it works: There is a tap tempo pedal, where you can tap your foot to set the tempo, or you can actually hit the tap/tempo button to set the exact bpm (this is very useful for me, because I want to do electronica music, and having the loop at, say 90 bpm, makes it much easier to sync other instruments like a drum machine or a synth to the loop). The little light on the pedal blinks as a metronome, and it can play drum loops as a guide, which makes thing a bit easier. You hit the record pedal to obviously record, and hit it again when you want it to loop. If you made a mistake, there is an undo/redo pedal for the most recent loop made. There are three pedals all the way to the right title "Phrase 1", "Phrase 2", and "Phrase 3" and you can choose which of these to record the loop in, and you can alter the volume of each in case you wish to have one loop louder than the other(s). And then there's the "Stop" pedal, which will stop whatever phrase is selected. There's a lot I've left out, these are just the basics, the manual has everything you need to know.
Features:
Drums loops: There are plenty of drum loops available, varying different genres.
Reverse: If you're like me, you will LOVE this feature. My favorite band is Boards Of Canada, so obviously I enjoy the sound of music backmasked, which they do in a ton of their songs. You can record a loop in a phrase, and then reverse whatever is being played in that phrase. You can make some really dark moods, or create a very unique sound of drums (Ex. The Beatles "Strawberry Fields Forever" has some drum sounds played in reverse).
USB Connector: Exchange data between RC50 and computer.
Again, more stuff I've left out, but I don't want this review to be too long. These are just the features I mainly use.
Pros:
*Easy To Use: I didn't really have any huge problems with it, and got it down kinda fast.
*You can use multiple instruments: Like I said, I bought this because I want to do more with Electronic music, and I planned to use with with a synthesizer, drum machine, computer, etc.
The rest of the pros I'm sure I mentioned earlier. Now on to why it didn't get a perfect 5/5 stars for me.
Cons:
*I could use more phrase pedals: Call me greedy, but I would find it so much more useful.
*Placement of knobs and buttons: I kind of wish this could detach and have a cable to the pedal board. I can't operate all the knobs and buttons with my feet, and I hate having to bend down in order to do that. This is my biggest complaint.Other than that, I'd recommend this looper. For the stuff I want to do in music, I couldn't do it without this.

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DigiTech RP500 Integrated-Effects Switching System Review

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(More customer reviews)I play quite frequently in a church setting, where it's not feasible to hook up my amp, and I need to get a wide array of sounds, so I wanted something I plug in directly to the PA and get a great sound. I narrowed it down to this model, the BOSS ME-70, and the Line 6 POD 2.0 + foot controller. Here's why I went DigiTech:
1. Build Quality - This thing is a tank. It has a cast-metal chassis and vacuum-style footswitches, like on a stompbox. The BOSS unit has a metal chassis as well, but the footswitches are plastic.
2. Cost - $245 shipped for the Digitech, which comes with a power supply and Cubase LE4 recording suite for your computer. Pretty sweet! The BOSS unit is $300 and doesn't come with a power supply. I call shenanigans on that.
3. Customizability - While I liked the ease of use on the BOSS model, the thing I liked about the Digitech better is the preset system. You get 200 presets (100 factory and 100 user). The factory presets have some good sounds dialed in (though in no particular order it seems). You can also hook this up to your PC and adjust your presets from the provided X-Edit Software (which is quicker than using the menus on the unit). You can also download and save other patches, there are over 400 available on the Digitech site for free.
4. Stompbox-mode - Both units have modes to make them function like stompboxes.
5. Sound Quality - Don't get me wrong. Both of these units sound great, but I did not like the distortions I was getting out of the BOSS unit as much as the Digitech.
6. Ease of Use - It is very easy to use, pretty intuitive controls that are easy enough to figure out. After about a half-hour with the product and the manual I have it pretty much under control.

