Showing posts with label sm57. Show all posts
Showing posts with label sm57. Show all posts

Wednesday, November 14, 2012

Shure PGDMK4-XLR Drum Microphone Kit, 4 piece Review

Shure PGDMK4-XLR Drum Microphone Kit, 4 piece
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Don't waste your time or money on any other drum microphones. These are by far the best on the market and will last you many years for perfomances. Well worth the money.

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An essential drum mic package, the affordable PGDMK4 drum microphone kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case. The compact PG56 mic is ideal for close miking, while the high-performance cardioid dynamic PG52 kick drum microphone is tuned to capture low-end punch.

The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation.


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Saturday, October 20, 2012

Shure SM57-LC Cardioid Dynamic Microphone Review

Shure SM57-LC Cardioid Dynamic Microphone
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This is a great all-purpose dynamic microphone for everything from amps and instruments to vocals, and it's far and away one of the best mics out there in terms of durability (they don't call them the industry workhorses for nothing)/sound/value. This'll blow the socks off those $30 mics.
But what's the difference between the SM-57 and the SM-58? Besides the grill, the main difference is Frequency response. Take a look at the charts in the manuals for both, and you'll note that in the slice of spectrum normally associated with the human voice, there's a boost with the SM-58. This may make your voice sparkle a little more on the SM-58, but if you were planning on possibly micing anything else, it's going to also have a boost in the same range, distorting the original sound slightly.
Plus, if you've got a decent equalizer, you can probably achieve close to the same vocal sound the SM-58 provides with just a little tweaking after the fact.
So, if you plan on using your mic for anything beyond singing, I'd suggest the SM-57 over the SM-58 (even though you may not look as cool holding it). And I'd definitely recommend this little baby over those cheaper models. Unless you need a condensor mic, this is the way to go.

Click Here to see more reviews about: Shure SM57-LC Cardioid Dynamic Microphone

The Shure SM57 is a fixture in the music business. You see it everywhere. In small clubs and 100,000 seat stadiums. This renowned mic is used by legendary performers and the latest up-and-comers.What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world. In fact, you'll probably find it in more studios than any other mic.Not surprising. The unidirectional dynamic SM57 has set the industry standard by defining the way instruments should sound. Which is why it's used by any serious musician or recording professional. Its warm, clean sound along with its carefully contoured presence rise make it ideal for a wide range of instrument miking applications, particularly guitar amplifiers and drums.The SM57 features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise.

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Wednesday, August 15, 2012

Shure Beta 52A Instrument and Bass Drum Microphone Review

Shure Beta 52A Instrument and Bass Drum Microphone
Average Reviews:

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I actually used this Mic while on tour with The Wallflowers. I loved the great low-end response!

Click Here to see more reviews about: Shure Beta 52A Instrument and Bass Drum Microphone

Designed specifically for kick drums and other bass instruments, the Shure Beta 52A high-output dynamic microphone provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. A successor to the popular Beta 52, the 52A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Key Features
Frequency response shaped specifically for kick drums and bass instruments
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal-to-noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability

Specifications
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz): Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL: 174 dB at 1000 Hz (calculated)
Connector: Three-pin professional audio connector (male XLR type)
Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8"-27 thread
Weight: 21.6 ounces


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Wednesday, June 27, 2012

Shure DMK57-52 Drum Pack + 4 Whirlwind Cables Review

Shure DMK57-52 Drum Pack + 4 Whirlwind Cables
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I have been using Shure mics for about five years, all I can say is "they don't break" these mic are tough. I was happy to see this bundle of quality pro mics and cables for such a low price. I am very happy with them. They work as expected. I am currently using these mic on an Album project, you can hear what they sound like at my website [...] buy this bundle best value I have seen so far.

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Sunday, April 1, 2012

Shure DMK57-52 Drum Microphone Kit Review

Shure DMK57-52 Drum Microphone Kit
Average Reviews:

(More customer reviews)
If you're doing live sound or a budget, or just starting to get into decent recording gear, this is definitely not a bad place to start. You can put an SM57 in front of just about anything and get a usable sound. A lot of people love them on snare's and guitar cabs, and get fantastic sounds from them. I'm sure you could get BETTER sound from other mics, but it's a very versatile mic, and is a great bang for your buck. It would never hurt to have 3 in your mic locker... especially if you're doing live sound. I haven't used mine live so I can't comment on the included rim mounts as I use stands in the studio, but they seem like they'd get the job done.
Given the choice, I'd probably prefer to own an AKG D112 over the Beta 52... but I couldn't pass up the price of this pack. I have both, and use them for different things, depending on the sound I want. I'm definitely not complaining about the Beta 52. I'm super happy with it, and it definitely has its place in the studio and venue. The Beta 52 is less expensive... especially if you buy it in this pack. So why limit yourself to one kick mic? Start with this pack, and if you feel like you need another mic down the road when you have extra cash, get a different one. The more the better. If your goal is to mic a drum kit on a budget, get these and a budget pair of small diaphragm condensers for overheads (MXL 603s perhaps), and you're set. If you know exactly what you want and don't mind spending a bit more, buy different mics. If you're on a budget (studio OR live), are just getting into the realm of decent gear and need a starting point, or happen to be searching for a few SM57's and a Beta 52, this is the package for you!

Click Here to see more reviews about: Shure DMK57-52 Drum Microphone Kit

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a durable carrying case.

Three SM57s The industry standard for snare drum, and a reliable and high-performing choice for toms, the Shure cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
One Beta 52A Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up.
Three A56D Mounting Systems The A56D universal drum mounting system can be used to position microphones virtually anywhere--on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
Case IncludedA lightweight, durable carrying case is included, for taking your mics along to the next session.
What's in the Box Three SM57 Microphones, One Beta 52A Microphone, Three A56D Mounting Systems, Carrying Case

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Wednesday, March 21, 2012

AKG D112 Industry Standard Large-diaphragm dynamic microphone for Bass Instruments and Kick Drum Review

AKG D112 Industry Standard Large-diaphragm dynamic microphone for Bass Instruments and Kick Drum
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The D112 is an industry standard for kick drum micing, and for a reason. Its EQ contour is perfectly tailored for kick drum in a way that is only rivaled by the D6. For use in front of the beater, aimed at the rim, or outside the drum, the results are consistently satisfying. This definitely delivers that signature rock kick sound. If you are looking for more natural kick sound, the RE20 is probably your best bet, and if you like a very clicky sound, the B52 shines in that area. But the D112 should be adequate in any circumstance, if not necessarily the first choice for every genre. If you are only going to own one kick drum mic, this should be it.

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Sunday, March 18, 2012

SHURE A50D MICROPHONE DRUM MOUNT Review

SHURE A50D MICROPHONE DRUM MOUNT
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I use this mount with the shure PG series drums mics, I also use this mount for my sm57(on my snare drum). It works great. I've used many other drum mic mounts such as the claw and other gadgets that seem to fall off during a gig. This is the best that I've found.

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Tuesday, February 28, 2012

Music People DM50 On Stage DM50 Drum Mic Clip (Rim Mount) Review

Music People  DM50 On Stage DM50 Drum Mic Clip (Rim Mount)
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After I bought the Audix Fusion 6 mics I realized I had a problem... I managed to over look the fact that they didn't come with mounting hardware. After searching many sites and browsing different products I found these. The DM50's are rugged and are heavy duty enough that I don't have to worry about a missed stroke disaster. They install easily and work perfectly for amplification. Plus they are designed for perfect mic placement. I'd recommend the DM50 for a drummer at any stage of the game, whether touring, or recording. This is a very good product.

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Saturday, February 4, 2012

Shure A56D Microphone Drum Mount Review

Shure A56D Microphone Drum Mount
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I had another brand of drum mounts that came with the mics I purchased. They broke after the first time using. These are the best drum mics you can get. They work on any brand mic. Highly recommend these.

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Thursday, December 29, 2011

CAD Pro-4 Drum Microphone Pack Review

CAD Pro-4 Drum Microphone Pack
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I already have some high end condenser mics for drums but I needed some road worthy dynamic mics. These are
nice, come with clips and the case, Upon hooking them up it is easy to hear they have been fine tuned for the each drum. The snare mic does not sound the same as the tom mics or the kick mic, So CAD spent some effort in fine tunes these to do what they are designed to do. All at an unbeatable price.

