Shure PGDMK4-XLR Drum Microphone Kit, 4 piece Review

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(More customer reviews)Don't waste your time or money on any other drum microphones. These are by far the best on the market and will last you many years for perfomances. Well worth the money.

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An essential drum mic package, the affordable PGDMK4 drum microphone kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case. The compact PG56 mic is ideal for close miking, while the high-performance cardioid dynamic PG52 kick drum microphone is tuned to capture low-end punch.

The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation.

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Shure SM57-LC Cardioid Dynamic Microphone Review

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(More customer reviews)This is a great all-purpose dynamic microphone for everything from amps and instruments to vocals, and it's far and away one of the best mics out there in terms of durability (they don't call them the industry workhorses for nothing)/sound/value. This'll blow the socks off those $30 mics.
But what's the difference between the SM-57 and the SM-58? Besides the grill, the main difference is Frequency response. Take a look at the charts in the manuals for both, and you'll note that in the slice of spectrum normally associated with the human voice, there's a boost with the SM-58. This may make your voice sparkle a little more on the SM-58, but if you were planning on possibly micing anything else, it's going to also have a boost in the same range, distorting the original sound slightly.
Plus, if you've got a decent equalizer, you can probably achieve close to the same vocal sound the SM-58 provides with just a little tweaking after the fact.
So, if you plan on using your mic for anything beyond singing, I'd suggest the SM-57 over the SM-58 (even though you may not look as cool holding it). And I'd definitely recommend this little baby over those cheaper models. Unless you need a condensor mic, this is the way to go.

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The Shure SM57 is a fixture in the music business. You see it everywhere. In small clubs and 100,000 seat stadiums. This renowned mic is used by legendary performers and the latest up-and-comers.What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world. In fact, you'll probably find it in more studios than any other mic.Not surprising. The unidirectional dynamic SM57 has set the industry standard by defining the way instruments should sound. Which is why it's used by any serious musician or recording professional. Its warm, clean sound along with its carefully contoured presence rise make it ideal for a wide range of instrument miking applications, particularly guitar amplifiers and drums.The SM57 features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise.

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Shure PG58-QTR Cardioid Dynamic Vocal Microphone with 1/4-inch Cable Review

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(More customer reviews)Building a home studio, owned a few mics before this, some were more expensive some cheaper. This microphone blows them all away, there's a reason Shure has such a good reputation in this industry. This mic is built rock solid, the switch feels really solid and I don't have to worry about it breaking. First time I used this I was absolutely amazed at how crisp and clear the recording was. I'm buying two more.

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Tailored for performers of every level, the affordable Shure PG58 vocal microphone is a rugged performer that's tuned to accentuate the clarity of lead and back-up vocals. This PG58-QTR model includes a 15-foot XLR-to-1/4" cable, microphone clip, 5/8" to 3/8" thread adapter, and a storage bag. It's backed by a 2-year warranty.

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Shure PGX24/BETA58 Handheld Wireless System, H6 Review

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(More customer reviews)Great value. High performance at a mid level price. Easy to set up (IF you read the instructions) and the auto frequency select is a great thing. Good sounding mic for spoken word or vocals. I especially like the fact that it uses 2 AA batteries instead of 9V batteries. Good battery life, good range of transmission and VERY expandable. (NOTE: IF you are adding a second one or adding one of these to a system that already has wireless mics, make sure that ALL your wireless devices are ON when you do the auto frequency select)
Also if possible use the balanced XLR out to avoid noise and for a better sound. I also like the power supply not using a 'wall wart' and putting the transformer in the middle of the power cable.
Con: It is possible to over tighten the battery cover and break it. Don't crank it on like Godzilla and it will be fine.

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Shure PG81-LC Instrument Condenser Microphone, Cardioid Review

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(More customer reviews)I use 2 of these overhead for recording my drum set, they sound great and capture my crash, hihat and ride cymbals perfectly. I haven't used the batteries to power it, only phantom power on a cheapo samson mixer and it always works fine. Ive had 2 of these for about a year now with no faults.

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Shure KSM44 Large Dual-Diaphragm Microphone Review

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(More customer reviews)This is Shure's flagship studio condenser mic. It is also the most versatile and underrated/overlooked mic on the planet.
This is the best sounding microphone under $1000. You will not find a better mic for around $600. It is built like a tank, has superb frequency responses, is one of the quietest(7db self-noise) I have ever heard, and sounds just as good as those uber-expensive German mics. With the adjustability of patterns and pads, you can use it on anything. Voice, guitars, drums, up-close, overhead, whatever. The sound when matched to a quality tube preamp is amazing.
This mic has delivered everything it promised and more. I have a decent list of clients that are completely blown-away by this obscure powerhouse. Go ahead and read other reviews online. Everyone is impressed and extremely pleased with the Shure KSM44. I am getting a second one and will keep them forever as the first mics I grab out of the locker.
Thank you Shure! How about a tube mic to top this one?