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The DigiTech RP500 delivers easy control over your tone on stage! The DigiTech RP500 guitar multi-effect processor gives you the ability to control program changes, complete signal chains and allows you to turn all amplifier and cabinet sounds off in the exclusive Pedalboard mode. When in Pedalboard mode the RP500 acts like 5 separate stompboxes and effects. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro rigs. Free Version 2.0 Upgrade is Now Available for Download at digitech.com!! The Version 2.0 upgrade adds a 20-second looper to your RP500 so you can now lay down a track, loop it, add another track with a different preset to help when creating songs or just build a song live on stage! DigiTech RP500 Modeling Guitar Processor Features Pedalboard mode changes switching to emulate 5 selectable stompboxes or effects Amp and Cabinet Bypass defeats internal amp and cabinet effects in all programs Heavy-duty vacuum switches for: Program changes Effect On and Off changes Bank up and down Tap tempo and tuner Bright LEDs display program status and effect On and Off Large 10 character LED display for program name, bank name and tuner Stereo XLR and 1/4-inch Outputs with ground lift Built-in expression pedal to controls internal effects including Wah Volume Whammy Other effect parameters All metal construction The RP500's stage control allows you to quickly and easily change your tone mid-song and eliminates the tap dance of individual e

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DigiTech RP1000? Integrated-Effects Switching System Review

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(More customer reviews)Here is my review of this Multi-effects/amp-modeling/integrated switching system. I have been playing guitar for well over 10 years and have a decent amount of experience with Multi-effects units. I own the Digitech GNX4 and an earlier model BOSS unit with the COSM modeling. I have provided my rating for each individual aspect of the unit and also some comparison with the Boss GT 10, which I think is the only real competitor for this kind of unit and price point.
Effects: Almost all of the effects range from good to excellent. The only one that's actually bad is the harmonizer. Its almost useless. I have GNX4 from 5 years ago and the harmonizer on that is excellent. So this is definitely a step backwards. There is a way to get around it by adding a harmonizer pedal ($200+) into the stomp loop. But come on Digitech, why should I have spend that extra $200? FIX THE DAMN HARMONIZER PLEASE. Also, in the GNX4, you could run Whammy/Harmonizer and effects like chorus/flanger etc together. In the RP1000, you will have to chose between Whammy/Harmonizer and effects. I wish they kept this functionality from GNX4. From what I have seen/heard on You tube, Boss GT10 has better and more effects. I haven't tried the GT10 in person, but to me, quality of RP1000 effects is excellent. I doubt I am missing much (except the Harmonizer of course) (3.5 Stars)
Amp Modeling: This is where this unit shines. I have the GNX4 with the MFX Supermodels CD which is excellent. But I think the quality of the modeling is better in the RP1000. The models are more responsive to touch and sound great to excellent. I went through almost all the amp models. I can really hear the difference between a Fender, Marshall, Vox AC, Mesa etc. Really hard to fault. However, for all you tube amp fanatics out there, I don't think this will satisfy your ears 100%. Also, Boss COSM modeling is not that great compared to RP1000 modeling (4 stars)
Switching system: I have to give kudos to Digitech folks here. They have REALLY done their homework on this one. The 4CM method is pretty useful and allows you to integrate this unit in your existing setup. The stomp loop capability is great. I wonder why Digitech didn't put the amp channel change capability (like GT10)? That would have made this unit a God-send for me. I don't like the fact that if I want to use different channels on my amp, I have to use a different foot switch. Also, having 10 foot switches is way more convenient: 5 for Stompboxes, 5 for presents. Patch changes are quick (slight delay, not too noticeable) and stomp box on/off is instant. Boss GT10 switching system has the same features, but its just not as well laid-out/organized as the RP1000(4 stars if you use 4CM method, 5 stars otherwise)
Ease of use: I have been using the GNX4 for a few years and that was somewhat daunting in the beginning. With that experience, RP1000 is actually easier for me use. I think Digitech took out some of the complexities from the GNX4 and made it lot more user friendly and easily tweak-able in a live situation. I really like how easily you can bypass amp modeling, add in stomp loop, modify effects etc. on the go. X-edit is a decent piece of software as well, but you really don't need it as much as you did for GNX4. RP1000 is a lot easier to use in person. Overall, very well done indeed. Boss GT 10 seems very complicated to me, but again, for folks who have used GT-8 in the past might not be too concerned with that. For someone starting out fresh, you cant beat RP1000 for ease-of-use (5 stars)
Overall: 4.5 Stars. If you are in the market for a Multi-effects/Amp-Modeler unit, just close your eyes and get the RP1000. I don't think you can buy anything better at this price point. Sure, every one is raving about the Axe-FX, but I don't wanna spend 1.5k on an amp modeler. Besides, I like floor unit, not the rack mountable ones. Also, do your homework. Definitely check out Boss GT 10 and then make up your mind.


