Showing posts with label electronic drum. Show all posts
Showing posts with label electronic drum. Show all posts

Saturday, November 10, 2012

Alesis DM10 (Module) High Definition Drum Module W/Dynamic Articulation Review

Alesis DM10 (Module) High Definition Drum Module W/Dynamic Articulation
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This module does the same as a major brand drum module costing in the $1,000's. You can customize 100 kits, tweak the instruments, re-arrange MIDI output signal for use with a virtual drum application such as EZDrummer and Steven Slate Drum softwares. I have own this for almost a year and it works excellent!

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Pintech Trigger Cymbal 10 Inches Review

Pintech Trigger Cymbal 10 Inches
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This is a very practical choice for crash or special effect triggering.It's kind of light weight so it doesn't absorb hitting like the Roland product. I am pleased with it as a crash cymbal trigger.

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Tuesday, September 25, 2012

Yamaha DD35 Electronic Digital Drum Pad Kit Review

Yamaha DD35 Electronic Digital Drum Pad Kit
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This toy and I never quite got a long. The games seemed to be either very simple or too hard. They weren't good at ramping your skills. I didn't play on it hard or too often and after a few months it had problems with the power cord. We solved this for a while with tape but then that stopped working too.
There's a large variety of sounds but many of them you don't want to listen too.
Anyway I've switched to hitting pans, cups, and pieces of wood. It sounds better.

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The Yamaha DD35 Drum System provides the added educational feature of guide lamps. This technology uses lighted rings around the drum pads. The four touch sensitive drum pads can be used with the included drum sticks or, with one push of a button, hands. The system has one hundred built-in songs and 128 drum and other percussion voices, these assignable to any pad. Play the drum games that are included. For the rest of the family, there is the comfort from knowing that this comes with a built-in headphone jack.
What's in the Box Drum system, drum sticks, owner's manual, and one year warranty.

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Friday, September 7, 2012

Mi Jam Pro Air Drummer Review

Mi Jam Pro Air Drummer
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I purchased a set of these for myself for Christmas and had to go back to the store to get another one.
For my husband.
He would not let me play with mine!!!
Now, we have two of these in the house, and both work perfectly.
First, let me say that this is NOT a substitute for a real drum -- it is also NOT made to hit on surfaces (it is really an air drum). It is unfair to judge it by saying "you can't learn proper positioning of the drum" and compare it in this fashion to a real drum set. What this WILL do for you is teach you rhythm and coordination, and also help you see if you have a natural aptitude for drums.
Also, probably not the best toy for kids under 10. You have to have your basic coordination ready before trying this. So, again, unfair to say the toy doesn't capture children, when it is actually not really a toy. It is not designed for children. Older kids and adults, however, would love it. For younger children, I would recommend starting with the Bop It toy, which is awesome teaching basic coordination, endurance and rhythm.
The features we love most are as follows:
1. The sound is excellent. It does sound like a real drum set, with several different drums, all the basics and some extras -- the bass pedal feels realistic and the speakers are big enough to give the bass drum a real "bassy" sound. My husband, who is an electronic engineer specializing in speakers, was absolutely hooked by the technology involved in making these.
2. The sticks are very responsive. The range is very wide -- we can hit it everywhere around it, and it still works. The picture on instruction sheet is very conservative, as we have the receiver on top of the table and the bass drum under the table, BEHIND it, and it still works every time. If your does NOT do this, then your unit is defective and you should return it PRONTO. But get a new one that works because it is worth it.
3. We can plug in our respective units to our Ipods and then plug our headphones to each unit, and be in opposite sides of the living room playing drums and not bother each other, or the neighbors.
4. Portable! Still small enough to be easily carried in a small bag.
5. The new feature, FOLLOW, lets you play the same sound on both sticks. So we can do a drum roll! And other cool neat tricks like funky intros, etc. which you probably can't do with other products... since they won't let you have the same sound on both sticks. So, drumrolls are finally possible.
6. There is a rhythm machine built into it that you can use to learn different rhythms. There are six, I think, and some of them are pretty hard, but again, they did another brilliant choice by allowing you to slow the tempo down -- or make it faster if you are a nutcase.
The bad things we found:
1. My husband's first unit had to be exchanged because it originally did not work properly. The range of the receiver was such that you had to keep the sticks on a very small area and could not really "go nuts" and play music and have fun (my hubby thinks it is an antenna issue). The foot pedal for the bass drum also was only working one every other time, and so it was very annoying. If this was our first unit, we would have said To HECK with this and probably would just have returned for our money.
But as we had one unit working perfectly in the house, we knew it was only a defect.
Now we have two units working great. It IS worth it to exchange until you get the working unit. Believe me!
2. You can't be very close to the other unit if you have two. Since our receivers are so awesome, we have to keep a few feet away as they are tuned for the same frequency. So, if you have two units, beware. This can be fun, however, as we have kept them close so that we have the bass sound come in stereo and basically jam together -- although we find that the signal gets confused when four sticks play at the same time --- I wonder why, lol)
3. Mmm no, that's it, only two.
Go get one! Don't listen to the other people!!! They don't KNOW!!!
Now back to jamming! :D

