Zoom R16 Multitrack SD Recorder Controller and Interface Review

Average Reviews:

(More customer reviews)This thing is awesome.
But let's start with the bad, before we get to the good. The Bad:
- The preamp quality is not that great. I want to be careful not to over-state this too much: they are certainly not BAD preamps, and they are certainly competitive with other preamps that can be bought eight at a whack for $300, but they are not fast-response, high-headroom, ultra-clean studio preamps. They are more like the preamps on a decent portastudio (duh). They have a bit of a tendency to flab out on DI bass tracks, and can turn a bit crunchy/hashy at the top with difficult program material such as cymbals or detailed condensers. Backing off the input gain and recording at lower levels helps but does not completely solve these issues. And ribbon mics are pretty much right out: there's just not enough clean gain to drive low-output mics while preserving sound quality. But they are perfectly adequate for midrangey, high-output dynamic live mics, such as Shure SM57s and 58s, and considering the price point and what you're buying, they are actually quite capable: VASTLY better than the 1/8" mic/line input on a typical consumer soundcard, and comparable with a typical budget/prosumer mixer or live console.
- Phantom power on only two channels. I imagine this is a limitation of using USB/battery power, and it's frankly kind of amazing that they can deliver 48V at all. But it is still a limitation. If you want to use this box for full-blown studio recording, for this reason and the above, you'll probably want to have some outboard preamps or a mixing console or some such (soundcraft makes some inexpensive mixers with pretty good preamps).
- Zero midi anything. I'm not sure if this is a "bad", so much as just something to be aware of. Inclusion of a simple GM synth or drum machine, or even the ability to record MIDI would have expanded the usefulness of this box, but also would have added a lot of complexity to the little menu-based LCD interface. Overall I think it was a better decision to leave it out, and keep the device easier to use, but it's worth being aware of: if you want to record midi instruments with this box, you will be recording the output as audio.
- Usability/latency problems as a computer audio interface. I found this box to be unsatisfying as a laptop audio interface using early 2010 drivers. USB audio interfaces can be iffy compared with firewire or PCI, and this was no exception. I experienced intermittent problems with crackly audio, dropouts and skips, and had to frequently adjust latency settings and/or restart the hardware. Such problems were intermittent, but even occasional meltdowns can make such a device almost unusable. It's easier to simply record standalone to the Zoom R16 and then dump the files into computer via USB for editing and mixing in your favorite DAW software. Bear in mind that every computer is a bit different, so YMMV, and future firmware or driver updates may help the situation. But for now I cannot recommend it as a primary multitrack audio interface for computer-based recording (although I certainly recommend it as a portable multitrack recorder that can integrate with a computer setup).
So much for the bad. The good:
- IT RUNS ON FRIGGEN BATTERIES. If you are new to recording, it may not be clear what a revolutionary thing this is, to have a complete, legitimate recording studio that you can leave on the coffee table or stick in a backpack and take a full project from recording, through mixing, with effects, and run the whole thing on six AA batteries. Battery-powered recorders are obviously not new, but this box is genuinely a fully-capable recording studio that achieves the magic number of 8 simultaneous inputs, with effects and mixing. And battery life is actually quite good. The more tracks and more processing and effects you're using, the faster they deplete, but even at full load you're changing batteries maybe every two hours, more than enough time to re-charge a spare set of rechargeables.
- SD storage. Using SD cards as the storage medium means cheap and easy storage, but even better, no fans, no motors, no whirring/clicking hard disk... this box is *silent*. It also means that it records like tape: there is no saving, no file-management... just hit record or play, turn power on and off whenever you want-- no worries, and no inspiration-killing hassle.