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DigiTech RP255 Modeling Guitar Processor and USB Recording Interface Review

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(More customer reviews)The RP255 does everything Digitech claims it does. About the 20 second looper- 20 seconds might not seem like a lot of time, but considering the fact that you can dub-over trac after trac, it's more than enough time. All of the sounds it produces are "AMAZING". I'm doing things and creating sounds, and music I never dreamed of. I almost went with the RP155, but I'm glad I spent a little more and got the expression pedal, It's more than just a "volume" or "WAH" pedal. It's just a lot of fun. I have not begun to create my own music yet, but I will as soon as I install the cubase LE4 software. It's the best thing I ever bought for my guitar. I have a new found love for my giutar. I just can't say enough about it, but Digitech can. Go to Digtech.com- go to products, then RP255- and they have a nice little video "demo" on this and several other RP's. I did a lot of research befor my purchase, and this thing flat-out "BLOWS AWAY" the competition. More effects than the others- "USB" computer recording & editing- plus the looper. Try to find just the looper, not to mention all of the incredible effects this processor has on any other effects processor, it just can't be done, not even at twice the price! And I did some serious looking around.

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DigiTech RP55 Guitar Multi-Effects Processor Review

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(More customer reviews)I've been through 2 of these and really liked them...until they both died.
This pedal is very easy to use and manipulate and the effects are really cool. #'s 21, 9, & 48 were my favorites, but you can get just about any sound or combination of sounds from this thing and it's a lot of fun both in practice and on stage.
But, here's the problem...they don't last long.
The first time mine died on me was during a pre-gig soundcheck. It just completely died.
So, figuring it was just an anomoly and the fact that I really liked it, I bought another one. This second one lasted about 10 months. It didn't die, but all of the sudden out of the blue all the settings and effects changed. It sounded tinny, then muffled, then too loud, then too soft. I tried to re-set it the way the users manual tells you...but it didn't work.
This time I'll try a different kind and see if can last oh, maybe a year!
This thing is really great, but...like most of my romantic endeavors, they don't last.

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Zoom G2.1U Guitar Effects Pedal with USB Interface Review

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(More customer reviews)I've had this unit for over a year now, and have used it for practicing (mainly through headphones, occasionally plugged in to my little Marshall MG15-CDR), a few jam sessions, and a bit of recording into GarageBand on my MacBook Pro.
On the positive side:
- Very solid construction.
- USB audio interface works great with GarageBand, both for input (guitar signal going to MacBook) and monitoring (listening to already recorded tracks plus the track you're recording via the G2.1u's headphone output). When connected via USB, it gets power via USB too.
- Runs for several hours on 4AA batteries. I use rechargeables. (Never bothered with an external AC adapter).
- Excellent sound quality. All the fx sound quite good. The ZNR soft noise reduction really handy if you've got a bit of low-level hum/buzz from single-coil pickups.
- Pretty easy to dial in your own sounds.
A couple of downsides:
- No aux input! IMO this is *the* single missing feature that limits this unit's usefulness for practicing. I would love to be able to plug in an iPod. (Thinking of buying a Line 6 Pocket POD for this).
- The cabinet / mic modelling doesn't sound very convincing to me.
- With only two foot switches for stepping up/down through your list of patches, it can be awkward switching patches in the middle of a tune (e.g. between rhythm and lead settings) unless you've stored them on adjacent patch numbers. Really no way around that without having a bigger box with more footswitches.
All in all, a nice unit, and good value. Probably most useful as a recording interface using the excellent USB audio interface. OK for for live use (with caveat about limited footswitches) and for practicing (as long as you don't want to jam along with your iPod).
..............
Update December 2008: I got myself a Vox Amplug AC-30 a while back. Fun little unit (if a bit overpriced for what it does) - plug it into your guitar, plug in a mp3 player & some headphones, and jam away. Turns out it can also be used to get around the G2.1u's lack of an Aux input.
Just plug the Amplug into the G2.1u's output, and connect your headphones and mp3 player to the amplug. With the right settings on the Amplug (at least the AC-30 version), the Amplug runs pretty clean, so at the Amplug's headphone output you hear essentially the same as you'd hear if you plugged your headphones directly into the G2.1u.
Obviously this is a bit of a kludge, but if you happen to have both units, this is an option...