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Thursday, August 2, 2012

YAMAHA ELEC PERC KICK TOWER 2 BEATER SURFACE (DTXPRESS/DTXPLORER) Review

YAMAHA ELEC PERC KICK TOWER 2 BEATER SURFACE (DTXPRESS/DTXPLORER)
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I have had a yamaha express DTII for about 7 years and my pedal went out on it about three months ago. I found this pedal and ordered it right away. It came in reasonably fast and it replaced my old pedal perfectly. I just hooked it up and was ready to go.

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Sunday, June 24, 2012

Yamaha DTXplorer Electronic Drum Set (Standard) Review

Yamaha DTXplorer Electronic Drum Set (Standard)
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For value-for-money and quality, nothing compares. An excellent product with lots of features and accurate pads. Yamaha is the way to go! I'm very happy with my purchase.

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Tuesday, June 19, 2012

YAMAHA DTX Multi Pad Review

YAMAHA DTX Multi Pad
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This is a great drum pad. It's a little difficult to follow the convoluted UI, but after working with it for a few months and going over the manual many times, I understand the logic of why they did what they did, but ultimately it's a pretty bad and unintuitive layout. That aside, the playability is what is of primary importance to me and it shines in that area. Very flexible and controllable. I'm using the Yamaha hi-hat trigger pedal and a Roland kick drum trigger which both work flawlessly. Though don't expect to use a Roland hi-hat trigger pedal with this unit as it won't work. Connectivity with my sequencer (protools) is flawless. Good drivers and phone support is good. You can quickly get in contact with a knowledgeable product specialist which I really value.

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Tuesday, June 12, 2012

Alesis DM10 Pro Kit Professional Electronic Drumset Review

Alesis DM10 Pro Kit Professional Electronic Drumset
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I've been playing this kit and experimenting with the drum module for about a week now. It's my first electronic kit, but I have played on others. This is a quality kit in almost every detail. Set up was a little bit involved as far as assembling the rack and placing trigger pads and cymbals, but I was up and drumming in about 45 minutes.
I rated this 4 out of 5 stars only because I did have an issue with the Surge 16" ride cymbal; the bell trigger didn't appear to be working. I called Alesis and got excellent help after a short wait. It turned out I had to go in to the settings (hit the "ext trg" key), select the ride bell trigger and change its input type from 'switch' to 'piezo'. This could have been set at the factory or been detailed in the user's guide for the cymbal, and save Alesis Tech Support and me some time. Also be sure to disable write protection on the module, so you can save this setting and any others you make. Instructions for this are in the user's manual which brings me to my next point.
The only documentation that came in the carton were the quick start guide (QSG) to assemble the set and the QSG's for the Surge cymbals. I had to download the user manual (among others) for the DM10 module from the Alesis website. It seems to me that you would rate a hard copy of the manuals for the price of the system.
Overall its a great system and I would buy it again if I had to do it over.


