Line 6 POD Studio UX2 Review

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(More customer reviews)there's no telling how much cash i've spent over the years looking to create a simple home recording setup. i'm a musician, not an engineer, not a computer geek either. in other words, i needed something that would be easy and sound awesome. line 6 POD studio UX2 is it. it's a box that sits on your desk, comes with ONE CORD and four different programs. that's it. without even installing any of the programs, my PC (running vista) and my mac both saw the UX2 and i was able to use it with my existing recording programs like acid and garage band. BUT once installing the software it came with, it became hours of childlike euphoria. "POD farm" has hundreds of cool effects for the guitar that you can play in REAL TIME, and record directly to acid with (also worked with audacity, a free program). another disk, "riff works", lets you play along with surprisingly great-sounding drum tracks, record layered guitar parts and construct a song (also lets you export as wav file when you're done). the other two disks, "abelton live lite" and "reason adapted" are basic versions of very expensive popular recording programs, so if you want to get a taste of how they work, they are also included. but what i was looking for above all else was SOUND QUALITY, and this box delivers many times over. completely satisfied.

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Behringer MS16 Powered Studio Desktop Monitors Review

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(More customer reviews)SUBJECTIVE REVIEW: Behringer MS16 2-Way Active Personal Monitor System
Pros:
- Accuracy, soundstage & imaging!!
- Connectivity & Front Panel Controls (Right CH Speaker):
.... INPUT 1 (1/8" TRS) Connector
.... INPUT 2 (RCA Right & Left) Connectors
.... ADJUSTABLE 1/4" TRS Microphone Input - mixable w/stereo inputs for playback and vocal monitoring applications
.... 1/8" TRS HEADPHONE Connector w/auto-mute loudspeaker function.
.... FRONT PANEL Controls (Bass, Treble & Level)
Cons:
None except deep bass - which can be resolved by adding a powered-sub like I did!!! ;-)
NOTE: All subjective comments based on:
1) SPEAKER LOCATIONS:
.... a) Free-standing near-field monitor location, 4' apart, slightly tilted-in (closes walls 10') - Music by my Polaroid 30 GB MP3 player (NO powered-sub )
.... b) Keyboard: L & R location installation, slightly tilted-in (with & without Altec Lansing FX2021 powered-sub**)
**NOTE: Adding a powered-sub relieves the Behringer MS16 4" woofer speakers of reproducing the lower frequencies thus lowering the possibility of distortion or breakup when played louder, - 85 dBc to 90 dBc Fast SPL Peaks!
2) Critical listening SPL = approx. 85 dBc to 90 dBc Fast SPL Peaks measured @ 8' to 10' away from the speakers.
.... a) Radio Shack SPL Analog Meter: Dial = 80 or 90 / Weight = C / Speed = Fast
ACCURACY:
One of the Behringer MS16 hallmarks is the accuracy in reproducing encoded musical sounds from my MP3s, ... like, a violin sounds like a violin, a trumpet sounds like a trumpet, a tenor sax sounds like a tenor sax, a Grand Piano, like the Grand Piano that Diana Krall uses in her "Live in Paris" CD (I use to own a 6' Yamaha Grand in my HT/family room), etc. What is unusual for this price range, is the MS16 ability to reveal subtleties and the resolution of the high frequency characteristics within the encoded music/instruments, . . . they are just more evident with the Behringer MS16 vs. other speakers in this price and some costing more; i.e. with close mike recording of an acoustic guitar, you can hear the artist fingers (George Benson; Earl Klugh; Russ Freeman) sliding up and down the frets; you can tell that that two violins are playing a melodic line, rather than just one violin; the air harmonics off the crash or ride cymbal sounds, just like our Tama Rock Set w/Zildjian cymbals; Diana Krall breathing during some of her songs Intro ("Live in Paris" Music CD). Here - I do chalk up the sound quality to Behringer MS16 1.5" (38mm) Diameter High-Resolution Tweeter., which is a nice size for a small personal Studio near-field Monitors.
SOUNDSTAGE:
The left to right placements of instruments & voices are excellent, providing a precise, very wide, beyond the speakers soundstage. The Behringer MS16 front to back (depth) soundstage is also excellent, as well as the dynamic's resolution (soft vs. loud) in playing back the encoded instrument sounds which helps provide excellent location placement of the instruments. Though the front to back soundstage can be a result of how close the microphones were to the instruments, no doubt, the quality of the best recordings, will be revealed by this speaker and the opposite is also true, poor recordings will be revealed as poor. The Behringer MS16 plays back all my Jazz CD Music with relative smoothness, with no surprising in-between the eyes, unnatural frequency peaks because of it's super flat & wide Pro Monitor like frequency characteristics. I also own the JBL N24 w/4" woofers (JBL NSP1 PKG) which was raved by Brent Butterworth for its super midrange playback (voices) and in direct comparison, the Behringer MS16 is equal to task providing the same balanced, natural, clear unstrained playback! (Samples: "Francis Albert Sinatra & Antonio Carlos Jobim" 1967 Digital remastered DDD Music CD; Diana Krall "Love Scenes" & "The Look of Love" Music CD; Bob James "Fourplay" Music CD; David Benoit "Fuzzy Logic" Music CD [Album Of The Year - 2003 National Smooth Jazz Awards], etc.).
IMAGING:
Another characteristic that the Behringer MS16 displays is its ability to image the specific instruments across the soundstage, with a floating in front, side, quality sound presence comparable to some JBL PRO Studio Monitors, though its point source is more precise due to the smaller cabinet side. The Behringer MS16 low-diffraction front cabinet geometry feature curved cabinet edges to eliminate diffraction, which ensures precise imaging and localization. I love the Behringer MS16 ambience reproduction in my room, because it gave me the feeling that "you are there" and if the recording is from a live concert, the ambience provided the right amount of reflections to make you think your listening to the performance outdoors, or in the symphony hall. ("The Corrs - Live at the Royal Albert Hall" Music CD; Diana Krall "Live in Paris" Music CD).
BASS FREQUECY:
WITHOUT POWERED-SUB: (Bass adjusted slightly less than MAX @ the 5 o'clock position / Treble left flat)
The Behringer MS16 bass is rated down to 80 Hz, and after adjusting the Bass Control to near MAX (5 o'clock position), ... it easily matches my JBL 24s (Benchmarked down to 89 Hz -2.7 dB - Fronts location by Tom Nousaine for Sound & Vision Magazine) lowest rated frequency reproduction in my familiar jazz music (David Benoit, Bob James, Joe Sample, Diana Krall, etc.) MP3 encoded music is not as demanding as a keyboard or CD (pure digital recordings), so what I hear was more than acceptable @ 85 dBc Fast SPL Peaks! (louder than normal listening). The deep bass is lacking of course, which is expected for a 4" DIA woofer, but it wasn't MIA and actually sounded better than most free-standing speakers w/4" or 5" woofers. The upright bass (Diana Krall) and electric bass lines (Bob James "Fourplay" w/Nathan East on bass) reproduction was way above average and overall, ... it nicely filled my 20 x 30' room with well balanced, clean & smooth frequency jazz music.
WITH POWERED-SUB - YAMAHA PORTABLE GRAND KEYBOARD:
Reproducing a digital keyboard is demanding so to get that floor & air feeling bass SPL without distortion or breakup, I coupled the Behringer MS16 Speakers w/the Altec Lansing FX1021 2.1 Speaker System, or more specifically, Altec Lansing FX4021 Powered Subwoofer (w/Two 5.25" long-throw woofers in isobaric configuration). This unit is rated down to 32 Hz and takes care of the lower frequency duties. Matching the Altec Powered-sub to the MS16s took about 20 mins. using the Keyboard built-in MIDI DEMO files and by playing it personally! I'm finally happy with what I hear from my Yamaha DGX-505 88-key Portable Grand.
THE BOTTOM LINE:
If you want "budget" monitors that provides excellent imaging, revealing resolution, super flat & wide Pro Monitor like frequency characteristics, the Behringer MS16 is for you! At no time during my critical listening phase (w/85 dBc - 90 dBc Fast SPL Peaks) did I hear any distortion or breakup (with or without powered-sub) from my Behringer MS16 speakers!!!
- Although the following is an OPTION & NOT REQUIRED to ENJOY these powered speakers, you can add a powered-sub to round out the lower frequency foundation and once you balance the SPL between the powered-sub & MS16s, ... you've got a very nice killer setup for MP3, PC, Laptop, Keyboard & near-field Home Studio application @ a very reasonable price!
In my case, I'm guessing, that the Behringer & Altec powered-sub combination for my Yamaha Portable Grand Keyboard frequency response is approx. 40Hz - 18kHz ±5 dB in my 17' x 13' living room (see my attached Amazon photo's) and for the price, ... it just sounds GLORIOUS @ 85 dBc - 90 dBc Fast SPL Peaks!!!
Highly Recommended!!! (Another way to think about it is, ... you can't build a 16 Watt [2x 8 Watts] self-powered speakers like this for under $60 a pair!!!)
Background: Audiophile since 1980; retired Audio/Video dealer; retired semi-pro musician (piano, keyboard, acoustic / electric guitar, bass guitar & drums).