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The KSM44/SL is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm condenser microphone with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs accommodates loud sound sources such as drums and guitar amplifiers.

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Shure DMK57-52 Drum Microphone Kit Review

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(More customer reviews)If you're doing live sound or a budget, or just starting to get into decent recording gear, this is definitely not a bad place to start. You can put an SM57 in front of just about anything and get a usable sound. A lot of people love them on snare's and guitar cabs, and get fantastic sounds from them. I'm sure you could get BETTER sound from other mics, but it's a very versatile mic, and is a great bang for your buck. It would never hurt to have 3 in your mic locker... especially if you're doing live sound. I haven't used mine live so I can't comment on the included rim mounts as I use stands in the studio, but they seem like they'd get the job done.
Given the choice, I'd probably prefer to own an AKG D112 over the Beta 52... but I couldn't pass up the price of this pack. I have both, and use them for different things, depending on the sound I want. I'm definitely not complaining about the Beta 52. I'm super happy with it, and it definitely has its place in the studio and venue. The Beta 52 is less expensive... especially if you buy it in this pack. So why limit yourself to one kick mic? Start with this pack, and if you feel like you need another mic down the road when you have extra cash, get a different one. The more the better. If your goal is to mic a drum kit on a budget, get these and a budget pair of small diaphragm condensers for overheads (MXL 603s perhaps), and you're set. If you know exactly what you want and don't mind spending a bit more, buy different mics. If you're on a budget (studio OR live), are just getting into the realm of decent gear and need a starting point, or happen to be searching for a few SM57's and a Beta 52, this is the package for you!

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The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a durable carrying case.

Three SM57s The industry standard for snare drum, and a reliable and high-performing choice for toms, the Shure cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
One Beta 52A Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up.
Three A56D Mounting Systems The A56D universal drum mounting system can be used to position microphones virtually anywhere--on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
Case IncludedA lightweight, durable carrying case is included, for taking your mics along to the next session.
What's in the Box Three SM57 Microphones, One Beta 52A Microphone, Three A56D Mounting Systems, Carrying Case

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AKG D112 Industry Standard Large-diaphragm dynamic microphone for Bass Instruments and Kick Drum Review

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(More customer reviews)The D112 is an industry standard for kick drum micing, and for a reason. Its EQ contour is perfectly tailored for kick drum in a way that is only rivaled by the D6. For use in front of the beater, aimed at the rim, or outside the drum, the results are consistently satisfying. This definitely delivers that signature rock kick sound. If you are looking for more natural kick sound, the RE20 is probably your best bet, and if you like a very clicky sound, the B52 shines in that area. But the D112 should be adequate in any circumstance, if not necessarily the first choice for every genre. If you are only going to own one kick drum mic, this should be it.

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SHURE A50D MICROPHONE DRUM MOUNT Review

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(More customer reviews)I use this mount with the shure PG series drums mics, I also use this mount for my sm57(on my snare drum). It works great. I've used many other drum mic mounts such as the claw and other gadgets that seem to fall off during a gig. This is the best that I've found.

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Music People DM50 On Stage DM50 Drum Mic Clip (Rim Mount) Review

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(More customer reviews)After I bought the Audix Fusion 6 mics I realized I had a problem... I managed to over look the fact that they didn't come with mounting hardware. After searching many sites and browsing different products I found these. The DM50's are rugged and are heavy duty enough that I don't have to worry about a missed stroke disaster. They install easily and work perfectly for amplification. Plus they are designed for perfect mic placement. I'd recommend the DM50 for a drummer at any stage of the game, whether touring, or recording. This is a very good product.