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The G2.1u pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2.1u pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows versatile remote operation With an optional foot switch (FS01) you can set tempos for delay time and modulation rate. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Expression pedal adds further versatility to your guitar play The built-in expression pedal is a great way to control effect parameters in real time. Control the vintage wah, pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb. The dedicated PEDAL ASSIGN key and status LED indicators make it a cinch to select the effect to control. Effect on/off switching is also possible by pushing the pedal fully down.
USB port enables computer recording The USB port allows the unit to function as an audio interface for a computer. Simply connect a USB cable to utilize the high-quality sound of the G2.1u in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the G2.1u itself, there are no latency problems during recording. Powering the unit from the computer via the USB bus is also supported.
What's in the Box Zoom G2.1u Pedal, AC Adapter, User's Manual, Cubase LE Install Disc

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DigiTech BP50 Bass Multi-Effects Processor Review

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(More customer reviews)I have the RP250 and RP350 effects pedals from Digitech. Simply the best available for the money in my opinion. I started playing bass recently and thought I'd check out this little BP-50 unit. I realised its aging a little now and newer Bass effects units are available, but for the price, I was really only looking to dip my toes in the water so to speak. Anyway there is a reasonable set of pre-made patches and the ability to modify them. Not as easy as with the RP250/350 where you can hook up to a computer and modify, but nonetheless it can be done if you havew a bit of spare time. I was perhaps most impressed with the lack of white noise passed through the unit. Very clear sounds with little noise evident with most patches. Sure, it could be better, but its old-ish now and not the latest and greatest technology on offer, but good for an intro bass effects unit for the newer bass player.


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DigiTech RP50 Digital Amp Modeling Effect Unit Review

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(More customer reviews)Digitech's RP-50 is a reasonably priced multi-effects unit tiny enough to take up very little space on a shelf or in a gig bag. It will provide more than enough bang for the buck for most guitar hobbyists. It contains multiple flanging, delay, chorus, autowah, and distortion effects. These go beyond the "bread and butter" stock sounds that many Korg and Zoom boxes provide, giving us truly useful and musical sounds. I'm particularly impressed with the various amplifier simulations; there are some beautiful clean Fender and Voxlike sounds hidden in here. There's also a gorgeous acoustic simulation that will strongly evoke a piezo pickup if you play without distortion. I'm also happy that the presets aren't oversaturated nonsense but actually highlight the varied sonic qualities of this multieffects package. Furthermore, the RP-50 can be used as both a headphone amplifier (perfect for when you don't want to wake up the house) and a direct input for recording. I've used the RP-50 for a lot of home recording since 2003, and the sound quality is very, very impressive even when plugged directly into my computer. In fact, I prefer the RP-50 for that use instead of using it to replace a pedal board. There's also an excellent tuner that's easier to use than some other pedal-based tuners I've tried.
Is this as good as more expensive models? Customization is, unfortunately, limited. Since you can't totally control all the parameters of each effect, exact synchronization of delays (for example) is impossible. The onboard EQ is limited to "Lows," "Mids," and "Highs" making it almost impossible to dial in nontraditional tones. There's a great-sounding drum machine included which (you guessed it) can't be reprogrammed. You can select a different drum pattern and choose a different speed, but that's it. You can't create your own patterns, and the drum speed isn't given to you in beats per minute (BPM). The selection pedals are very small and I would worry about stomping on them too hard on stage.
I've used the RP-50 since May 2003 and have never once had a problem with it. It's a valuable practice tool, sounds great, and is a terrific value. I'd buy it again if I had the chance!

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Zoom G1U Guitar Effects Pedal with USB Interface Review