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Logic Express 9 Retail Review

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(More customer reviews)I am a hobbyist, not a pro, so keep that in mind as you read this; however, I have over the years used the old Logic when it was made by eMagic, Cubase, and landed on MOTU Digital Performer for a few years. I took a wrong turn and ended up playing with Reason and Live for a while, and then quit altogether. After a few years, I recently picked up Native Instruments Komplete 6, and never having found an ideal DAW, decided to dip my toe in the water with the new version of Logic Express. Having used many packages, I can tell you this is a robust package that strikes a nice balance between ease of use for a musician and powerful features for a producer. The Express version is not defanged, and can happily handle tons of tracks, Audio Units plug-ins (no VSTs), and without reading the manual I could record MIDI tracks, use software instruments, and record audio the same day I installed it. There are some really nice features and if you need the pro version you simply pay the difference for the upgrade, making this pretty exceptional value. I'm still fine with Express, but knowing the upgrade is easily available at no penalty is a nice policy. This is an intuitive and thoughtfully designed piece of software that has definitely reduced barriers for me at least in terms of getting the ideas that are in my head down and playing with them until they sound great.

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Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player's dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

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Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple's professional support staff. For more information, visit www.apple.com/support/products.

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PreSonus Inspire 1394 4X4 Firewire Recording Interface Review

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(More customer reviews)Now this is the way computer peripherals are supposed to work - 15 minutes or so after opening the box, I was laughing my way through my first home recording effort. No tearing my hair out, no frantic searching on-line for new drivers, no pouring through obscure FAQs looking for solutions... it simply works! Mind you, this is with Mac OSX, 10.4.11.
Audio quality is plenty good to my middle-aged ears, and completed recordings downloaded to my IPod sound just as good as any commercial tune. Sure, crank the gain up full and add the boost and you can hear a little bacon frying in the background, but more sedate settings are very quiet indeed.
The absence of buttons and knobs on the unit is fine as well, the on-screen control panel has proven fast and easy to use.
Bottom line? The Presonus Inspire is simple, inexpensive, and performs well.