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With lightning-fast, highly accurate tracking, the widest dynamic range of any module, and incredibly drummer-friendly operation, the Alesis DM10 drum module has the most realistic, natural sound set available in any drum module. And now with this Pro Kit, it's been paired with Alesis' RealHead drum pads, SURGE Cymbals made of real cymbal alloy, and an ErgoRack mounting system--perfect for getting a live performance feel to your recordings.
The DM10 drum sound module contains true drum, cymbal and percussion sounds, built from real samples of classic studio drums and prized cymbals. Drummers will find some of the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers' go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and a choice selection of classic drum machine and electronic percussion sounds that have fueled the biggest hit records. You can also load new sound sets via USB connection from your computer, so that your drumming sounds never go stale.

Key Features
DM10 drum module with 12 trigger inputs and mixer
RealHead acoustic-feel 8-inch and 10-inch dual-zone drum pads with real heads
SURGE Cymbals are alloy acoustic cymbals with triggers
12-inch SURGE Hi-Hat, 13-inch SURGE Crash with choke, 16-inch SURGE Ride with choke
Ergonomically curved, chrome-plated ErgoRack
Premium instrument library sampled from real drums and cymbals
Dynamic Articulation changes sounds' timbre along with dynamics for realism
Sound-set loading and use with software drum modules, both via USB
Play along and record yourself with the sequencer
Mix input for practicing with CD and MP3 players

RealHead Drum Pads This Pro Kit includes acoustic-feeling RealHead pads in eight and 10-inch sizes, and these dual-zone pads feature real mylar drumheads and real triple-flanged counterhoops for an excellent drumming feel. The snare and tom pads are dual zone, enabling you to perform rimshots, rim clicks, or assign other sounds such as wind chimes, cymbals, gongs and cowbells on the tom rims. You can use virtually any single or double kick pedal with the RealHead Kick Pad, or split the DM10's kick input with a Y-cable and connect an optional second kick pad for the pedal feel you prefer.

Surge Cymbals The best choice in electronic cymbals, the Pro Kit includes the following SURGE cymbals: a 12-inch SURGE Hi-Hat, a 13-inch SURGE Crash with choke, and a 16-inch SURGE triple-zone Ride Cymbal with choke. Comprised of a genuine alloy cymbal coated with a clear sound-dampening layer, SURGE Cymbals feel like acoustic cymbals because they begin life as just that. The Crash and Ride cymbals feature large choke strips on the undersides for even more attention to accurate cymbal control. The SURGE Ride also features multiple-zone triggering on the bell, face and edge. The SURGE Hi-Hat Cymbal offers continuously variable control using the included pedal.
ErgoRack Putting it all together is the Pro Kit's ergonomically curved, chrome-plated ErgoRack, which is large enough to enable you to add on additional drum pads and SURGE Cymbals. You can even mount acoustic drums, cymbals, and percussion instruments on this roadworthy system.
The ErgoRack employs standard one and one-half-inch tubing for compatibility with virtually all drum manufacturers' rack hardware. The rack features quick-release, metal clamps for fast setup and tear down. The Crash and Ride cymbals mount on large, knurled boom cymbal arms that are height adjustable right in the rack down tubes. The DM10 Pro Kit comes with tom mounts that enable freely adjustable mounting. Drummer-friendly wing-screws are present on all important rack clamps and pads for ease of adjustment without reaching for a drum key.
DM10 Inputs and Outputs The DM10 module has 12 trigger inputs, perfect for creating custom configurations. You can use it with virtually all drum and cymbal pads and acoustic drum triggers thanks to easy-to-configure trigger settings. The DM10 also has full MIDI implementation so if 12 trigger inputs aren't enough to accommodate your giant setup, just add the optional Trigger I/O.
The DM10 accommodates both continuous and switch (open/closed) hi-hat control pedals. You get full MIDI implementation including both MIDI In and Out for working with traditional MIDI gear along with the USB jack, which can also send MIDI to your Mac or PC. The DM10 also has a stereo Auxiliary input for connecting line-level devices like a CD player or iPod so you can play along.
The DM10 has two stereo pairs of 1/4-inch outputs for main and auxiliary feeds, so you can send separate mixes to the house and monitor systems. This enables you to send the metronome or a loop to the monitor mix and not to the audience mix. There's also a high-powered headphone output with its own volume knob. For managing everything easily, there's also a top-panel mixer.
Dynamic Articulation Discerning ears will notice that each sound is actually a series of different samples; multiple dynamic-level samples and articulations are all built in so as you play harder and softer, the drum or cymbal changes its timbre, not just its volume. This engineered realism is known as Dynamic Articulation, an Alesis exclusive.
This results in sounds that respond accurately not only to dynamic changes, but also with the appropriate timbral and color changes you'd expect from their acoustic counterparts. You can play with or without reverb for different room sounds and enjoy a wide variety of rimshots, rim clicks and different stick-placement sounds on the cymbals. The Random Sample feature also ensures you don't get the same sound twice for further creative realism.
What's in the Box
Specifications


