Showing posts with label effects. Show all posts
Showing posts with label effects. Show all posts

Saturday, April 21, 2012

DigiTech RP500 Integrated-Effects Switching System Review

DigiTech RP500 Integrated-Effects Switching System
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I play quite frequently in a church setting, where it's not feasible to hook up my amp, and I need to get a wide array of sounds, so I wanted something I plug in directly to the PA and get a great sound. I narrowed it down to this model, the BOSS ME-70, and the Line 6 POD 2.0 + foot controller. Here's why I went DigiTech:
1. Build Quality - This thing is a tank. It has a cast-metal chassis and vacuum-style footswitches, like on a stompbox. The BOSS unit has a metal chassis as well, but the footswitches are plastic.
2. Cost - $245 shipped for the Digitech, which comes with a power supply and Cubase LE4 recording suite for your computer. Pretty sweet! The BOSS unit is $300 and doesn't come with a power supply. I call shenanigans on that.
3. Customizability - While I liked the ease of use on the BOSS model, the thing I liked about the Digitech better is the preset system. You get 200 presets (100 factory and 100 user). The factory presets have some good sounds dialed in (though in no particular order it seems). You can also hook this up to your PC and adjust your presets from the provided X-Edit Software (which is quicker than using the menus on the unit). You can also download and save other patches, there are over 400 available on the Digitech site for free.
4. Stompbox-mode - Both units have modes to make them function like stompboxes.
5. Sound Quality - Don't get me wrong. Both of these units sound great, but I did not like the distortions I was getting out of the BOSS unit as much as the Digitech.
6. Ease of Use - It is very easy to use, pretty intuitive controls that are easy enough to figure out. After about a half-hour with the product and the manual I have it pretty much under control.

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The DigiTech RP500 delivers easy control over your tone on stage! The DigiTech RP500 guitar multi-effect processor gives you the ability to control program changes, complete signal chains and allows you to turn all amplifier and cabinet sounds off in the exclusive Pedalboard mode. When in Pedalboard mode the RP500 acts like 5 separate stompboxes and effects. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro rigs. Free Version 2.0 Upgrade is Now Available for Download at digitech.com!! The Version 2.0 upgrade adds a 20-second looper to your RP500 so you can now lay down a track, loop it, add another track with a different preset to help when creating songs or just build a song live on stage! DigiTech RP500 Modeling Guitar Processor Features Pedalboard mode changes switching to emulate 5 selectable stompboxes or effects Amp and Cabinet Bypass defeats internal amp and cabinet effects in all programs Heavy-duty vacuum switches for: Program changes Effect On and Off changes Bank up and down Tap tempo and tuner Bright LEDs display program status and effect On and Off Large 10 character LED display for program name, bank name and tuner Stereo XLR and 1/4-inch Outputs with ground lift Built-in expression pedal to controls internal effects including Wah Volume Whammy Other effect parameters All metal construction The RP500's stage control allows you to quickly and easily change your tone mid-song and eliminates the tap dance of individual e

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Thursday, February 23, 2012

DigiTech RP1000? Integrated-Effects Switching System Review

DigiTech RP1000? Integrated-Effects Switching System
Average Reviews:

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Here is my review of this Multi-effects/amp-modeling/integrated switching system. I have been playing guitar for well over 10 years and have a decent amount of experience with Multi-effects units. I own the Digitech GNX4 and an earlier model BOSS unit with the COSM modeling. I have provided my rating for each individual aspect of the unit and also some comparison with the Boss GT 10, which I think is the only real competitor for this kind of unit and price point.
Effects: Almost all of the effects range from good to excellent. The only one that's actually bad is the harmonizer. Its almost useless. I have GNX4 from 5 years ago and the harmonizer on that is excellent. So this is definitely a step backwards. There is a way to get around it by adding a harmonizer pedal ($200+) into the stomp loop. But come on Digitech, why should I have spend that extra $200? FIX THE DAMN HARMONIZER PLEASE. Also, in the GNX4, you could run Whammy/Harmonizer and effects like chorus/flanger etc together. In the RP1000, you will have to chose between Whammy/Harmonizer and effects. I wish they kept this functionality from GNX4. From what I have seen/heard on You tube, Boss GT10 has better and more effects. I haven't tried the GT10 in person, but to me, quality of RP1000 effects is excellent. I doubt I am missing much (except the Harmonizer of course) (3.5 Stars)
Amp Modeling: This is where this unit shines. I have the GNX4 with the MFX Supermodels CD which is excellent. But I think the quality of the modeling is better in the RP1000. The models are more responsive to touch and sound great to excellent. I went through almost all the amp models. I can really hear the difference between a Fender, Marshall, Vox AC, Mesa etc. Really hard to fault. However, for all you tube amp fanatics out there, I don't think this will satisfy your ears 100%. Also, Boss COSM modeling is not that great compared to RP1000 modeling (4 stars)
Switching system: I have to give kudos to Digitech folks here. They have REALLY done their homework on this one. The 4CM method is pretty useful and allows you to integrate this unit in your existing setup. The stomp loop capability is great. I wonder why Digitech didn't put the amp channel change capability (like GT10)? That would have made this unit a God-send for me. I don't like the fact that if I want to use different channels on my amp, I have to use a different foot switch. Also, having 10 foot switches is way more convenient: 5 for Stompboxes, 5 for presents. Patch changes are quick (slight delay, not too noticeable) and stomp box on/off is instant. Boss GT10 switching system has the same features, but its just not as well laid-out/organized as the RP1000(4 stars if you use 4CM method, 5 stars otherwise)
Ease of use: I have been using the GNX4 for a few years and that was somewhat daunting in the beginning. With that experience, RP1000 is actually easier for me use. I think Digitech took out some of the complexities from the GNX4 and made it lot more user friendly and easily tweak-able in a live situation. I really like how easily you can bypass amp modeling, add in stomp loop, modify effects etc. on the go. X-edit is a decent piece of software as well, but you really don't need it as much as you did for GNX4. RP1000 is a lot easier to use in person. Overall, very well done indeed. Boss GT 10 seems very complicated to me, but again, for folks who have used GT-8 in the past might not be too concerned with that. For someone starting out fresh, you cant beat RP1000 for ease-of-use (5 stars)
Overall: 4.5 Stars. If you are in the market for a Multi-effects/Amp-Modeler unit, just close your eyes and get the RP1000. I don't think you can buy anything better at this price point. Sure, every one is raving about the Axe-FX, but I don't wanna spend 1.5k on an amp modeler. Besides, I like floor unit, not the rack mountable ones. Also, do your homework. Definitely check out Boss GT 10 and then make up your mind.