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Now compliant with Intel Macs! The INSPIRE 1394 is a revolutionary FireWire Recording System featuring professional quality 24-bit/96k analog to digital conversion rate, four simultaneous inputs, software control panel as well as audio recording and production software giving you the smallest, most flexible, most affordable and all-inspiring computer recording studio ever! What's InsideThe INSPIRE 1394 is loaded with state of the art components and technology enabling the easiest computer recording experience ever. The INSPIRE 1394 installs effortlessly on both Windows XP and Macintosh-based computers and works seamlessly with virtually all popular recording software including Cubase, Nuendo, Sonar, Cakewalk, Logic, Logic Express, Digital Performer and many others. The microphone and instrument preamplifiers loaded in the INSPIRE 1394 are designed to deliver ultra-low noise, high gain preamplification for all types of microphones and instruments needed for professional quality recordings. Ins and OutsThe front panel of the INSPIRE 1394 features two custom-designed PreSonus microphone preamplifiers with +48V phantom power and two instrument Hi-Z inputs. The back of the INSPIRE features selectable line or phono (with RIAA filter) inputs great for all types of keyboards, samplers, drum machines and turntables. Outputs on the INSPIRE 1394 include RCA unbalanced and mini TRS jacks as well as headphone output. Software Control PanelThe INSPIRE 1394 is comp...

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Mackie Onyx Blackjack Premium 2x2 USB Recording Interface with Tracktion 3 Music Production Software Review

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(More customer reviews)I was worried from reading the other reviews that I would have problems. (including reviews outside of Amazon)
After doing a lot of research I realized that it was probably the right fit for what I want.
I have a MAC Power Book - OS 10.6.6
I had been using only the 1/8th inch jack on the side for input and that, obviously, wasn't cutting it.
I wanted to use an electric guitar and a near field mic for vocals - specifically a Sure SM57
- because I'm recording in a place where I can't control the outside sounds and if I want to get a clean sound without a lot of background noise
and a low noise floor, I knew I would need the less sensitive and more directional mic.
The Sure SM57 needs a pre-amp that generates at least 54db to 60db, because it's a dynamic mic.
The Mackie Onyx Blackjack 2x2 USB was the only USB box I found who's pre-amp was that strong.
Since I have a MAC there was no "driver" problems talked about in other reviews.
I plugged the box in, went to the System Preferences >Sound > switched the "Audio In" to Onyx Blackjack, started up "Logic" and it worked instantly.
No issues at all. Good quality sound. No Clicks, No Latency. Simple and Perfect for what I want it for.
I tested it on Electric Guitar and then vocals with the SM57, and with some larger diaphragm mics.
It does the job I want it to do, and I give it 5 stars.

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Shure PGDMK6-XLR 6 Drum Mic Bundle Review

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(More customer reviews)I recently purchased this set of microphones and all I have to say is... I love them!! Definitely a very good buy!

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PreSonus FireStudio Project 10x10 FireWire Recording Interface Review

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(More customer reviews)I purchased the Firestudio Project a year ago and have been thrilled with its performance.
The external LEDs are a huge plus for setting your levels, and the eight XLR/quarter-inch inputs are very convenient. You also have phantom power available for all inputs.
The latency with this unit is minimal with a PC running Vista in a stripped down form as recommended by one of the major music retailer web sites.
Cubase LE is fairly simple to use, and it's easy to export your individual tracks for use in other DAWs like ProTools, if you intend to mix in a studio. Another note regarding Cubase: out of the box the program defaults to 16-bit recording, and you will definitely want to change the bit depth to 24-bit, particularly if recording in a noisy home studio environment. The noise floor, especially on vocal recordings with high gain on a condenser mic, is considerably higher with 16-bit. So, make sure you have a computer that is beefy enough to handle 24-bit because it does use more system resources.
The FireStudio also comes packaged with some nice VST plug-ins including instruments by Halion, some of which are pretty passable like the Jazz Piano.
When researching interfaces, my biggest concern was compatibility with hardware, as I had read some horror stories about interfaces not working with FireWire drivers correctly on certain PCs or Macs. This one worked perfectly out of the box with a store-bought HP desktop, so my experience was great in that regard.
My only complaint is that this unit was supposed to come with the Presonus EyeQ software - a multi-band EQ and spectrum analyzer, which was pictured on the box, but not in the box. I've read that others got left out of the EyeQ party as well, and I have e-mailed tech support but not yet gotten a response after one week.

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Apple Logic Studio Review

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(More customer reviews)So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

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Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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