- Ease of use is really good. Text- and menu-based LCD windows can be a nightmare to deal with, as anyone who was recording in the early days of digital knows. But if you're familiar with multi-track recording generally, this device is easy to use right out of the box. Reading the (pretty good) manual is not required to start recording and mixing, but it does reveal a LOT of deep functionality. If you are new to recording, this is a pretty easy way to get started: it doesn't have the graphical point-and-click simplicity of a computer-based interface, but it also skips over all the issues of latencies, drivers, file-management, and various computer-related headaches. The R16's true 8-input recording and 16-track playback allow it to skip/simplify internal routing, bussing, etc, making it very straightforward to use: every physical channel is a track, and there is a bank up/down key to determine whether you're working with tracks 1-8, or 9-16. Couldn't be simpler. Each channel has a play/mute/record toggle button with a color-changing LED to tell you what state it's in, and the transport controls work just like a tape machine. The menus for effects, project selection, track swapping, etc are all straightforward and well-thought-out, with clearly-labelled buttons for each menu. Connections are extremely simple and obvious. Each channel has a gain/trim knob and a mix fader with a 4-LED meter that automatically switches from record level to playback level depending on the track status, and channels with switchable input status use separate physical switches to flip between phantom power on/off, built-in vs external mics, or instrument/mic inputs. Easy-peasy, with no obscure or hidden settings or parameters to drive you nuts.
- The built-in mics are an outstanding feature. They are your basic electret omni mics, which means they are quiet, accurate, and have good dynamic response with both low- and high-volume material. Just flip the switch and set them to record and you can track all your rehearsals, live shows, living-room practice, whatever. You can make full multitrack demos using just this box and a pair of headphones.
- Built-in effects are comprehensive, quite good, and very well-thought out. The presets are very usefully-constructed for a box of this type, designed to minimize menu-based tweaking. The main "default" effects configuration is set up for semi-automatic per-channel eq/compression, a master reverb/delay with per-track send, and a full suite of guitar and bass effects on the hi-Z "guitar channel". Digging into the menus further allows you to assign any effect to any track, to change whether insert effects are "hard-coded" onto the incoming audio, or just applied as a bus effect (for example, if you wanted to hear the effect during tracking and playback, but keep the underlying audio "clean" for later processing in a computer DAW or whatever). There are also a host of nifty extras including preamp modellers, guitar and bass amp emulators, wah/modulation/etc "special effects", acoustic guitar and bass simulators, and so on. Not 10 years ago, this box would have been worth the price as a single-channel multi-effects processor alone. Some of the settings are a little weird, and I'd much rather do a full mixdown using hardware processors or computer plugins than using menu-based text inputs, but the effects are all real-time, and you can hear your changes as you make them, so it's certainly possible to do a full record with this box alone, and effects quality is comparable to other digital hardware processors.
- Overall sound quality is quite good. Even factoring in the preamp reservations above, 15 years ago you could have spent 10 or 15 thousand dollars EASILY and still not had the sound quality and capability of this little box (plus you would have needed 20 electrical outlets and a room to store it all in, not to mention hundreds or thousands of dollars worth of racks and cables). It probably won't replace your RME interface or Apogee converters, and it certainly won't replace a collection of API and Telefunken mic preamps, and you'll probably want to hang onto to your UAD card if you have one, but good luck sticking all that in a laptop bag and taking it to the beach.
This plus something like a Tivoli Audio iSongBook (or even a pair of headphones) makes a complete, battery-powered multitrack studio that fits in a backpack or laptop bag, with room left over to hold spare batteries plus a couple of mic cables and SM57s, if you want them. Laptop-based mobile DAWs have always seemed like an awesome idea, but in practice things like boot times, dongles, limited mobile interface options, mixing and control via mousepad, short battery life, self-noise, computer-related reliability and stability issues, etc have always tended to keep it a good "idea" as opposed to a truly mobile "on your lap" studio. This is perfect and easy to take on the road, record in the tour bus, in the rehearsal space, in the hotel room, at a picnic table, a house party, wherever.

