Showing posts with label sonar. Show all posts
Showing posts with label sonar. Show all posts

Sunday, August 26, 2012

Akai MPD26 USB/Midi Pad Controller Review

Akai MPD26 USB/Midi Pad Controller
Average Reviews:

(More customer reviews)
Where to start !
Ok the basics, This product boasts a lot of features, and for anyone who has dreamed of owning an MPC, but cant afford it this is a great alternative.
Straight out of the box this item looks good, its solidly constructed, and just looks cool.
It comes with a copy of Ableton Live LITE, which honestly is not worth using, it is very limited in what you can do and to take advantage of the MPD you really need the features of the full version.
When it comes to installation it couldn't be any easier, plug in the USB cable and away you go, the only other thing you need to do is set up Live or whatever program you are using, its just a case of selecting it from your midi devices section in your program preferences..
Once I had this set up I was already to go, or so i thought, I found that LIVE's preset instruments wern't all that great for the MPD, however after searching on the net i found some cool videos on youtube that show you how to set up preset settings in LIVE which work really well.
The next thing i found was that there was quite some delay when i would hit the pad compared to when i would hear it, which was very annoying, it made trying to time things right near on impossible, after a little more research i found out what the problem was, it is the latency, which is determined mostly by the quality of your sound card and its drivers. There is a fix for this that worked brilliantly on my setup, and on a mates who purchased the MPD 18, you need to download ASIO4ALL a simple google search and you'll find it.. This has got my latency down to near zero and i can no longer feel any delay at all.
Now that I finally have the MPD set up the way i like, and all my little hardware bugs sorted, I love this thing, It's mad addictive, and I find myself getting lost in the mix and time just dissapears.
In conclusion, this product is fan-freakin-tastic... For the price of this compared to the MPC it is definetlly worth it, Although all MPC owners out there will tell you how it is nothing like an MPD, the truth is it does everything an MPC will do but you need the computer set up in a way that allows you to do it... Im sure they will all disagree, I personally think they're just a pissed that they spent so much on something that you can do with the MPD for a fraction of the price.. Obviouslly there is the downside that you cant just pick it up and take it to a gig without having ya pc with ya, but for recording / beatmaking this thing is great.
Although it was a little tricky getting all my presets sorted, once that was done its sweet.


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The MPD26 is a MIDI-over-USB pad controller with genuine MPC pads. It's perfect for producers, programmers, musicians and DJs. Its blend of intuitive MPC controls and technologies meshes with easy USB connectivity to bring the feel of classic beat making to the world of computer music production.
A MIDI-over-USB pad controller with genuine MPC pads. Click here for a larger image

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Tuesday, May 29, 2012

CAKEWALK Dimension Pro Virtual Synthesizer Win/Mac Review

CAKEWALK Dimension Pro Virtual Synthesizer Win/Mac
Average Reviews:

(More customer reviews)
I started with Dimension LE bundled with Cakewalk Home Studio 6 XL, but upgraded to Pro when they ran an upgrade deal. The more I use Dimension, the more I like it... it's now the primary synth in my virtual rack. Free upgrade sound packs and a software update are available on the Cakewalk web site, be sure to download. The grand piano is particularly striking, as are all the string patches in the Garritan Pocket Orchestra; very realistic sounding.
The manual is pretty weak in terms of describing how to create new sounds beyond the presets (there are whole books available on that topic), however the synth is capable of quite an array of sounds and includes a large number of built-in effects that can be chained together. The envelope generation editors allow envelopes to be applied to just about every facet of the sound module; thus using the included analog waveform samples (saw, square, etc.) you can actually make some pretty interesting analog synth-style sounds; check out some of the presets to see how this is done.
So right in the box you get a very nice sampler synth, that also can be programmed like an analog synth using raw waveform samples and the effects/oscillators, capable of stacking up to four samples at once each with separate envelopes and useful effects, that is even capable of firing MIDI sequences/loops as well, with MIDI controller/note mapping any of the settings in the patch... this is pretty much a "work horse" synth.
As a result I find I reach for Dimension as my first choice when adding a virutal synth. It's simply a great, versatile, all-round synth with a huge library of presets (counting the free downloads something like 8 _Gig_ of samples!) and an amazing amount of control to find that perfect sound. The user interface is indeed a bit daunting, so I would probably recommend getting one of the books available on Amazon if you want to dig deeper than the presets (of which counting the free addons must be around 2000 or so presets).
It may not be the perfect sampler synth, or the perfect analog-sound synth, or the perfect loop player... but it does a very decent job of all three of those with a high degree of controllability for the musician, so it's quite a nice "1-stop shop" once you get to know it.

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Dimension Pro combines real instruments with advanced synthesis. This two-DVD sound library has over 1500 sound programs, with tools that are ideal for preset addicts, while its deep editing and sound generation capabilities should appeal to sound designers. It offers n abundance of sounds that range from pristine realistic acoustic instruments, thumping basses, cutting leads, to complex, evolving atmospheres.Multi-stage effects sections and filters -insert and send effects for each part including -Bit reducer and Decimator 16 filter types; 5 tone drive modes; 3 stackable parametric EQs; 6 delay types; 3 chorus types; LFO filters; Autopan Room simulation and modulation effects Mix and layer up to 4 stereo parts per program Vector Mixer for real-time sound morphing - morph sounds by gliding between the different elements of a program Drag-and-drop MIDI into host applications for groove manipulation

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