Shure PG58-QTR Cardioid Dynamic Vocal Microphone with 1/4-inch Cable Review

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(More customer reviews)Building a home studio, owned a few mics before this, some were more expensive some cheaper. This microphone blows them all away, there's a reason Shure has such a good reputation in this industry. This mic is built rock solid, the switch feels really solid and I don't have to worry about it breaking. First time I used this I was absolutely amazed at how crisp and clear the recording was. I'm buying two more.

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Tailored for performers of every level, the affordable Shure PG58 vocal microphone is a rugged performer that's tuned to accentuate the clarity of lead and back-up vocals. This PG58-QTR model includes a 15-foot XLR-to-1/4" cable, microphone clip, 5/8" to 3/8" thread adapter, and a storage bag. It's backed by a 2-year warranty.

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Shure BETA 57A Instruement Microphone Review

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(More customer reviews)The Beta series is the step above the incredibly popular SM series by Shure. The 57s are typically used to mic instruments and the 58s mainly for vocals. It is a dynamic microphone, so it's rugged enough for any situation, but is built to a much higher standard than typical dynamics so you get a lot more range and detail than you might expect.
I have used the 57 for a wide variety of instruments and vocals with great success both live and in the studio.
The Beta57 is excellent on snare, acoustic guitar, electic guitar, horns and wind instruments in addition to being a great vocal microphone. The supercardioid pattern ensures much more flexibility on stage with less chance of feeding back.
Overly loud bands with demanding vocalists who need as much as you can give them in the monitors, this is a life saver. Snare top and bottom. High hats when I don't want the bleed that a condenser would give. This is my go to mic for live applications.

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The Shure Beat 57A Dynamic Microphone is the hands-down best choice when you want one mic to do the work of many. Equally at home as an instrument or vocal mic, the Beta 57A features increased warmth and presence, giving your music more impact and clarity. The supercardiod pattern helps to isolate the voice or instrument and greatly reduces feedback on stage. Frequency response is 50-16,000 Hz. Low impedance. Shure Beta 57A Features Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse Neodymium magnet for high signal-to-noise ratio output Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Frequency response: 50 to 16,000 Hz Shure Beta 57A Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass and Saxophone Snare Drums Rack and Floor Toms Congas Woodwinds Lead Vocals AmericanMusical.com is an authorized dealer of Shure products.

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Heil Sound PR-20UT Dynamic Handheld Microphone Review

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(More customer reviews)Great sounding mic, but extremely vulnerable to handling noise. Might be OK with a shock mount, but that's not too practical given intended application of live performance. The rigid mic clip stand mount included with the PR20 provides a near perfect mechanical coupling so that any handling of the mic stand is transmitted to the mic. All-in-all, I'd say this mic is dangerous in live applications for any performer who is not totally aware of mic handling technique.

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Shure SM57 Microphone Review

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(More customer reviews)If there's a workaday mic in the world, used by every studio in existence as well as on just about every stage, it's the SM57. Generally regarded as about the best general-purpose amp mic there is, it's also used for instruments, vocals (yes, vocals), ambience, drums, and anything else you can think of. No mic fits every circumstance, voice, or instrument, but I guarantee you, the SM57 is right in the top dozen or so on the list when it comes to trying to fit a mic to a given situation. It's indestructible, sounds good, and is inexpensive. You really don't have a complete mic kit unless you have a few. I have several, and use them all the time. Look for deals and buy them when they go on special.

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Shure BETA 56A Supercardioid Dynamic Instrument Microphone Review

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(More customer reviews)I'm a drummer who does a lot of lead vocals in our band. I started out with a beta 58A and it does a great job, but the length of the mic plus the cable means I'm constantly hitting hit with my sticks and having to play around it to get to my toms. I've tried all sorts of headworm microphones and they have all been total failures - way too "live" and breathy, and none of them will stay on your head while you're drumming. I had given up and gone back to the beta 58A and was miserable, but less miserable than with the head mics.
A few weeks ago I saw a drummer in a live performance on TV using what appeared to be a stubby mic with a right-angle bend in it. "Genius", I thought, and immediately set about trying to find it. I went to my local music store and the Pro Audio guy said it sounded like a Beta 56A "instrument mic". I was deflated. He said not to worry - the 56A is an excellent vocals mic, especially for higher-register male vocals. Since I'm often called the "Peter Cetera" of the group, I decided to give it a shot :)
Finally - I am happy!! This mic is SO compact, and sounds great. It's probably a little flatter on the high frequencies than the 58A, but behind a drum kit that is a GOOD thing. I use a spring-arm mic holder mounted to my rack and with the length/weight of the 58A the mic would bounce around and bash me in the teeth/lips, but the 56A has less of a "lever action" being so compact and so the bounce has gone away. Also, I had to put the "wrong" angle on the 58A to keep the cord out of my way, but with the 90 degree connector on the 56A I can get it right up where I need it. On an overhead boom the cable goes *up* not *out*!
OK, so not everyone is a drummer... again, as a vocal mic it is a maybe a little flat on the top end. Also, it is supercardiod which lets in a lot of rear sound - not so good for drums - but that is what a compressor is for.
This mic is identical to the Beta 57A, but the 57A does not have the right angle body. I have been using a 57A to mic our guitarist's cabinet for my in-ear monitors and it sounds great, so I am sure that the 56A is also an excellent choice for mic'ing an electric guitar amp in addition to the "off-label" use as a vocal mic.
It's a Shure, it sounds great, is built like a tank, is versatile, and affordable - what more could you want?

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Featuring a frequency response specifically tailored for drums and instruments, the Shure Beta 56A microphone offers an extremely uniform supercardioid pickup pattern that provides high gain-before-feedback and excellent rejection of unwanted noise. A successor to the popular Beta 56, the 56A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Key Features
Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Specifications
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency
Output Level (at 1,000 Hz): Open Circuit Voltage -51 dBV/Pa (2.8 mV); (1 Pa = 94 dB SPL)
Impedance: Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees with standard 5/8"-27 thread
Weight: 16.7 ounces

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Audix OM6 Song Writer Dynamic Vocal Microphone Review

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(More customer reviews)I have had this mic for well over a year now, and I am thrilled with it.
In a live setting, this mic really helps vocals sit a little higher in the mix. In other words, I have noticed that my vocals come through in a more defined way that allows it to be heard over the music.
As for build quality, the mic is solid, sturdy, with a nice feel. (and while we are on the subject, she's pretty easy on the eyes as well... that counts too, right?)
I also have a modest home studio, and since I do not yet own a condenser mic, have used this mic to record vocals into Logic9 via the Apogee Duet. This thing sounds great in a recording capacity as well- and although I would love to record with a condenser, the Om6 dynamic is probably a better option anyway, since I don't have any kind of soundproofing in the room where I record. (Condensers pick up EVERYTHING... the neighbor's dog, traffic, the clock the wall... everything...)
Anyway, my impression, not being a "golden-eared" sound expert, is that this mic is true to my voice, and sounds natural. It also sounds nice recording my accoustic, and while I have played a little bit with hooking it up to the amp/electric, mostly I have recorded my guitar and vocals.
Finally, unlike other close contenders (the shure58 being one of them), this mic is made in Oregon, as opposed to being built overseas. I have also been told that should the mic get damaged in some way, Audix will replace the "innards" for a reasonable fee...
I am so impressed with this mic, that I will always look to Audix first when mic shopping. (And no, I don't work for Audix;)...I am merely impressed with the OM6, and want more folks to know... Great dynamic mic!
The bottom line is that both in a live and recording capacity, I am so glad to have this mic around.

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