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Thursday, October 6, 2011

Samson 5kit Drum Microphone Package Review

Samson 5kit Drum Microphone Package
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The QKick mic with this kit is nice and deep, with attack, and lots of body. You will get a boomy sound if you place it in the hole of the front head, and you can get a more sharp attack pointing closer to the beater and adding a little EQ. You'll need a low profile floor stand for the QKick. The QSnare mic has a nice sound but perhaps a little too much low end extension. Remember, placement is half the game with mic-ing. The QKick, with a metal body, feels very high in quality, whereas the snare and tom mics have plastic bodies and feel very cheap.
Now, here's what makes this kit such a great deal for a budding amateur mnusician/studio hobbyist like myself: The QTom mics, although they look the same as the QSnare mic, are not quite as bright, but to get a great studio drum sound, what you really need are the QKick, then a stereo condenser overhead pair, like the CO1H or CO2, which pick up all the cymbals and the toms, and then the QSnare, in that order. What do you do with the QToms? Use two of them as a cardioid pair to mic the guitar cab(s) in stereo. They are not a lot different sounding than a Shure PG58 or Samson R11, which are also perfectly decent guitar cab mics for the amateur. And that's testing them with vocals. Try'em out if you don't believe me. Only problem is that the Tom mics don't mount to mic stands, but have their own drum rim clip system.

Click Here to see more reviews about: Samson 5kit Drum Microphone Package

A comprehensive drum mic set up in a sturdy road case, the Samson 5kit has you covered for snare, kick, and tom miking. A perfect way to grow your mic collection and start capturing live drum performances.

One Q-snare for Precise Snare Drum Miking Designed for high SPL and durability, the Q-snare is specifically voiced for miking snares. A rim-mount mic clip with cable management lets you attach it directly to the snare's rim.
One Q-kick for Capturing Bass Drums The Q-kick is a superbly made kick drum mic, featuring a cardioid polar pattern to reduce feedback. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than a lot of more expensive kick mics.
Three Q-toms for Dynamic Tom Miking The Q-Tom was specifically designed as a complete solution for tom-miking applications. Capturing the deep low frequencies along with crisp attacks, it employs a tight super cardioid pattern to reduce feedback and increase side-to-side rejection in close-miking situations. The Q-Tom features an integrated mounting clip that easily installs on any standard drum rim, and carrying pouch.
Road Case Included The complete kit comes packed in a rugged road case, ready to haul to your next session.
What's in the Box Three Q-tom Microphones, One Q-snare Microphone, One Q-kick Microphone, Road Case

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Saturday, September 17, 2011

Digital Reference DRDK4 4pc Drum Mic Kit Review

Digital Reference DRDK4 4pc Drum Mic Kit
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I'm not only a musician but have worked in event/concert production and as an audio tech for over 10 years. I was in a pinch, needed some drum mics on short notice and had about a hundred bucks available. After weighing my options I decided to purchase the DRDK4 Drum mic kit and was pretty satisfied. Great for club gigs or smaller outdoor venues. You get a crisp attack and great tone from the kick mic and the tom/snare mics sound great after tweaking the EQ a bit. I threw a couple of SM85s on booms also and the drum mix turned out very nice. I'm sure if I spent more time playing with EQ and Gates I could get them sounding even better. I'd recommend these for the price. You get 4 decent sounding mics for the price of 1. But if you have a $600 budget then you may want to keep looking.

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Sunday, August 21, 2011

Shure PGDMK6-XLR Drum Microphone Kit with XLR-XLR Cable Review

Shure PGDMK6-XLR Drum Microphone Kit with XLR-XLR Cable
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I am giving 4 stars because I am basically ignorant of what else is out there in comparison. But, these mics work well to isolate the individual drums and allows you more control over the mix as a result. I haven't used them much, but in the echo chamber basement I have the drums set up, it sounded good. I didn't get much background noise and echo like I did with another overhead mic I was using. I am hoping that after I build my studio and have a more isolated enclosed space, these mics will be my only drum mics.

Click Here to see more reviews about: Shure PGDMK6-XLR Drum Microphone Kit with XLR-XLR Cable

An essential drum mic package, the affordable PGDMK6 drum microphone kit combines two PG81 instrument microphones with three PG56 snare/tom microphones and one PG52 kick drum microphone. It also includes three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case.
Tailored for performers of every level, the affordable Shure PG81 sensitive, flat response condenser microphone is ideal for picking up cymbal crashes as well as acoustic instruments. The compact PG56 mic is ideal for close miking, while the high-performance PG52 kick drum microphone is tuned to capture low-end punch. All three feature a cardioid polar pattern that picks up the most sound from in front of the microphone and some sound from the sides, and is less susceptible to feedback in high volume settings.

The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation.


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