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Saturday, April 21, 2012

Fender Starcaster TT-1 Electronic Table-Top Drum Kit Review

Fender Starcaster TT-1 Electronic Table-Top Drum Kit
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This is really strange, because I bought this unit on sale from another vendor ($129) and like other reviewers state it turns off at higher volumes but I kept it anyways and here's why.
As a beginner drum student, I wasn't ready to invest in a drum set so I went with this tabletop model at a rock bottom price, comparing it to 5 other brands. My hope was that if I could get the knack of playing it after a few months, then I would consider upgrading to a full kit and hopefully sell it at an online auction for a fair price.
The first time I played along with one of the learning songs, I turned up the volume and the entire unit shut off! After some investigating, it turns out that if I turn the bass OFF, I can use it beyond a 4 volume, maybe up to a 6 on a good day. But with that bass on, the entire unit will always shut down whenever it reaches a 3 or 4 depending on how hard I am hitting the pads.
In the end, because of storage considerations and the fact that it does have a student mode, metronome and other features I have elected to keep it, deal with its defect and play it at low volume. I also took into account that just one snare practice pad runs around $20 or so, and a metronome another $25.
With all those reasons combined, I figured that it's still a good value for practice reasons, because returning it and finding another model for the same price or even a little more was not an option at the time of purchase.
In reading these reviews it seems that its a common defect, so buyer beware. I would still take my chance again and see if you end up with one that doesn't have this problem because it is a fabulous value.
Thanks for taking the time to read my review.