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The R16 Recorder/Interface/Control seamlessly combines multi-track recording, an audio interface, and control surface capability in a mobile production studio. Take your session anywhere.

Record 8 tracks simultaneously with 16-track playback Capture audio in any setting, from live music performance, drums with multiple mics to music rehearsals and songwriting, even audio for film and video. The R16's simultaneous 8-track capability makes professionalism easy. Playback up to 16 tracks using its 16/24-bit linear WAV format and 44.1kHz sampling rate.
Audio interface with 8-in/2-out capability The R16 functions as an audio interface enabling direct input of sound to a computer. Support for high quality 24-bit/96kHz encoding ensures great sound. Eight input channels and two output channels can be used simultaneously. If you use the sampling rate of 44.1kHz, the internal DSP effects of the R16 are also usable on your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring.
Control surface for all major DAW functions Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported.
Sync two R16s for 16 tracks of simultaneous recording The R16 is the first recorder that incorporates the ability to generate a synchronization signal based on USB data transfer timing*. By connecting two R16 units via USB, you can designate one to function as a USB host and the other as a USB slave, allowing synchronized transport operation. This lets you record on up to 16 tracks simultaneously to competently handle a live performance.
* Synchronization accuracy has a tolerance of about 1 to 2 milliseconds.
Built-in high-sensitivity stereo microphones When you want to quickly record anything from songwriting ideas to ambient room audio, the R16's built-in set of stereo mics will come in handy. Vocals and acoustic instruments can be captured with excellent clarity.
Supports SDHC cards up to 32 GB Because the R16 utilizes compact and readily available SD and SDHC memory cards as its recording media, there is no motor that can cause noise as with tape or discs. And you never need to worry about problems caused by external vibrations that can crash hard drives.
Versatile inputs for guitars, mics, and line sources Its eight combination mic/line input jacks can handle mics or line-level signals. Phantom power is provided on channels 5 and 6 for use with condenser mics, and the Hi-Z switch for channel 1 accommodates a guitar or bass. The R16 is ready for any kind of input source.
Use master track for final mix A dedicated master track lets you do the final mixdown right on the R16 without a separate master recorder. With sequence play, several projects can be mastered together and played automatically. And you can create playlists for finished songs in any order.
135 DSP effects including guitar amp simulations The R16 comes preprogrammed with 135 types of digital effects for recording, mixing, and mastering. The insert effect has seven modules with algorithms optimized for guitar, bass and vocals. In addition, two send/return effects are also available, so that you can use up to three effects simultaneously. The R16 also comes with models of 18 different guitar amps such as Fender, Marshall, Vox and Mesa Boogie, and 6 bass amps such as Ampeg, Bassman and Hartke. A compressor and equalizer effect that handles 8 channels simultaneously provides further flexibility.
Tuner and metronome onboard The R16's built-in tuner is great for quickly tuning an instrument or checking the pitch of vocals. During recording, the metronome provides a click track for your drummer and is also handy for practice. The metronome sound can be sent to the headphones, letting you use a previously recorded backing track on stage during a performance.
Locate function makes editing easy Set up to 100 marker points and directly locate them whenever you want. Other convenient functions for editing include A-B repeat playback and auto punch-in/out, making it easy to re-track part of the recording. The R16 can be powered from the supplied AC adaptor or six AA/LR6 batteries. A set of batteries will last for about four and a half hours, and because they are standard batteries, changing them is always easy and convenient. The audio interface and control surface functions can also be operated on USB bus power, providing another power option.
Power options The R16 can be powered from the supplied AC adaptor or six AA/LR6 batteries. A set of batteries will last for about four and a half hours, and because they are standard batteries, changing them is always easy and convenient. The audio interface and control surface functions can also be operated on USB bus power, providing another power option.
USB 2.0 hi-speed mode for fast file transfer Because the R16 has a USB 2.0 Hi-Speed compatible port, file transfer to a computer is quick and painless. Computer-based tasks such as editing with DAW software, burning your original CDs and importing WAV files are integrated smoothly into your workflow.
USB host capability for connecting USB memory A USB flash drive or large-capacity external hard disk can be plugged into the USB port of the R16. This lets you quickly distribute a recording to band members after a rehearsal session or make a backup of your recordings even when you're not near a computer.
Bundled with Cubase LE 4 Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production.
What's in the Box Zoom R16 Multitrack SD Recorder Controller and Interface, AC Adapter, 1GB SD Memory Card, USB Cable, Cubase LE Install Disc, User's Manual

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Boss BR600 Digital Multitrack Recorder Review

Average Reviews:

(More customer reviews)I have had this recorder now for almost 3 months and I am blown away by the capabilities of this unit.
Expect This:
1) Small
2) Light weight
3) Excellent sound quality
4) Easy to operate basic features
5) Can back up songs to computer (and reload them back into unit)
6) Programmable drums (you can string together patterns into a "song" or tap in your own patterns)
7) Nice amp modeling (lots of "stomp box" settings and Bass guitar simulations so you can play bass with a regular guitar..and it sounds believable)
8) Nice effects (reverb, chorus, delay, comp. limit, etc.) that you can program to some extent
9) Has a line in so you can use an external mixer if you want
10) Onboard stereo Mic is astonishlingly clear and sensitive (you can record live gigs with nothing plugged in)
11) Seperate rhythm track fader so you don't waste a track for drums
12) 64 virtual tracks so you can have different 8 different performances on say Track 1 (but you can only play select and play one at a time...but cool for alternate versions of a song)
13) Cut and paste performance data on the same track or between tracks
14) Punch in/out recording so you can zero in and re-record over "bad sections"
15) Pitch correction that actually will correct your off key singing (not the best quality but ok)
16) Excellent tool for the singer/songwriter to "flesh out" ideas into a digital quality recording
Don't Expect This:
1) No way to sync with external sequencer (no SMPTE or MTC)
2) Can only record two "things" at a time (guitar/mic, 2 mics, or 2 guitars) unless you use external mixer
3) Easy access to features (with a single small LED display you are stuck with "menu trees")
4) The batteries to last long. I put new batteries in and got the "low battery" message only after 1 hour of use. I use AC all the time so not a big deal to me.
5) The 125 Meg card to hold more than about a single fullup 8 track song (get the 1Gig card immediately...only about $30)
6) To have 8 independent tracks. You have 4 mono tracks and 2 stereo tracks so it is really a cross between a 6 track and 8 track recorder...depending on how you look at it.
7) Export your whole song in .WAV or .AIFF format (only individual mono/stereo tracks can be exported so do all your tracks is sort of time consuming...but it can be done)
8) Great microphone performance (the preamp is a little weak...at least for the dynamic cardioid that I use
Given all the above I still give it 5 stars and here is why:
1) Form Factor (small and lightweight)
2) Sound quality
3) Ease of use (to lay down multiple tracks quickly)
4) Onboard rhythm (hundreds of patterns (intros, verses, fills, and ends) that you can string together.
5) Onboard amp modeling (and especially the bass simulation....don't have to buy a bass guitar)
6) Cost....incredible amount of features/quality for $350. I had a studio in LA 15 years ago and this unit is the equivalent of over $5000 worth of gear (8 track cassette deck, effects boxes, bass guitar, guitar amp, and drum machine). I can't believe how all this stuff is now part of something the size/weight of a magazine.
7) Easy backup of data on computer so you can have a downloadable "library" of songs and download them seperately when you want to work on them.
The only feature I wish this thing had was a way to sync up with a DAW sequencer. But you can always export your tracks out as WAV or AIFF files and import them into your DAW.
But for me, I just want something that is always ready to go if I get an idea for a song and I don't want to have to boot up a computer or play with a bunch of cords and gear. I just turn this thing on with nothing attached, grab my acoustic guitar, and sing/play thru the built in Mics to "get the idea down". Then I go back later and "do it right".
My two tips are:
1) Get the 1Gig card as the 125Meg card is just too small for real work
2) And "if" you are unhappy with the Mic sound, run your Mic into a preamp and feed the signal into the unit thru the line in. When I did this my vocals became "alive". The guitar in has plenty of "oomphf".
I love this unit. It does everything a singer/songwriter who wants to quickly sketch out ideas could want. And if you want to do some quality recording it will do that too.

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TASCAM DP-008 8-Track Digital Portastudio Review

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(More customer reviews)After wanting a digital multi-track for a long time, I finally decided on this model, and I'm glad I did.
One thing that is not included in a list of specs is the usability factor. I've purchased my share of electronic devices for making and recording music over the years. Just looking at a dry list of specs has often been my method of deciding on what to buy. Well, on paper the DP-008 looks good, but it's not until you use this to cut a few tracks that you realize how well it is designed. I'm SOOOO glad I didn't buy the DP-004, as this model is clearly the results of Tascam eliminating the weaker aspects of the 4 track model just in time for the 8 track version.
I have seen a lot of digital multi-tracks that look good on paper, but to use them is a real pain. The fact that the DP-008 has all the individual track knobs means that you don't have to go flipping through pages on a menu or choosing the "hot track" in some other way. Here it's all laid out logically and makes tweaking the final stereo mix a piece of cake. Sure it would be nice if there were level sliders rather than dials, but these work just fine.
I use this model to record myself playing guitar and bass, run a Boss drum machine into it, and I record vocals with an external mic though a small mixer that has some helpful effects on it. You don't need a mixer, though, as the included mics are quite good. I am able to record several tracks, "bounce" them if I want to, and then write them to a stereo master mix. Then, I export that mix on the unit itself (sounds weird, but basically you're just creating a wav file that can be seen by a computer). The final step is connecting the DP-008 to a computer and merely dragging the song files over to the computer. I then use Audacity to convert it to an ogg file or mp3.
I use Linux and the process of transferring songs to the computer is very simple. In the past you would have received a useless cd-rom with a crappy "song transfer" program and maybe some crapware to go along with it. I'm glad that Tascam has decided to treat the customer right and state it clearly: There is no need for special software. Once you export the song, it will show up as an external storage device and you can simply transfer the files over to your computer, whether it's a PC running Windows or Linux, or a Mac.