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Studio Projects B1 Vocal Condenser Microphone, Cardioid Review

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(More customer reviews)I'm so happy with this mic. After going through two other condensers (an MXL990 and a Shure KSM27) which I got rid of, I'm finally content. The best thing is that the price is outstanding. This mic is priced far lower than what it should be.
The Studio Projects B1 has a wonderfully warm low end to it that still has detail. I have a midrange voice, and it fits me very well. The highs are not so overly "essy", as many other cheaper mics are. They are clear and just right. I barely feel a need to add much for EQ.
My previous experience with an MXL 990 was not a good one. I returned it in a day, due to the muddy lows and weird high end. I also had a Shure KSM27, which is probably better suited for high-pressure sound applications than VO's. I didn't care for its boxy highs sound, and sold that off.
The Studio Projects B1 is just incredible for the price. You can actually hear it if you do a web search on transom dot org mic shootout. It sounds better than mics costing thousands.
Really, an outstanding product. People say the C1 is better, but I just can't imagine myself needing it -- I'm so thrilled with this B1 for VO work.
The only con I'd say is the rather cheap basket holder. It comes with a free windscreen, though, which is a nice touch.
Remember, v2 of his mic has the extra -10 and -20 pad switch, as well as a two low-cut modes at -75, and I believe -150. Both work fairly well.
Get it!

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Shure BETA 57A Instruement Microphone Review

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(More customer reviews)The Beta series is the step above the incredibly popular SM series by Shure. The 57s are typically used to mic instruments and the 58s mainly for vocals. It is a dynamic microphone, so it's rugged enough for any situation, but is built to a much higher standard than typical dynamics so you get a lot more range and detail than you might expect.
I have used the 57 for a wide variety of instruments and vocals with great success both live and in the studio.
The Beta57 is excellent on snare, acoustic guitar, electic guitar, horns and wind instruments in addition to being a great vocal microphone. The supercardioid pattern ensures much more flexibility on stage with less chance of feeding back.
Overly loud bands with demanding vocalists who need as much as you can give them in the monitors, this is a life saver. Snare top and bottom. High hats when I don't want the bleed that a condenser would give. This is my go to mic for live applications.

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The Shure Beat 57A Dynamic Microphone is the hands-down best choice when you want one mic to do the work of many. Equally at home as an instrument or vocal mic, the Beta 57A features increased warmth and presence, giving your music more impact and clarity. The supercardiod pattern helps to isolate the voice or instrument and greatly reduces feedback on stage. Frequency response is 50-16,000 Hz. Low impedance. Shure Beta 57A Features Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse Neodymium magnet for high signal-to-noise ratio output Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Frequency response: 50 to 16,000 Hz Shure Beta 57A Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass and Saxophone Snare Drums Rack and Floor Toms Congas Woodwinds Lead Vocals AmericanMusical.com is an authorized dealer of Shure products.

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Samson 5kit Drum Microphone Package Review

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(More customer reviews)The QKick mic with this kit is nice and deep, with attack, and lots of body. You will get a boomy sound if you place it in the hole of the front head, and you can get a more sharp attack pointing closer to the beater and adding a little EQ. You'll need a low profile floor stand for the QKick. The QSnare mic has a nice sound but perhaps a little too much low end extension. Remember, placement is half the game with mic-ing. The QKick, with a metal body, feels very high in quality, whereas the snare and tom mics have plastic bodies and feel very cheap.
Now, here's what makes this kit such a great deal for a budding amateur mnusician/studio hobbyist like myself: The QTom mics, although they look the same as the QSnare mic, are not quite as bright, but to get a great studio drum sound, what you really need are the QKick, then a stereo condenser overhead pair, like the CO1H or CO2, which pick up all the cymbals and the toms, and then the QSnare, in that order. What do you do with the QToms? Use two of them as a cardioid pair to mic the guitar cab(s) in stereo. They are not a lot different sounding than a Shure PG58 or Samson R11, which are also perfectly decent guitar cab mics for the amateur. And that's testing them with vocals. Try'em out if you don't believe me. Only problem is that the Tom mics don't mount to mic stands, but have their own drum rim clip system.

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A comprehensive drum mic set up in a sturdy road case, the Samson 5kit has you covered for snare, kick, and tom miking. A perfect way to grow your mic collection and start capturing live drum performances.

One Q-snare for Precise Snare Drum Miking Designed for high SPL and durability, the Q-snare is specifically voiced for miking snares. A rim-mount mic clip with cable management lets you attach it directly to the snare's rim.
One Q-kick for Capturing Bass Drums The Q-kick is a superbly made kick drum mic, featuring a cardioid polar pattern to reduce feedback. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than a lot of more expensive kick mics.
Three Q-toms for Dynamic Tom Miking The Q-Tom was specifically designed as a complete solution for tom-miking applications. Capturing the deep low frequencies along with crisp attacks, it employs a tight super cardioid pattern to reduce feedback and increase side-to-side rejection in close-miking situations. The Q-Tom features an integrated mounting clip that easily installs on any standard drum rim, and carrying pouch.
Road Case Included The complete kit comes packed in a rugged road case, ready to haul to your next session.
What's in the Box Three Q-tom Microphones, One Q-snare Microphone, One Q-kick Microphone, Road Case