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Friday, March 16, 2012

Roland SPD-S Sampling Percussion Pad Review

Roland SPD-S Sampling Percussion Pad
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Features:
Aside from things I mention below under the "Sound" heading, I'm mostly quite happy with the SPD-S. It's the only electronic multipad that is is so compact, and the only one with a built-in sampler.
A few minor shortcomings: (1) You need a 512MB Compact Flash card (larger ones won't work; smaller ones are just silly and are even harder to find) and a computer with a Compact Flash slot to transfer your own samples into it. Fortunately 512MB cards and readers are really cheap. I got a SanDisk card and a Kingston universal memory card reader (USB-based) from Amazon; both work great. (2) The LCD screen is absurdly small. Having to keep patch names down to 8 characters gives me nostalgic flashbacks to the MS-DOS days, but not in a good way.
Quality:
No problems so far. I've had it for over a year, but haven't used it heavily. I heard a rumor somewhere that the problem with the pad contacts is fixed in recent units, but I can't vouch for anything.
Sound:
The sound fidelity seems good, although I haven't done any really critical listening or recording with it. The quality of the included samples and the ways it can manipulate them are a different matter. There are maybe 50-100 or so moderately useful preloaded sounds, depending on your style: basic acoustic and electric kicks, toms, cymbals, snares, and small percussion. (If you have a half-decent drum sample CD it probably has better sounds.) There are also a bunch of useless loops and sounds that were obviously included just to make flashy demos, like a guy saying "You got the groove!". I hoped that the included CD would have more useful sounds, but it seems to basically have the same sounds that are preloaded into memory, plus more loops.
And if you want to play the sounds EXPRESSIVELY, it will take some work. First you have to train yourself to hit the rather small pads, preferably near the middle where they're most responsive, and never too lightly, because they don't notice light hits at all. Fortunately you can select from a few different velocity curves, though you have to select one curve for all the flat pads and one for the edge pads. I settled on curve LOG1 for both the flat and edge pads, with sensitivity 5 and 7 respectively. I'm pretty happy with the feel now, although I really wish it would respond to light taps. (For external pads, you can set everything independently for each, including the minimum velocity that it will respond to-- this feature would have been really nice for the built-in pads. I'm very happy with the way my KD7 kick pad responds when plugged into the SPD-S.)
The other problem is that the sound generator is really wimpy in terms of sound manipulation. A really good percussion sound module would optionally (1) allow at least 8 different samples per pad depending on the velocity, and/or cross-fade between a few different samples; (2) vary the pitch depending on velocity; (3) have real envelope generators; (4) have per-voice filters. The SPD-S has almost none of those features. It can have two samples per pad, selected by velocity (no cross-fading), which is pretty weak. It can't change the pitch or even the duration of a sample dynamically, although you can do a bit with the effects (see below). It doesn't have any filtering for each voice, although once again you can fake it a bit using effects. There are no envelope generators except for a really basic "dynamic attack" feature that I've found pretty useful.
So basically, to make the sounds change in any way (besides volume and attack) in response to velocity, you have to use the built-in effects processor. Many of the effect parameters can be set to respond to velocity. The main problem with this is that there is only one effects processor, shared by all the pads that have effects enabled (fortunately you can select which pads' sounds are routed to the effects). So you can, for example, use a pitch-shift effect to make the pitch respond to velocity, but if you hit one pad and its sound is still playing when you hit another pad, the pitch of the first will suddenly change in response to the second. By far the most useful setup I've found is to use the "isolator" effect (really just a simple 3-band graphic equalizer) on just the toms, with the high band set to respond to velocity. The fact that the filter is shared by all the toms is not too noticeable. You could probably also get some nice results with the 4-band Parametric Equalizer, 2-Band Compressor, or a few other effects, although I haven't yet found settings on those that work for me.
It can play loops, but you can't set loop points or anything; it plays the sound from beginning to end and then starts over. It doesn't even loop seamlessly. I made a half-decent timpani roll sound that looped perfectly on my computer, but on the SPD-S there was a little click every time it got to the end. The loop feature is really meant for phrases, not continuous sounds.
There is NO WAY to get a realistic snare drum sound out of this thing.
Ease of use:
I haven't had any trouble learning to use it, but I have a couple of engineering degrees so maybe I'm not typical...
Overall:
My goal with buying the SPD-S was to put together a decent hybrid drum kit that I can roll around on the Boston subway system. I use an acoustic hi-hat, snare, and crash/ride cymbal; the SPD-S is my toms, kick drum (with KD7 pedal trigger), and other supplemental percussion. It works pretty well for this. I would NOT want to use the SPD-S for snare or cymbals.
The basic problems with the SPD-S are that it uses old technology, and that Roland cut too many corners on the sound generator. A new model is long overdue. Hopefully the next generation SPD will include: (1) much more responsive pads (difficult, but supposedly the HandSonics are much more sensitive, so apparently Roland knows how to do this); (2) a more powerful sampler, with envelopes, pitch manipulation, loop points, etc.; (3) a USB port so you can just plug it into any computer and transfer samples; (4) at least 2GB of built-in memory (Flash chips are so cheap these days that there's no excuse for having less) and a modern memory card slot.