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Native Instruments KOMPLETE 7 ELEMENTS Software Review

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(More customer reviews)This software is amazing for the price. I am mostly using the various features as plug-ins with Ableton Live Intro, and I'm finding the combination of these two inexpensive packages to be awesome for someone on a budget. I can't believe the realistic guitar sounds I get using Guitar Rig as a plug-in to Ableton via my Yamaha keyboard (if you're not familiar with Native Instruments, Guitar Rig is one of the included programs). I've recorded several things and played back for other people and they were astonished that I was playing the parts with a keyboard. Highly recommend.

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Roland HD-1 V-Drums Lite Electronic Drums Review

Average Reviews:

(More customer reviews)This kit is near-to-perfect for someone who finds their acoustic kit has become too loud, too big, too difficult to transport, and too time-consuming to set up.
If you are looking for something that is small with a small footprint that is light, portable, and that sounds good, this kit will fill the bill. I haven't been able to put the sticks down (geeze, now I know why I got away from playing for 15 years - it's as additive as crack cocaine).
The other reviews voice criticism and they are justified, depending on what you are looking for. Unlike the higher-end kits, you cannot select individual drums. The drums for any of the pre-programed ten kits, and the volume of those individual drums are "global," meaning you can turn the whole kit up or down, but not adjust the tune or volume of one drum vs. another.
The voices are sampled and really sound incredible, but if I could "have it my way," I would have the snare be a bit more sensitive (you can set the sensitivity, but again, it's "global" for all the drums in the kit), and would make the snare and cymbal louder in relation to the toms and kick.
The peddle system is ingenious, and works well. It took a little while to find a the sweet spot to allow me to do "Banham doubles," and it still is not as easy to do as it is with a true peddle, but it's close.
The other thing that I have seen on the more expensive kits that the HD1 does not have is the ability to be able to choke out cymbals with your hand.
If these thing are important to you, you might want to look at a more expensive kit. But those kits are bigger, heavier, and more time-consuming to set up. If the reason you wanted is primarily for portability (the greatest kit in the world that you won't take to friends' house to jam with will do you no good, right?) - or what this thing is, for how tiny it is, and for what it weighs (32 lbs), you can't beat it with a stick - well, actually you can, and I have been, a lot.
More information: Kit 1 has a nice acoustic sound, like a kit in an intimate setting. Kit 1A is a "jazz kit," the snare sound of which I like the best. The crash is a bit more splashy, and the ride sounds like it has rivets. The hat is really crisp and clean. The second tom becomes a cross-stick on a rim. Kit 2 sounds just like drums in a big empty hall. Kit 2A sounds the same as 2, but the hat peddle becomes a second kick (open hat) and the second tom become a cowbell. Kit 3 is a snare, crash, ride, hat, and three "island drums." Kit 3A is a snare, crash, ride, hat, and three percussion instruments of some kind or another. Forget about Kits 4 & 5 and their Alternates, unless you like Devo and dance music from the 80s.

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A New All-In-One Drum Kit for the MassesRoland's V-Drums are the most popular electronic drums in the world, but not everyone has the room or budget for a full V-Drums kit. Introducing the new Roland HD-1. It's forged from the same technology as its predecessors, but it's much simpler to use. It's also incredibly quiet, thanks to the newly designed kick beater, cushioned tom pads, and snare head. The HD-1 is also conveniently compact and stylish - perfect for every home, school, studio, etc. - and it's priced for the masses. Most of the HD-1's components are mounted on one stand for easy setup and transport, and for a clean look. Just take it out of the box and play.

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