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Shure SM57 Microphone Review

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(More customer reviews)If there's a workaday mic in the world, used by every studio in existence as well as on just about every stage, it's the SM57. Generally regarded as about the best general-purpose amp mic there is, it's also used for instruments, vocals (yes, vocals), ambience, drums, and anything else you can think of. No mic fits every circumstance, voice, or instrument, but I guarantee you, the SM57 is right in the top dozen or so on the list when it comes to trying to fit a mic to a given situation. It's indestructible, sounds good, and is inexpensive. You really don't have a complete mic kit unless you have a few. I have several, and use them all the time. Look for deals and buy them when they go on special.

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Shure PGDMK6-XLR Drum Microphone Kit with XLR-XLR Cable Review

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(More customer reviews)I am giving 4 stars because I am basically ignorant of what else is out there in comparison. But, these mics work well to isolate the individual drums and allows you more control over the mix as a result. I haven't used them much, but in the echo chamber basement I have the drums set up, it sounded good. I didn't get much background noise and echo like I did with another overhead mic I was using. I am hoping that after I build my studio and have a more isolated enclosed space, these mics will be my only drum mics.

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An essential drum mic package, the affordable PGDMK6 drum microphone kit combines two PG81 instrument microphones with three PG56 snare/tom microphones and one PG52 kick drum microphone. It also includes three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case.
Tailored for performers of every level, the affordable Shure PG81 sensitive, flat response condenser microphone is ideal for picking up cymbal crashes as well as acoustic instruments. The compact PG56 mic is ideal for close miking, while the high-performance PG52 kick drum microphone is tuned to capture low-end punch. All three feature a cardioid polar pattern that picks up the most sound from in front of the microphone and some sound from the sides, and is less susceptible to feedback in high volume settings.

The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation.

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Shure BETA 56A Supercardioid Dynamic Instrument Microphone Review

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(More customer reviews)I'm a drummer who does a lot of lead vocals in our band. I started out with a beta 58A and it does a great job, but the length of the mic plus the cable means I'm constantly hitting hit with my sticks and having to play around it to get to my toms. I've tried all sorts of headworm microphones and they have all been total failures - way too "live" and breathy, and none of them will stay on your head while you're drumming. I had given up and gone back to the beta 58A and was miserable, but less miserable than with the head mics.
A few weeks ago I saw a drummer in a live performance on TV using what appeared to be a stubby mic with a right-angle bend in it. "Genius", I thought, and immediately set about trying to find it. I went to my local music store and the Pro Audio guy said it sounded like a Beta 56A "instrument mic". I was deflated. He said not to worry - the 56A is an excellent vocals mic, especially for higher-register male vocals. Since I'm often called the "Peter Cetera" of the group, I decided to give it a shot :)
Finally - I am happy!! This mic is SO compact, and sounds great. It's probably a little flatter on the high frequencies than the 58A, but behind a drum kit that is a GOOD thing. I use a spring-arm mic holder mounted to my rack and with the length/weight of the 58A the mic would bounce around and bash me in the teeth/lips, but the 56A has less of a "lever action" being so compact and so the bounce has gone away. Also, I had to put the "wrong" angle on the 58A to keep the cord out of my way, but with the 90 degree connector on the 56A I can get it right up where I need it. On an overhead boom the cable goes *up* not *out*!
OK, so not everyone is a drummer... again, as a vocal mic it is a maybe a little flat on the top end. Also, it is supercardiod which lets in a lot of rear sound - not so good for drums - but that is what a compressor is for.
This mic is identical to the Beta 57A, but the 57A does not have the right angle body. I have been using a 57A to mic our guitarist's cabinet for my in-ear monitors and it sounds great, so I am sure that the 56A is also an excellent choice for mic'ing an electric guitar amp in addition to the "off-label" use as a vocal mic.
It's a Shure, it sounds great, is built like a tank, is versatile, and affordable - what more could you want?

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Featuring a frequency response specifically tailored for drums and instruments, the Shure Beta 56A microphone offers an extremely uniform supercardioid pickup pattern that provides high gain-before-feedback and excellent rejection of unwanted noise. A successor to the popular Beta 56, the 56A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Key Features
Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Specifications
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency
Output Level (at 1,000 Hz): Open Circuit Voltage -51 dBV/Pa (2.8 mV); (1 Pa = 94 dB SPL)
Impedance: Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees with standard 5/8"-27 thread
Weight: 16.7 ounces

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