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Sunday, February 5, 2012

Alesis Surge 12 Electronic Hi-Hat Cymbal Review

Alesis Surge 12 Electronic Hi-Hat Cymbal
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I had hoped to find some review, ANY kind of review about this hi-hat ANYWHERE on the internet. I could not find one!! What is going on I thought. The best thing I could find were some video reviews and demos on youtube, mostly uploaded by Alesis representatives, where I didn't know if I was getting a fair shake.
I decided to bite the bullet and buy this hi-hat on Amazon, PRIMARILY because it was "sold and shipped by Amazon", which meant that the standard Amazon RETURN policy was in effect.
If the description doesn't say "sold and shipped by Amazon", you SHOULD COUNT on a much more difficult return policy, with many strings attached including restocking fees, limited return justifications and a whole lot more bull****.
The Amazon return policy is FANTASTIC! If the product doesn't work for you or doesn't work exactly like the the manufacturer says it will, Amazon will refund your money AND pay your return shipping costs!!!
That policy ALONE has inspired me to spend THOUSANDS of dollars at Amazon in the last few years, for myself and gifts for family/friends every birthday/Christmas. Thankfully, I've only needed to return a handful of things. I almost never buy a product that isn't "sold and shipped by Amazon" unless it's very inexpensive or I'm real sure about my purchase.
On to the Alesis 12" HiHat.
PROS:
It does FEEL more like an acoustic hihat. Literally, when you hit it, it does feel more like a real hihat and the drumstick doesn't quite "stick" to the exact spot you hit on it (unlike every other rubber hihat, even the five hundred dollar ones (Roland VH11 for example)). Considering this, I did feel a little more "free" when playing on it. A little more unencumbered if you will. My T-shirt didn't feel quite as tight on me as it does on my rubber, Roland CY5, if that makes sense.
It does look amazing! When looking at an electronic drum set with a SURGE cymbal (or 2 or 3), it does catch the eye. That's where the 'PROS' end.
CONS:
Alesis touts their SURGE cymbals, including hihat, as:
"SURGE Cymbals are the world's most realistic-looking, accurately responding, and most importantly, natural-feeling cymbal triggers in the world. Not pads in any way, SURGE Cymbals are true brass cymbals at their core with exclusive clear sound dampening to cut the cymbals' acoustic sound" (from their website)
I'm afraid not SIR!! First, I found the responsiveness not NEARLY as good as any of the Roland Hi-hats I've played on, including the Vh-11, Vh-12, Cy-5 (which I own) and CY12-H (which I bought, and it SUCKS, and I promptly returned)!
One thing about any Roland hi-hat (or cymbal for that matter, I have 3 Roland Cy 12 R/Cs,) is that you get the same response, the same sound and sensitivity, ANYWHERE you hit on the hi-hat/cymbal (very much like a real hi-hat/cymbal).
NOT so with the Alesis hi-hat. If you don't hit it in the sweet spot, which is about 1-2 inches at most, the hi-hat sound is diminished. The sound registers literally quieter in your drum brain, and subsequently in your headphones or amp, than if you had hit in the sweet spot. EXCUSE ME??!!
When you hit a REAL, ACOUSTIC hi-hat, ANYWHERE on it, you hear the same, vibrant sound for the most part. SAME with the Roland hi-hats. Depending on whether you want to switch hands on the hi-hat or play a bit of a different angle depending on the style of music, it sounds great with the Roland hi-hat/cymbals.
If you hit the top (or back) of the Alesis hi-hat, the opposite side that you normally hit and that is facing you, you hear NOTHING. WHAT!!?? Yep. Not that you would normally play that side of the hi-hat but..........shouldn't it still register like the Rolands do?
2 more complaints:
Although I said earlier that the brass surface of the Alesis hi-hat does make me feel more 'free' and 'unencumbered', there is a caveat there. It's kinda hard to explain but, when you hit an acoustic hi-hat, the stick does grip PERFECTLY on the brass surface. Meaning, the stick doesn't quite 'stick' in the exact spot you hit the hi-hat at (like a rubber hi-hat) but it kinda stays where you put it without slipping very much. Basically, an acoustic hi-hat feels very right. You feel like you're playing MUSIC. You're playing the ****in' drums, ya know.
The Alesis cymbal is TOO slippery. If you balance the 'a bit too tight' tightness of a rubber hi-hat and the sloppy, slipperiness of the Alesis hi-hat, you come up with a real, acoustic cymbal.
There were times that i was really getting into a song and I would hit the Alesis hi-hat, accidentally, at just enough of an angle where the stick would kinda slip off of the hi-hat and not register the note.
Whereas if I was playing that on a Roland cymbal or an acoustic cymbal, the stick would have 'stuck' enough so that the note would have registered and I would not have noticed that I didn't hit the cymbal in that 1 inch sweet spot. Don't get me wrong, I'm all for accuracy, but sometimes emotion takes over and you don't want that interrupted by your hi-hat not registering a note!
My last complaint is that the Alesis 12" SURGE hi-hat is LOUD!!!! One of the things I tried desperately to research was how loud this hi-hat was going to be in my living room. I like to play my drums with headphones so that I can't hear anything but the drum sounds through the drum brain and never hear the actual wooden drum stick hitting rubber or mesh or the Alesis "real brass" hi-hat.
The Alesis SURGE 12" hihat is at least TWICE as loud as hitting the Roland rubber PD-8 pad and probably 3 times louder that Roland mesh pads. There is more of a high, treble sound, to the Alesis that caused my girlfriend to close the bedroom door for the first time since I'd been playing drums. The best way for me to describe the sound is a sharp, biting, tinny sound.
[...]
I don't know if Amazon will let this link stay but this is the best I could find. Doesn't sound TOO bad in the video but, in person, at home in a quiet setting, it IS loud. TOO loud in my opinion.
Hope this helps.