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Sunday, October 16, 2011

DigiTech RP50 Digital Amp Modeling Effect Unit Review

DigiTech RP50 Digital Amp Modeling Effect Unit
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Digitech's RP-50 is a reasonably priced multi-effects unit tiny enough to take up very little space on a shelf or in a gig bag. It will provide more than enough bang for the buck for most guitar hobbyists. It contains multiple flanging, delay, chorus, autowah, and distortion effects. These go beyond the "bread and butter" stock sounds that many Korg and Zoom boxes provide, giving us truly useful and musical sounds. I'm particularly impressed with the various amplifier simulations; there are some beautiful clean Fender and Voxlike sounds hidden in here. There's also a gorgeous acoustic simulation that will strongly evoke a piezo pickup if you play without distortion. I'm also happy that the presets aren't oversaturated nonsense but actually highlight the varied sonic qualities of this multieffects package. Furthermore, the RP-50 can be used as both a headphone amplifier (perfect for when you don't want to wake up the house) and a direct input for recording. I've used the RP-50 for a lot of home recording since 2003, and the sound quality is very, very impressive even when plugged directly into my computer. In fact, I prefer the RP-50 for that use instead of using it to replace a pedal board. There's also an excellent tuner that's easier to use than some other pedal-based tuners I've tried.
Is this as good as more expensive models? Customization is, unfortunately, limited. Since you can't totally control all the parameters of each effect, exact synchronization of delays (for example) is impossible. The onboard EQ is limited to "Lows," "Mids," and "Highs" making it almost impossible to dial in nontraditional tones. There's a great-sounding drum machine included which (you guessed it) can't be reprogrammed. You can select a different drum pattern and choose a different speed, but that's it. You can't create your own patterns, and the drum speed isn't given to you in beats per minute (BPM). The selection pedals are very small and I would worry about stomping on them too hard on stage.
I've used the RP-50 since May 2003 and have never once had a problem with it. It's a valuable practice tool, sounds great, and is a terrific value. I'd buy it again if I had the chance!

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Friday, July 29, 2011

Zoom G2 Guitar Effects Pedal with Drum Machine Review

Zoom G2 Guitar Effects Pedal with Drum Machine
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When you have a beguinner rocker in the family you have to find a way to develop his rhythm technique. Throw out the metronome and get this cool pedal. It's easy as heck to use and as fun as the day is long! The drum patterens are varied and really sound good, not like electronic drums and there are lots of interesting guitar sounds and effects. Highly recommended!

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Introducing the G Series from Zoom. G2 pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2 pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.
ZFX-3: A new-generation DSP from ZOOM The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.
54 high-quality effects made possible by 32-bit processing A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.
Latest modeling technology supports 16 different drive sounds By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.
The right tools for the job: Editing controls with analog feel The three rotary knobs let you tailor three different parameters at the same time. This could be the equalizer bass/midrange/treble, or the chorus depth/rate/mixing level, or the delay time/feedback/mixing level. It's like having an array of stomp boxes ready for action. In play mode, the three knobs are assigned to drive effect gain, tone, and patch level. This lets you quickly match the unit's performance to the guitar or amp type, room acoustics, or other factors. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
Preset patches ready to use for recording or live performance The unit comes preprogrammed with a total of 40 preset effects patches. 20 pairs of similar sounding and similarly named effects are optimized respectively for use with a guitar amp on stage or for recording with DAW software or a mixer. There are settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original Zoom creations. There is also enough built-in memory to store up to 40 of your own effects patches.
World's fastest patch change speed: 5 ms Thanks to the speed of Zoom's new processors, that annoying interval when switching patches has been all but eliminated. With its amazing speed of 0.005 seconds, the G Series pedals never miss a beat. When changing from rhythm to lead, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR makes those playing pauses silent Zoom Noise Reduction (ZNR) was developed specifically for guitar. While keeping any alteration of the original sound to an absolute minimum, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Additional flexibility is provided by two noise gates. The vintage type DIRTY GATE is a great match for fuzz sounds, while the high-speed muting of the GATE setting brings heavy riffs into clear focus.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle riffs for blues sessions, and many more choices. Rhythm training is a cinch, and the rotary knobs let you quickly make tempo or level adjustments.
Ultra low noise design: 120 dB SN ratio and -100 dB noise floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in breathtaking performance.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the G Series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AC-0006) can be plugged in for extended studio work, whereas on stage you never need to worry about AC power.
Optional foot switch allows versatile remote operation With an optional foot switch (FS01) you can set tempos for delay time and modulation rate. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Control the vintage wah, pitch shift, or adjust the volume dynamics. Go beyond conventional pedal effects by varying drive gain or modulation rate, and adjusting the mixing ratio of delay and reverb.
What's in the Box Zoom G2 Pedal, AC Adapter, User's Manual

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