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(More customer reviews)I was looking for a decent headphone amp because I live in a crowded apartment in a crowded city and my marshall stack would get me either arrested or beat up.
First of all, the zoom g1u package DOES include an AC adapter. I say this up front because all the literature I read on it indicated it did not ("optional" ac adapter, is the reference everywhere).
As far as the zoom itself, its a remarkable and very very fun piece of technology.
--the presets ("patches") are great, you get a huge variety of tones and sounds and effects pre-set so its easy to just jump in with it and start playing different genres of music. Many of the presets are explicitly modelled after famous guitarists and their famous tones (srv or randy rhoads for example) and are labelled as such. If you want to create your own tones you can do that too, obviously.
--amp and cabinet models - they sound just fine to me. I havent compared the zoom models with, say, those on the digitech rp series, but the zoom models (from distortion to clean to jazz) all sound lovely to me.
--huge set of effects are available.
--drum machine is a blast, much more fun than I expected, having never played along with a drum machine before. Most of the drum tracks I probably wont use, but I think anyone can find a few favorites to play along with. Of course preset drum tracks are not as versatile as being able to play your own drum track, though. At some point i'll probably buy a separate drum machine. Its definitely a fun thing to have included though, I think.
--includes software - zfx tools (create patches) and ableton live (record and edit your music): ability to record directly to computer via usb is a blast too, and works well.
Is it worth a hundred bucks? Absolutely, its amazing how much technology they are packing into these tiny boxes (5"x5" approximately) and it will keep you entertained for quite a while. The g1u is a great introduction to these things - drum machines, effects, amp modelling, and recording software - it makes certain things easy particularly for a beginner (like giving you presets with descriptions and not forcing you to build common tones from scratch). Similarly the recording software is simpler and easier to grasp and use than the much more complex Cubase software that you get with higher and more expensive models.
I did compare the g1u with a couple of higher models (g2.1u and digitech's rp255). These are the only other two models right now that have both usb connection AND drum machine tracks built in. Both are considerably more expensive than the g1u. The main thing both add is the 'expression pedal' (which I didnt need). Other than that they dont add much at all in features. In fact the g1u I believe has a lot more models and presets than either, and is a more recent and updated product than either.
Pretty happy with it so far. Loads of fun. I'm not missing my full size amp at all, and this box lets me play to my hearts content without bothering my neighbors. The convenience and value you get with these boxes is truly amazing.

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Zoom G1XN Guitar Multi Effects Pedal Review

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(More customer reviews)Ok, so I bought this because my friend had an old Zoom multi-effects pedal and he recommended getting one. It's a solid pedal, but has a few drawbacks. First the positives:
Pros:
-Has a lot of room to store custom presets (up to 40, with 40 factory presets you can't permanently change). These are fun to create.
-Has many effects that are decent in quality, and gives a fair amount of control over them.
-Easy to use, came with wallet card explaining the readout, but this is unnecessary after a few days.
-Sounds very good through headphones.
-Comes with AC adapter.
-Pretty well priced. Definitely a good value.
Cons:
-The drum machine sucks. Boring and quiet, even at full volume.
-You can't run more than one effect from each section, which means you can't layer a lot of effects.
-The noise gate is really crappy. It does remove the noise while you're not playing (as a noise gate is supposed to) but when you stop playing the noise comes through for about half a second before fading out, and sometimes it dulls your pick attack. For those who know noise gates, the attack and release are pretty slow, with a hold that's too long for most of my guitar playing.
-The distortions are pretty lame. Many sound very similar and they're all a bit muddy, even when you adjust the EQ.
-The pitch bending effect is pretty poor, but not useless. It sounds shaky and poppy when you bend the pitch more than half an octave.
It'd be much better to get a different pedal for each effect this pedal creates, but that'd be really expensive. All in all, this pedal is great for beginning players or advanced players on a budget.

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DigiTech Whammy Pedal Re-issue with MIDI Control Review

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(More customer reviews)I rarely write reviews on anything and the only reason why I am writing this is because I feel the need to give recognition for all this pedal has brought me. I would refuse to play guitar without it, its that simple. you can pretty much create any sound you want and i would consider the whammy pedal just as important as my guitar. its easy to use, and extremely worth it, dont second guess here, put up the money trust me its worth it. Ive been playing with it for over a year now and even if all I had was $200 to my name, id still spend every last penny on this pedal.

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The DigiTech Whammy is the upgraded reincarnation of one of DigiTech's most popular pedals. It's been almost a decade since DigiTech introduced the revolutionary, original WH-1 Whammy pedal. It has become one of the most sought after, most expensive pedals on the auction and used markets. Y2K brings the return of the original Whammy with the same metal construction and rotary controls, the same presets, smooth pitch bending and harmony effects - everything . But it doesn't stop there. After perfectly recreating the original, DigiTech added MIDI control and a new Dive Bomb effect. Dive Bomb sounds like you bottomed out a Floyd Rose to the point where the strings slap against the frets and pickups. Power supply included. DigiTech Whammy Pedal Features Original Whammy performance Original Whammy presets New Dive Bomb effect Rugged new industrial chassis design LED indicated Display Preset selection MIDI In for remote control Wet-Dry outputs Power supply included Every feature of the original WH-1 has been included in the new Whammy; From the rotary preset selection knob, to the Ferrari red color; From the mechanical momentary switch, to the exact same interval selections. However, the new Whammy has added the versatility of MIDI control making this timeless effect flexible enough for any situation. The new Dive Bomb Preset gives the effect of a Floyd Rose whammy bar pushed all the way to the body of the guitar, and 16 LEDs provide a visual indication of your Preset selection even on dimly lit stages. AmericanMusical.com is an authorized dealer of DigiTech products.