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Wednesday, January 18, 2012

Casio LD-80 Touch-Sensitive Digital Drums with Guide Lights and AD-12 AC Adapter Review

Casio LD-80 Touch-Sensitive Digital Drums with Guide Lights and AD-12 AC Adapter
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The nice features are the seven velocity sensitive drum pads which will transmit MIDI data to control other MIDI drum kits. Other than that the LD-80 does not have much to offer the serious musician.
The drum and synth samples are very grainy 8-bit sounding samples and there is a lot of noise on the signal. It sounds more like an early 80s digitial drum machine than real drums. Infact some of the sounds seem to be lifted directly from the famous Casio RZ-1 drum machine from the days when Casio still made professional music equipment. The machine has some bigger problems than mediocre sounds. For starters the pedal inputs are not velocity sensitive which means sounds played on the pedals will sound out of place with the more expressive sounds played on the pads.
Worse than this is the fact that the machine has very poorly implimented MIDI capabilities. There's no excuse for this as the machine has a good enough control panel to have been able to access more MIDI features so adding them would not have increased the cost. If you plan to use the LD-80 as a drum machine in your MIDI rig you will be annoyed to discover that the machine responds to MIDI data on all 16 channels. You cannot disable the channels you do not wish the machine to respond to. Channels 1-9 play General MIDI patches, Channel 10 plays a General MIDI mapped drum kit and channels 11 to 16 play different mapped drum kits including sounds not accessable by the pads or even mentioned in the manual. While it may sound like a bonus feature not covered in the manual that your LD-80 will also function as a synth module you will soon discover that with only 16 voices you will max out the polyphony pretty quickly in even a modest MIDI sequence. The fact that channels cannot be disabled on the LD-80 pretty much eliminate's it's usefullness as a MIDI drum machine and synth module for the serious musician who employ other MIDI synths in their rig. I was very disappointed with this. Either the engineers who designed this product were too lazy to impliment proper MIDI capabilities or they just no longer understand what musicians need in a MIDI instrument.
One thing that is rather nice about the LD-80 is the learning system built into it to help non-drummers learn to drum. A selection of auto-rythmes with auto-accompanyment as well as a few songs that the novice can drum along to in time with the syncronized light flashes on the pads makes practicing a bit more fun. Unfortunately poor implimentation of MIDI prevents these auto-rythmes from being useful for much else as you cannot start, stop, or sync the rythmes from MIDI.
It is cheaper than its closest competitor, the Yamaha DD-55, but if you're looking for a drum machine and not just a MIDI percussion controller then you'd probably do well to look elsewhere. If all you want is a set of pads to control other MIDI drum machines or a cheap kit for your kids to learn to drum on (the headphones are great for this) then the Casio LD-80 will fit the bill nicely.
Saddly what could have been a great product has been reduced to a somewhat okay product due to Casio's lack of vision.

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Sunday, December 25, 2011

Gibraltar 5611 Single Bass Pedal Review

Gibraltar 5611 Single Bass Pedal
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I have bought this pedal as my first for my first drum kit - it's an electronic kit and I think the pedal suits it fine. It seems to be rather lightweight and nimble, what seems to go together with the electronic kit just fine.
Please be aware that I am not an experienced drummer and can't compare to many other pedals - only the one my drum teacher has. I must say the for this money it seems to be an amazing deal though.
Rob.

