Showing posts with label synthesizer. Show all posts
Showing posts with label synthesizer. Show all posts

Tuesday, June 12, 2012

World Percussion SP0207TD Remo Thunder Tube Tie-Dye Review

World Percussion SP0207TD Remo Thunder Tube Tie-Dye
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This is basically a heavyweight cardboard tube with a long metal spring attached to the bottom. When you shake the tube, the sound is amplifies and resonates, making booming "thunder" sounds. A range of other sounds can also be created by running fingers along the spring.
It is a simple invention, but strangely addictive - people young and old like to pick it up and play with it.
It is also surprisingly durable. I've had one for over 10 years, and it is still in great shape. In that time, it has been a classroom staple, gone to adult trainings and business meetings, been featured in a couple of elementary school plays, been loaned out for a "haunted house" fundraiser, and is often played with by kids at home. I bought the thing on a whim to get kids' attention in the classroom (MUCH cooler than a bell or whistle!) but have been surprised by all of the other uses that we've found for it.
I recently purchased the tie-dye version as a unique gift for an eleven-year-old girl. It will fill a basket with a tin of "thinking putty", a set of "jelly marbles" and a few other fun science toys. I must say, it is great for the person who has everything, especially if that person likes to make noise!

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Wednesday, February 1, 2012

Singing Machine SMI-1320B Electronic Drum Pad, Blue Review

Singing Machine SMI-1320B Electronic Drum Pad, Blue
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I bought this for my son's first Birthday, he is totally entertained by it. The sounds of the drums are not quite as loud as the sound of the sticks hitting the drum pads, but it's still fun. It has a neat little demo song he loves to play along with. It has a 'sleep mode' after not even a minute that shuts it off. Normally it would be pretty neat to have that feature, but in this case it's kind of inconvenient because you have to adjust the drum volume back up to an audible level (louder than the sticks on the pad) each time the unit shuts off. Over all, I recommend it as a fun toy but will definitely get him real drums when he's a bit bigger.

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Friday, November 18, 2011

Electro-Faustus EF105 Drum Thing Review

Electro-Faustus EF105 Drum Thing
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I bought this because I wanted a little drum type machine for someone with no rhythm. I works good. Start out with low volume and work your way up. I've named my drum thing Meg!

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Wednesday, August 3, 2011

Akai Pro MINIAK Virtual Analog Synthesizer with Vocoder Review

Akai Pro MINIAK Virtual Analog Synthesizer with Vocoder
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-Teen using mother's account...lol
So I know quite a bit on synthesis, and wanted to expand my programming skills. Also, I needed something that I could jam out on with friends, etc. For the price I got,this is the perfect entry level synth. It's not too hard to program, but it has a lot of features that higher level synths have. It has pretty much everything you could want for a synth, and even a micro-sequencer. Personally, I prefer just using it as a synthesizer and sequencing on my computer. The one thing about this synth that is bad, is the vocoder. For me, the vocoder presets were just not good enough by themselves. I had to do a lot of tweaking to get them to sound good. Not to mention, for every vocoder patch, I had to get the analog gain wayyyy higher than it was set. Otherwise, no sound would come out of the synthesizer. Besides that, this is a great synth and for the price right now, a definite one to consider if shopping for one.

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Wednesday, July 27, 2011

Korg Kaossilator Dynamic Phrase Synthesizer Review

Korg Kaossilator Dynamic Phrase Synthesizer
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Ok, so this thing is kind of a toy, but my oh my, what a toy it is. I'm absolutely in love with. I'm kind of an acoustic musician. I play acoustic guitar (don't even own an electric) and upright bass, and any other box of sound I can get my hands on. Most synths and whatnot never seemed worth my money. I saw this little guy when I went searching for something I could use with special-needs students. I wanted something you could produce sound on without needing to know anything about playing an instrument. The price was right, so I got it, and the kids have loved it. I first thought it was a nice toy for the classroom, but then I started practicing on it myself, and I just couldn't believe how involved you can get with it. Once you unlock the little loop extender (from 8 beats to 16- you can find the trick on Korg's website) you can really get inventive. Anyway, for those thinking about it, whether or not you're experienced in music, it's a whole lot of fun and it can be very expressive. I'm feeling like I'm getting solid enough at it that I'm going to hook it up to a PA and play with a jam band. I'm even trying to scrap some cash together to get the KORG KAOSS Pad Dynamic Effects Processor so I can really get lost. You can hook the yellow guy into the red guy and get a whole new level of groove. Here are my pros and cons that might help you decide if it's for you...
PROS)
1)With the arpeggiator and the 16 beat code, mixed with sound effect parameters, you can find nearly endless amounts of new rythms to work with. If you feel like you hit the end of what you can do on it, you are just on a temporary plateau; more will come.
2) With some fancy rechargable batteries, this thing seems to just go on and on. It's so portable, I have it on me nearly at all times. I look like a geek with my studio headphones on tripping out on a campus bench all by myself, but I'm already married with a kid, so I'm more interested in my groove then looking cool.
3) With a little work, it's practically the easiest drum machine out there. You have some limits on actual drum sounds, but it is just so easy to set a groove, put it down, and pick up another instrument to play along with.
4)It's very versatile and intuitive to use. My students, who are fairly low functioning, have a great time playing along, and even my two year old likes tapping on the trackpad to a beat. It's fun for most folks.
5) The versatility of the programmed scales, ranging from arabic and mixolodeian to ragas and dorian, seem to express any, and I mean any emotion you want it to emit. With some practice, you can seemingly get any hard-to-express scence. It's like painting pastoral scences across the cultures of the world with your index finger. It's like Bob Ross' and Rick Steves' impossible love child singing you to sleep every night. (please, somebody get that joke).
Ok, now the CONS
1) The 100 loops and sounds programmed on here are mostly aggresive dance kind of sounds. I'm a ambient kind of guy, and like I said before, I like my acoustic sounds. They're are hardly any great acoustic sounds on here, and if I could reprogram it a little, I'd put on some Mellotron sounds, like flute and strings, and other more organic stuff. The strings and whatnot on here are pretty cheesy. The piano ain't bad, though, and that gets points.
2) You CANNOT program anything onto it. You got your 100 sounds and that's it. It gives the K it's own signature sound, which is fine because it's cheap and kind of a toy. If I could have uploaded new sounds or samples, I would have peed my pants with excitement. Unfortunately, I sit here continent and limited.
3) This last one is my biggest complaint, and it would have been great if Korg had thought this out. It's a small thing, too Maybe they'll read this, see my genius, and send me a corrected version of their device.
This "small thing" it lacks is the only thing that makes this device a toy for me. Otherwise I would have considered it the neatest gizmo ever. You CANNOT adjust the volume of individual sounds in your loop. Say you lay a fat drum beat and a chunky bass line. You go over to the sound effect pad to add a little hiss or sizzle, or over to the chunky lead synth pads to add a hint of a melody in the background. Often times, there is no putting it in the background. You're stuck with the volume that goes in. The Korg folks boast that you can just keep adding stuff, but I've found after 4 or 5 elements, you get really noisy loops really fast. I would have liked another button that would have let you adjust the master volume of any sound you were adding. The way around this is to use a multitrack recorder and set your loops up into that, but now your portability is gone, not to mention that instantneous groove element. Even if your multitrack is a small one, now you're running wires instead of just your headphones.
Otherwise, I think of this yellow box like the Game Boy invented for music geeks like me. It's really nice, and in the two months I've had it, it's been a nice retreat from my daily grind.
Hope this helps!

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Tuesday, July 26, 2011

Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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