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DigiTech Jamman Looper and Phrase-Sampler Pedal Review

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(More customer reviews)Sorry folks...the JamMan just isn't quite ready as a reliable, live performance tool. Using a high-capacity compact flash card (1GB), my loops were consistently corrupted after about the 4th or 5th overdub (especially on loops of faster tempos). I tried several brand new cards and even exchanged the JamMan for another one. Same problem. The thing is built like a tank. Unfortunately, the problem with corrupted loops means that it's just not dependable enough to use in live performances. Believe me, you don't want to find yourself in the middle of a live performance and suddenly have an extra 1 or 2 beats magically show up in the middle of your loop. Probably not a good impression on your audience. :-) I've been in contact with DigiTech but no fix yet. Let's hope they find a fix to this problem soon.
You can check out the discussion on Yahoo's JamMan discussion group, for more details and examples of the problem. I would strongly recommend holding off on getting a JamMan right now. Give DigiTech some time to work out the bugs first. I realize not many people have reported this problem but it's there. As more people experiment with it, the glitch is making itself known.
I give it 2 stars for effort. If you don't intend to loop more than 3 or 4 layers, on smaller-capacity compact flash cards, you're probably okay. Even so, I wouldn't risk it in a live performance though.


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The DigiTech JamMan Looper - The Return of a Legend!Nearly 20 years later and 6 hours, 29 minutes, 52 seconds longer, DigiTech does it again with the JamMan Looper. When DigiTech developed the PDS 8000 looper pedal almost twenty years ago, it stored eight seconds of audio. Now theyve reinvented it using removable CompactFlash® memory to store up to 6.5 hours (with optional 2GB card)! A wide range of features combined with ease of use make the DigiTech JamMan the perfect looper/phrase sampler for practicing, composing, and performing.DigiTech JamMan FeaturesSave up to 99 independent loops.Store over 24 minutes of looping time on the included CompactFlash card. Upgrade to a 2GB card to store up to 6.5 hours of audio!Connect to your computer via USB and never lose another loop ever again!Record rhythm loops and solo over them on the fly, completely Hands-Free.Load up the JamMan with bass lines, drums, harmonies, and more; create an entire backup band, take it with you, and perform anywhere!Slow down or speed up any song without changing pitch.Removable CompactFlash Type I memory card with over 24 minutes of capacity included (up to 2GB of storage or 6.5 hour* capacity)USB port to transfer loops to and from your computer. Create a library of all your loopsBalanced XLR mic input with professional-grade, low impedance input with dedicated gain control. Perfect for dynamic and self powered microphonesCD quality 44.1kHz sampling rateMetronome with multiple rhythm sounds and time signaturesRugged metal chassisAutomatic recordingPower supply includedOptional footswitch adds addidtional Hands-Free functionalityThe JamMan opens up new horizons to your musical explorations. The possibilities are literally endless, endless, endless.!DigiTech JamMan DetailsBALANCED XLR MIC INPUT:Professi

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Zoom ZG21NU Guitar Multi Effects Pedal and USB Interface Review

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(More customer reviews)The best pedal I've had. You can tweak any sound imaginable. It simulates mic'ed cabinet sounds VERY realistically and much more.
The possibilites and quality of sound are amazing. I've been frustrated with so many pedals that I still have, but now the ZOOM G2 simply trashed them all. Yes, it is very easy to manage it's controls. Huge user memory and factory presets. You can check samples on youtube. I HIGHLY recommend it.

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Zoom G2 Guitar Effects Pedal with Drum Machine Review

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(More customer reviews)When you have a beguinner rocker in the family you have to find a way to develop his rhythm technique. Throw out the metronome and get this cool pedal. It's easy as heck to use and as fun as the day is long! The drum patterens are varied and really sound good, not like electronic drums and there are lots of interesting guitar sounds and effects. Highly recommended!

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Introducing the G Series from Zoom. G2 pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2 pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows versatile remote operation With an optional foot switch (FS01) you can set tempos for delay time and modulation rate. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Control the vintage wah, pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb.
What's in the Box Zoom G2 Pedal, AC Adapter, User's Manual

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