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Saturday, November 26, 2011

Sound X SMI-1458 Electronic Drum Set Review

Sound X SMI-1458 Electronic Drum Set
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I have had this set for a couple of days and, for the money, this seems to be a great value. Really easy to set up, the wires are run inside the frame so you don't have cords hanging everywhere. I have only played it through the headphones, and overall the sound is very good. The pads and cymbals are very sturdy and fairly responsive and should hold up for a while. The kick is decent and the hi-hat function is o.k.; I have not had any of the problems, mentioned by others, with the mis-triggering zones. I would agree with the other reviewer about the pre-set patterns, which are really weak; if you are looking for some rock beats you will be disappointed. I am a medieum level drummer and this is a great set for me, since an accoustic would be way too loud; this set is a homerun for a beginner or anyone (especially a kid), looking to give drumming a try.

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A great set of electronic drums for beginners, the 7-pad Sound X SMI-1458 drum set offers a rich sound, and it comes with two drumsticks, headphones, and a DVD instruction disc to get you pounding right. You can play up to 215 tones and it comes with 50 preset songs, and you can also hook it up to your computer for recording thanks to the MIDI in/out port.

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Yamaha DD50 Electronic Digital Drum Machine Pro Percussion System 7-pad dd-50 Review

Yamaha DD50 Electronic Digital Drum Machine Pro Percussion System 7-pad dd-50
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The manual is available at:[...].
7 pads and 2 foot pedals. 75 drum voices. 20 preset kits + 1 custom. 100 included songs. 4 tracks.
MIDI In and OUT.


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Monday, October 3, 2011

Discovery Channel? iSoundz Digital Drums Review

Discovery Channel? iSoundz Digital Drums
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I got this for my 9 y/o son for christmas. As it happens my mother bought him a cheeper roll up drum set as well. When compared the roll up drums were much better. The Discovery drums had a very low valume, did not alway play when a pad was struck, sometimes played when a pad was missed and did not allow for two pads to be struck at the same time. The music play thru feature worked well and the sound when you have headphones in was not too bad.
All in all I would skip this drum kit, it just doesn't work well enough to try to use it as a training tool for your child, it may lead to frustration that will take them away from the drums not towards them.


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Monday, August 29, 2011

Yamaha Touch sensitive Digital Drums Review

Yamaha Touch sensitive Digital Drums
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I bought this electric drumset for my 14 year old son for a Christmas present. If I had time to return it, I would have. It's smaller than what the picture seems to suggest. It can sit in a normal adult lap barely hanging off each side, if any at all. It did not come with the AC adaptor as the item description listed it did. It makes several sounds which can be entertaining for any age group. But for the purposes of playing the drums, not at all useful. You have to hit the pads rather hard and they are closer together considering the whole thing is small. Don't waste your money on this set if it's for an older child wanting to learn to play the drums.

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Lay down a pulsing beat without investing in a spendy traditional drum set with the Yamaha DD-20CAD touch-sensitive digital drums. This entry-level unit is a must for the beginning drummer, as it simulates the feel of an acoustic instrument while also delivering the benefits of digital technology. The beat radiates from the unit's four touch-sensitive drum pads and four sound-effects pads (with 16 effects), which combine to create a huge variety of sounds. To further mix things up, Yamaha added 55 assignable pulse-code modulation (PCM) voices, 100 PCM rhythm styles, and 10 percussion sets (nine preprogrammed and one user-assignable). Despite the array of features, the set is intuitive and easy to use, with a scroll wheel on the bottom left for browsing through voices and styles and a straightforward user interface.
Other features include a single 3.94-inch speaker, a headphone jack that lets you practice in private without waking up the neighbors, an AC power adapter, and a pair of drum sticks. And at 9.3 by 5.9 by 17.1 inches (W x H x D) and a mere 3.1 pounds, this is one drum set that fits easily in a studio apartment or bedroom. So put off that acoustic purchase a bit longer and learn to play the easy way with the DD-20CAD.
What's in the Box DD-20CAD digital drum set, drum sticks, AC adapter, user's manual.

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